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Contrasangre

Daniel, Juan Palomino is a security guard, he was once a policeman, and he would have liked to be a vigilante hero. But, far from it, his job is to take care of the buildings of others. The city will cross with Analía (Emilia Attias), a distant woman, obsessive and beautiful in a mysterious way. She avoids contact with men because she has been the victim of rape. That terrible past comes back when Julio, Esteban Meloni, a violent and obsessed man, gets out of jail. Between the three are weaving on the streets of the city a plot of passion and crime.

Contrasangre

7.5 2015
The Great Ghost Rescue

Young Humphrey is a ghost with a big problem. He and his family, the Craggyfords, have been ousted from their home and left without a place to haunt. As they search for new haunting grounds they soon discover that they are not alone. Ghosts from all over the world have been exorcised from their dwellings, with dark castles and ancient buildings being destroyed by the living, and turned into shopping centers. With time running out, Humphrey digs deep inside, and decides to help save his family and the rest of the haunting community by scaring his way to victory.

The Great Ghost Rescue

4.8 2011
Britten: Gloriana

Benjamin Britten’s opera Gloriana was written in 1953 for celebrations around the Coronation of Her Majesty Queen Elizabeth II, to whom the opera is dedicated. It had its first performance at the Royal Opera House on 8 June 1953, in the presence of The Queen then just 6 days into her reign. The centenary in 2013 of Britten’s birth prompted this new Royal Opera production, in which director Richard Jones uses the setting of a celebratory pageant in 1953 to explore the work’s alternating splendour and intimacy. This theatrical, inventive and colourful staging has at its core the symbolic reflections between the Tudor Elizabethan and the New Elizabethan ages that characterize the opera. The juxtaposition of the modern and the archaic in William Plomer’s libretto is wonderfully amplified in music that artfully fuses the sounds and manners of Tudor England – from lute songs to courtly dances – with Britten’s own distinctive style.

Britten: Gloriana

NR 2013
A Taste of Ink

Vincent, still of tender age, has already tattooed most of his body and hoarsened his voice with his post-hardcore band – his way of venting his frustrations and desires. Ever since his mother died, he shares his time between Porte de Clignancourt and Bastille, between a piercer job he is unhappy with and his fishmonger father, Hervé, who is trying to start a new life with a younger woman named Julia. Vincent is initially appalled by the woman, with whom his father has ‘betrayed’ his mother, but the more they get to know each other, the more he becomes intrigued by the beautiful and empathetic woman. Unlike his father, she shows interest in him, even attending one of his gigs. What starts out as a potential way of reconciling with his father soon implodes.

A Taste of Ink

6.0 2017
Deadly Hope

Joanne Connors is a successful obstetrician whose life is turned upside down when her partner at their fertility clinic, Dr. Jake Hines, is brutally murdered. Trying to rebuild her life, Joanne attends a lavish charity function, where she meets Michael. But by the end of the evening, Michael is dead - murdered. It quickly becomes apparent that the assassin's intended victim was actually Joanne. She must now race to find out who wants her dead before the killer can strike at her again.

Deadly Hope

5.3 2012
Philippe-Alain Michaud, le réel traversé par la fiction

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

Philippe-Alain Michaud, le réel traversé par la fiction

NR 2016