Discover Movies

16,134 Matches Found

Death Is Their Destiny

This fascinating amateur film of punks on the streets of London in 1978 - shot by prominent punk chronicler Captain Zip - captures the outfits and irreverent attitudes of the time. Punk PVC exposes her rear to tourists, while Joe Rex simply sticks two fingers up at passers-by. Famous faces glimpsed include Slits singer Ari Up and punk's fashion-designer-in-chief Vivienne Westwood. The soundtrack to this film - which includes a voice-over from Captain Zip (Phil Munnoch) as well as music of the time, and the voices of Rat, Mouse and Fliss - was added later, in 1991. Those seen on screen include Eds and Wobble, Joe Rex, PVC, Mandy, Ziggy, Tampax, Sherry, Michael, the Kingston Lurkers, Hamster, Ari, Bethnal, Ari Up, Caroline, Rat and Mouse, Nige, Tracey, Spider, Carrot, Julie, Vivienne Westwood, and Vaughan.

Death Is Their Destiny

10.0 1978
Tragedy or Hope

Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.

Tragedy or Hope

NR 1972
July '71 in San Francisco, Living at Beach Street, Working at Canyon Cinema, Swimming in the Valley of the Moon

July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with “straight photography” than Brakhage, but far more engaged with tactility and the plastics of the image than Jonas Mekas, this early work embraces the mundane—making bread in the kitchen, riding bikes by the San Francisco Bay, hanging out in a cheap-looking flat with friends, plucking a game fowl for supper—while also paying attention to the wind, water, and trees that surround these fleeting moments.

July '71 in San Francisco, Living at Beach Street, Working at Canyon Cinema, Swimming in the Valley of the Moon

5.7 1971
Report

Shot during the 1968/69 school year at University of California Berkeley, Report was created as part of Norman Jacobson’s experimental political science course “Toward an Expression of the Idea of Freedom.” The film, which features cinematography by avant-garde filmmaker Ed Emshwiller, merges fiction and documentary as it portrays the widening generation gap within the university, and in society at large. At the center of the film is an uncertain teacher and the students who challenge him.

Report

NR 1970
Cinema Metaphysique No. 1-5

This early work belongs in the company of Paik and Yalkut's classic collaborative "video-films," including Video Tape Study No. 3, Beatles Electronique, and Missa of Zen. To the accompaniment of the abrupt sonic interjections of Fluxus-affiliated composer Takehisa Kosugi, Yalkut's black and white film records brief, masked actions: an arm with clenching fist; a pair of faces, visible only about the eyes, which squint, gaze, and rest; Paik eating a slice of bread. Reminiscent of Beckett's theater, as well as the minimal movements of 1960s avant-garde dance, Cinéma Metaphysique is a study in gesture and stillness, noise and silence.

Cinema Metaphysique No. 1-5

NR 1972
Michael O'Hara the Fourth

The name Michael O'Hara has become synonymous with law enforcement. There have been three generations of Michael O'Haras and all have been exemplary policemen. When Michael O'Hara III's child was born he was told that they would not be able to have any more children, and there has always been a Michael O'Hara, so he named his child Michael O'Hara IV despite the fact that she is a girl. Now Mike has a tendency to get involved with police matters and not always with good results, which annoys her father. And despite being told repeatedly to stay out of it, she continues her amateurish detective activities.

Michael O'Hara the Fourth

8.0 1972
Rise and Fall of the City of Mahagonny

John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater. At the center of the action is Jimmy Mahoney (Richard Cassilly), a logger who stumbles onto the city of Mahagonny, where (almost) anything is allowed. Teresa Stratas gives a mesmerizing performance as Jenny, the prostitute who takes up with Jimmy, until he is executed for the greatest of all crimes in Mahagonny—to not have any money. The legendary Astrid Varnay, in her final Met appearances, is Leocadia Begbick, and Cornell MacNeil sings Trinity Moses.

Rise and Fall of the City of Mahagonny

NR 1979