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Pour faire un bon voyage, prenons le train

The railway advertisement To Have A Good Trip Let’s Take The Train, had given me the idea of a speedy violent film with plenty of information, the intensity and speed of which cannot be perceived complacently by the spectator. All this gives an aggression to the film not unlike the actual transport system… the train was a pretext and I started to shoot as though I were using a gun-machine, trains and pseudo amusements becoming all mixed up.

Pour faire un bon voyage, prenons le train

NR 1973
Don Pasquale

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Don Pasquale

NR 1979
Songs on the Death of children

Based on a free interpretation of Gustav Mahler´s Song Cycle by the same name and a fairy tale by Hans Christian Andersen, this multiple award winning film is a striking example of Titus Leber´s approach to visualise classical music. Using his so called “multi-layer-method” to superimpose several image layers the author takes us in a dream-like lamentation-quest of a mother's winter-journey searching for her child who has been carried off by the Angel of Death.

Songs on the Death of children

5.5 1976
Der Mann im Schilf

In 1934, young archaeologist Robert returns to his home in Salzburg after spending several years working in Crete. He wants to officially break up with his original fiancée Hannah, as he has fallen in love with his employer's wife. But his personal plans get caught up in the political turmoil of the Austrian coup year. In a small village, he and Hannah find themselves caught between the fronts of the coup plotters and the Home Guard troops. A defenseless deaf-mute is to be lynched as a scapegoat. To protect him, Robert invents a mysterious "man in the reeds." But Hannah also eventually falls victim to the unrest.

Der Mann im Schilf

8.0 1978
Oriana Fallaci intervista Ayatollah Khomeini

Oriana Fallaci, the Italian journalist who is noted for her provocative interviews, interviews the leader of the Islamic Revolution, the Ayatollah Ruhollah Khomeini, on Sept 12, 1979. For 10 days Oriana Fallaci waited in the holy city of Qum for her interview with the 79 year old Ayatollah, who is the de facto ruler of Iran. On Sept. 12, she was led into the Faizeyah religious school, where Khomeini holds his audiences. She was accompanied by two Iranians Nyho and Iran prime minster Banisadr who had helped set up the interview and who served as translators. Oriana Fallaci, barefoot, enveloped in a chador, the head to toe veil of the Moslem woman, was seated on a carpet, when the Ayatollah entered, and the recorded interview could begin.

Oriana Fallaci intervista Ayatollah Khomeini

NR 1979
A Patrizia: l’irrealtà ideale, l’oggetto d’amore

A silent film starring poetess Patrizia Vicinelli, shot in Turin and Morocco between 1968 and 1970. “We set out and traveled far because Patrizia had called us. The film bears witness to what we saw there and what we found upon returning home—the two things ideally united. In addition, it contains my personal inventory of love and visions, as well as the search for love, navigating between reality and unreality along the ideal thread and the obsession of the mind.”

A Patrizia: l’irrealtà ideale, l’oggetto d’amore

NR 1970