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Patricia

Mademoiselle Bressac is a bossy spinster who manages "Le Clos", her estate, with an iron hand. But is she really a bad person? Her manners are abrupt but they only hide a heart of gold. Doesn't she bring up four orphans, Dominique, Fabien, Chantal and Jean? And as if it were not enough, she has accepted to educate another child, her niece Patricia, entrusted to her care by her irresponsible father. Thanks to her, the five young people have grown up in harmony and now they are about to find their place in society. Two of them, Jean and Patricia, who love each other, live only for the estate.

Patricia

10.0 1942
The Man in the Hat

The Man In The Hat sets off from Marseilles in a small Fiat 500. On the seat beside him is a framed photograph of an unknown woman. Behind him is a 2CV into which is squeezed Five Bald Men. Why are they chasing him? And how can he shake them off? As he travels North through France, he encounters razeteurs, women with stories to tell, bullfights, plenty of delicious food, a damp man, mechanics, nuns, a convention of Chrystallographers and much more, coming face to face with the vivid eccentricities of an old country.

The Man in the Hat

6.0 2020
Christophe

It is 1 p.m. on June 30, 1982, when Christophe Profit, 24, shows up at the foot of Les Drus with his pof bag, his climbing shoes and nothing else. He will try the west face of Les Drus in "solo", in the Mont Blanc massif by "Directe Américaine", 1100 meters of vertical and smooth rock. Christophe will achieve the feat of climbing the wall in free solo, without using a rope or any belaying technique. At 4:10 p.m., barely more than three hours after the start of his ascent, the new climbing star can embrace the Virgin of the Drus at the same time as the career of a high-level mountaineer. Three years later, on July 25, 1985, he climbed the north faces of the Matterhorn, the Eiger and the Jorasses in the same day. Awarded at many mountain film festivals, this great documentary is a magnificent testimony to one man's passion for climbing, the mountains and adventure.

Christophe

10.0 1985
Ubeur

In 2011, the arrival of Uber in France has created a lot of jobs, especially for young people from council estate. But then, a lot of became disillusioned. Price drop, uberization of work, a lot of work hours not even sufficient to pay bills... Karim, 37 years old and a pending divorce, drives a passenger car. To pay his car, a black sedan where he sleeps, he gets a 25 000 euros debt to an unscrupulous man. His nightmares are full of worries and accidents. Today is the due date, his creditor claim his money, which Karim doesn't have. He has seven days to repay the loan.

Ubeur

5.5 2022
Soldier of Fortune

Medieval soldier of fortune Ettore is traveling through Europe with his partners looking for a fight where they can earn some money. When they come across a Spanish castle under siege by the French army, Ettore bides his time to determine which side is the winning one. This is at first the French, but the treatment he receives from them is unpleasant enough to make him change his mind and turn to the Spanish side. Somehow, Ettore must rally the weakened Spanish troops to battle their enemy long enough for reinforcements to arrive.

Soldier of Fortune

6.3 1976
Doctor Francoise Gailland

Dr. Françoise Gailland has a hectic schedule, which causes her to have little time to spend with her family, which consists of her husband Gérard, her pregnant teenager daughter Élisabeth, and her sullen son Julien. However, she does manage to find the time to spend with her lover, Daniel Letessier. While her life in such disarray, she learns that she has cancer. Françoise tries to put a brave face on it, and is determined to face the life-threatening disease with courage.

Doctor Francoise Gailland

5.2 1976
The Screen Illusion

In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

The Screen Illusion

3.8 2010