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La Cuisine

This is a study from the "scènes de menage" series, starring Jacques Larose and Marie Claude Ferland, the filmmaker’s parents. We see domestic activities that take on a new dimension thanks to the way Larose deals with successive layers. The repetitive, automatic movements that are repeated in places such as the kitchen and the hallway, the succession of actions of getting into the car and leaving the house, are all captured by the camera in multiple overlays, which on being slightly out of sync give rise to a split, multidimensional reality.

La Cuisine

NR 2015
Plant Dreaming Deep

In poetic images, Plant Dreaming Deep exposes the exhausting transitional phases of loneliness, insecurity and isolation. By means of analogue video synthesis, fine-pored textures and washed out veils of colour were created, which find a suitable complement in the pulsating soundscape of Emilie Payeur. Like misunderstood or unprocessed experiences, the traces of old video recordings flash through this retro-futuristic collage and the main protagonist, the flora structured by human hands, appears simultaneously connected with freedom and suffocation.

Plant Dreaming Deep

NR 2017
I'm Not in Love

Begins with a celestial introduction, leading into an otherworldly, sensuous, glamorous journey through the glimmering bodily landscapes of two drag queen lovers. As Mead slows down their gestures, the physical tension between them heightens: red-lips gently caress, nail-polished hands sweep across flesh, fake eyelashes bat, all with a sense of longing and a hint of laughter. The entire performance a profession: I'm not in love, I'm not in love. This playful, kitschy-cool video will inspire on to pick up a microphone, put on their own form of drag and get their 10cc on.

I'm Not in Love

NR 2011
The Moons of Palaver

Both sonically and visually, The Moons of Palaver celebrates the rhythms, patterns, resonance, and lyrical elusiveness that can be found or sought out on any particular evening. The original material is a result of an intervalometer test of soft focus automotive headlights shot in the early 2000’s. In 2017, the footage was rediscovered and reworked into a composite of various arrangements engaging in the filmmakers preoccupation with abstraction. The audio arrangement is a collage of various found material which was originally recorded in the late 1960’s. As a whole, the work creates a spectrum of proximities.

The Moons of Palaver

NR 2018