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The Quoddy Fold

"The Quoddy Fold" is an intimate interaction between a woman and a derelict coastal house. In this one-hour film Phillips dismantles and studies the movement from wood to dust, damp paper to mold, and ponders the house folding back into the land and sea. Phillips' performance constantly seeks evidence of dissolving boundaries, thingness, history and intersubjectivity of space, place and species. Through the poetics of the ruin "The Quoddy Fold" is an interrogation of dwelling and landscape giving space to entertain the ecological, cultural and societal anxieties surrounding impermanence.

The Quoddy Fold

NR 2019
Not Moldova 1937

"In another virtuoso turn, the artist brings her exemplary camera eye to Moldova, home of her grandparents, before they were driven out along with their Jewish comrades, thousands of them killed. Fragments of survivor testimonials mix with archival photographs and objects, along with present-day city celebrations (what is being forgotten in these civic rites of memory?). Haunted natural scapes grow over the dead, the abandoned graveyards and stones mark the places where culture and community used to be performed. This is a synoptic act of grieving, but also: a summoning of the present, a conjuring of the thousand ways that the betrayals of neighbours and friends marked out the Jews who had lived peaceably amongst them for generations, newly caught now in a terror of state oppression and greed."- Mike Hoolboom

Not Moldova 1937

NR 2019
The Spirit Keepers of Makuta'ay

Yen-Chao Lin travelled along the east coast of Taiwan – an area characterized by its wild nature, colonization and population exodus. The Amis is the largest of many ethnic minorities in Taiwan officially recognised as indigenous peoples. In search of different spiritual practices belonging to the indigenous people of Makuta’ay, Yen-Chao Lin places the memories of the old Amis spirit keepers on an equal footing with the practices of Daoist rituals and Presbyterian burials, allowing personal prayers to resound and collective resistance to emerge. The Spirit Keepers of Makuta’ay was shot on Super 8 film and developed by the director by hand. The effects created during the development process add an additional layer of spiritual interpretation. A miniature, an essay, an impressionistic painting.

The Spirit Keepers of Makuta'ay

NR 2019
Kingsway

Kingsway’s design dates to the golden age of the automobile when the route was once the only highway into Vancouver, but now its monumental scale contrasts with the human scale of family neighbourhoods and storefronts. The film portrays the interaction between the past and the present, layering images and sounds, creating a collaged experience of Kingsway. Architectural signs and symbols overpower the foreground evoking the automotive scale, but present-day buildings and spaces re ect a changing vernacular as portrayed by the street’s soundscape and the road’s new sense of place.

Kingsway

NR 2017
La Cuisine

This is a study from the "scènes de menage" series, starring Jacques Larose and Marie Claude Ferland, the filmmaker’s parents. We see domestic activities that take on a new dimension thanks to the way Larose deals with successive layers. The repetitive, automatic movements that are repeated in places such as the kitchen and the hallway, the succession of actions of getting into the car and leaving the house, are all captured by the camera in multiple overlays, which on being slightly out of sync give rise to a split, multidimensional reality.

La Cuisine

NR 2015