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Savage Three

By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.

Savage Three

6.4 1975
The Intruder

Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.

The Intruder

6.2 2017
Riamise

Riamise is a city without water, consumed by drought, crime, and giant reptiles — the last creatures on Earth. Its people survive by earning blue crystals, the only source of sustenance. While the rich thrive, two clans battle for control, and order collapses when the police commissioner — Jona’s father — is murdered. Jona, returning home, seeks the truth behind his death and the mystery of the crystals. With Kala, a bold girl from the city’s dump, he uncovers a secret that could restore the water and change Riamise’s fate forever.

Riamise

NR N/A
I Was a Dreamer

At 39 years of age Mirko has just left prison. In the outskirts of Rome, a new future waits for him. When he is elected president of the homeowners’ committee, he realises that he can dream of a different kind of existence. Not only for himself and his family, but for the whole suburb where he lives. This film deals with a “bandit” who, with the help of his best friend Boccione, wants to turn the indifference of the suburb into solidarity and the roads into luxuriant fields of tomatoes, becoming the bearer of a happiness he does not know how to reach. It is the story of a fragile and irrational dream: offering a future to those who do not even believe they deserve a present.

I Was a Dreamer

6.1 2016
Squillo

Maria, a provincial Polish girl, travels to Milan to pay her older sister Eva a surprise visit. The sisters haven't seen each other in seven years and Eva has changed a lot. She lives in a luxurious apartment and dresses in designer clothes. Although she pretends to be an interpreter, Eva is actually a call-girl and, one night, fails to return from an appointment. Maria enquires at the hotel where Eva last worked. Eva's body is soon found. The investigation is conducted by Inspector Messina, a trendy cop. Maria and Messina become an inseparable investigating team. Maria poses as a call-girl in order to reveal her sister's killer and they use mobile phones to keep in touch.

Squillo

3.7 1996
Per amore di Cesarina

Davide Camporesi is the owner of the "Tornerai" pension in Cesenatico which he manages together with his wife Elvira and daughter Carletta, and which mainly welcomes German tourists. One day, during a trip to the countryside to buy wine, Davide meets Vindice Forattini, a former partisan comrade whom he had not seen for 30 years and who now sells agricultural feed together with his attractive daughter Cesarina. During the meeting, Davide is deeply impressed by Cesarina, and invites her to stay at the family pension. But things soon get out of hand to Davide, who finds himself romantically involved.

Per amore di Cesarina

6.5 1976
La Cenerentola

A timeless tale told in a florid bel canto style, Rossini’s take on the Cinderella story offers an ideal propellant for a virtuosic mezzo-soprano to rocket from rags to riches. But in this retelling, the supporting characters soar just as high: Cinderella’s Prince, her stepfather, and the Prince’s valet are given memorable arias, and the composer rounds out his score with ingenious ensemble flourishes. A vivacious masterpiece, La Cenerentola brings stock fairy tale characters to dazzling life.

La Cenerentola

NR 1997