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The Baldheaded Gang

August 1961. The former Foreign Legionnaire, King, has collected a gang of hooligans, with whom he creates mischief in the GDR. After some careless work on a construction site, an event during which two people lose their lives, they move to a campsite on the Baltic Sea. With sputtering mopeds, loud radios, and occasional outbursts, the gang makes the vacationers' lives living hell. Unfortunately for them, Lieutenant Czernik discovers the connection between them and the accident at the construction site. To stop them from fleeing to West Berlin, Lieutenant Czernik and the police need to arrest them, one at a time, with King as the last.

The Baldheaded Gang

6.3 1963
The Lovers of Teruel

This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa -- and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.

The Lovers of Teruel

5.8 1962
Motion Vision

Motion Vision was originally screened in alternation with slides as part of the rotating installation Rotor Vision, in Rome in 1967 for the seminal group show at L’Attico entitled Fuoco, Immagine, Acqua, Terra with the participation of Mario Bignardi, Mario Ceroli, Piero Gilardi, Jannis Kounellis, Pino Pascali and Michelangelo Pistoletto. In Motion Vision Bignardi constructs a curious repertoire of animal profiles drawn in colour on paper, alternated with pop icons and a sequence of everyday gestures: from the tying of neckties the film passes to walking nude figures in slow motion, alluding to Muybridge and his chronophotography. —Tate Modern

Motion Vision

NR 1967
Mittsommernacht

Arne Arndahl, a Norwegian farmer and sawmill owner, lives on the remote Svytelma farm with his marriageable daughters Astrid and Christine and his housekeeper Karen. When he is out hunting, his farmhand tries to rape Astrid. He is chased off the farm by the women. When Arne learns what has happened, he is driven to the Faalsund inn, trembling with rage, where he almost kills Erik, the farmhand. A stranger, who appears as suddenly as he disappears, stops him by force. At night, wolves break into the Arndahls' stables and snatch a calf. The next morning, Arne sets off to hunt down the gray predators. On the way, he is surprised by a snowstorm. And suddenly they are there: the wolves! Arne slips and loses his weapon. At first he manages to fend off the wolves with a wooden club, but then one of the beasts knocks him to the ground and the others are all over him...

Mittsommernacht

10.0 1967
Django und die Tradition - Politisches Protokoll der DK

In late 1968, the last SDS delegates' conference was held in Hanover. It had already been postponed by the Berlin Action Council in Frankfurt in September after the famous tomato throwing by the women. Now attempts are made once again to develop common criteria for the supra-regional context of the SDS, for an SDS whose organizational structures have been overturned by the revolt itself. Factions emerge, the Frankfurt Women's Council distributes its leaflet "Free the socialist eminences from their bourgeois tails", the wave of lawsuits looms. Joscha Schmierer as Django criticizes the student "shitty milieu that is out to satisfy immediate needs. Christian Semler calls for a strong central office. "Of course, I don't have a central office in mind, like the German Communist Party had a central office before '33". After all, the anti-authoritarians in the North region are attacking.

Django und die Tradition - Politisches Protokoll der DK

NR 1968
4 Schlüssel

Bank director Ernst Rose, owner of the Hamburg bank Traven & Co., is asked to go to the airport earlier than expected to pick up his daughter Silvia. When he arrives, he realizes too late that he has walked into a trap. He is overpowered by kidnappers and abducted. The gang around Alexander Ford and his men want to rob three and a half million from the bank vault at the weekend. But it can only be opened with four keys, which are in the hands of four so-called key holders. Under the direction of criminal Ford, all those involved become puppets in a game of life and death.

4 Schlüssel

7.5 1966
Genosse Münchhausen

In his film attempt, Berlin cabaret artist Wolfgang Neuss strings together various sketches to create a story that deals with the division of Germany based on motifs from the Münchhausen legend. A farmer from the western occupation zone crashes as a reconnaissance pilot over the Soviet Union. He returns to the West via the island of Sylt by miraculous means and finally on the back of a rocket. But he finds his future farmland in the East, on the other side of the fence.

Genosse Münchhausen

8.5 1962