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In "Riddle of Bakuli" Adrus shares personal experience interwoven with South Asian narrative within an East African context. The work is a montage of film, stills and sound with Adrus drawing upon his artistic research and residency with Uganda Arts Trust in Kampala, the city where he was born but forced to leave as a child 40 years ago due to the ‘political situation’. Through retracing his footsteps, Adrus revisits Kampala, and the way in which buildings and places trigger profound memories. Memories appear fragmented at first, however through ‘digitised’ archives and contemporary footage, new perspectives and stories emerge. Being displaced to Switzerland / Europe the issue of mobility, belonging and race are still very much current. This life changing event has been a key influence in much of Adrus’s work, exploring exile, communities, script / language and associations with places.

After a night out, Luna wakes up in her car without remembering how she got there. She finds a mysterious pen-drive with a file called "Pandemonium". Soon, strange things will start to happen and Luna will try to keep her sanity while trying to solve the mystery.

Alba and Jaime celebrate their fourth anniversary of relationship. Alba has a gift for Jaime but it seems that Jaime is not very excited about it.

Kyambogo details the relationship between a Ugandan Grandmother and her grandson and how drug use affected their relationship. A film about the stigma surrounding drug use in African society and a self reflection on mistakes made.

A human puppet fights against her determinations and goes through a dramatic phase of self-discovery. Can she break free from her bonds?

Rubén receives a call from Fidel to say goodbye, but does not answer. Fidel will leave the city and Rubén will find solace in another relationship.

Animation of Hieronymus Bosch's painting of the same title.

A doll faces her fears when a spider invades her dollhouse. However, something far more terrifying lies beneath the surface.

When Mizu discovers a small plant in the forest, she goes there every day to water it. The years pass by, the little seedling becomes a big tree, Mizu a big girl, and one day they are both grown-up. But then a big rain comes that seems to go on forever. When the forest is flooded, Mizu must save herself. She takes refuge in her tree.

Music video by Simon Nunn for The Cool Greenhouse.

A gloomy filmic contribution to sea rescue and a concentrated revelation of the mechanisms of systematic flight prevention in the Mediterranean and the people responsible for it.

An inventive examination of the legacy of the 1990s: In his experimental short film, Ben Young portrays the figure of the then U.S. president – whom he is said to have met once in person in Louisville, Kentucky – as a foil for the questionable political developments, the beginnings of a globalised world and a society marked by collective amnesia. The director’s intelligent, witty and very personal reckoning with Bill Clinton.

Since 1865, no cab driver in London has been able to omit “The Knowledge”. It requires the memorisation of 320 routes, an achievement that takes years, but has been made into a joke by the robot cars of the future. A flesh-and-blood cabby “interacts with people from all walks of life,” according to a brochure by Transport for London, and that’s “a lot more than just taking people from A to B.” Visually fascinating, Colson traces his interviewees’ mind maps of the city using the mapping technology of robot cars.

Women emerge from the shadows and together, walk towards a light. Guided by instinct, they will face and transcend their own limits.

2023. Elías extreme quarantine routine is interrupted when he begins to receive anonymous letters.

Memories are made of fragments. The night and the bed are used in the propitious space where a couple let their thoughts, their doubts and certain bits of childhood flow. Is it possible that an apparent seduction hides a crisis?

A young woman finds herself caught between her present and past when she receives a letter from home.

Luis will meet Isabella by chance, motivated by the greed of his uncle Fernando and the impulsiveness of his cousin Raúl. The streets of the city will lend itself to a new type of "business" and although in just minutes one person can lose things of value, it will only take moments for two people to lose their will.

Emilia loves to write, but every time she has an opportunity to build a path as a writer, she finds herself in a dilemma between professionalizing herself or perpetuating stereotypes about women. In this short film we will meet various Emilias at different moments in life in which one must make a decision: to be a woman as is socially expected or to free oneself from the impositions of gender to be oneself.

The Mask is a short documentary about the daily life of Sara Amin, a student living in the suburbs of Paris during the days of quarantine. Sara experiences a new way of life now filled with repetition. A dreadfully boring and ambiguous atmosphere becomes the norm. As the situation worsens, Sara attempts to overcome it.

A documentary told by seven protagonists, who share their personal and political point of view by expressing the reasons and the purposes for their advocacy as members of the Buenos Aires LGBTQI+ Community. Each one of them narrates personal processes and experiences which constitute their social and political identity as well as the motivation for their struggle for an equal and fairer future.

Quarantine Mood documents real life scenes during the quarantine in Rome, looking for the beauty and poetry of reality.

The lives of a child in the Congo and a president of a technology company are connected by a material that will change them completely.

'El Llano' is offered as a paradise; a delirious experience where nature discovers its enigmatic beauty in couplets. Here, music, landscape, riders and horses star in a vibrant and robust culture, brought to the world stage in the verses and voice of Orlando "El Cholo" Valderrama, but unknown in its greatness by the inhabitants of the city.

During the conflict in the French lands, the German troops arrive in Arras, where they annihilate everything that counteracts their will. Bloody fighting takes place between the German troops and the English soldiers until a hidden secret is revealed between the German Eirik Vonmets and the English James Williams, two of the many enlisted men.

One Love. Two young men are forced to pause their relationship, due to a decision made by one of them.

The blood, which nourishes the earth.

A multi-sensory evocation of the sea, wind and light that takes the time to explore a small piece of land flanked by the sea. An invitation to be curious and attentive to our surroundings.

A variation on a story about Frankenstein.

The Riva family, Piedmontese cowboy of an ancient tradition farmer, lives isolated in the high mountains above the village of Ribordone, in the depending on their typical cheese production activity. In August 27 the family participate to the celebration of the 400th anniversary of the apparition of the Madonna di Prascondù, an event that brings the family back to contact with the outside world to meet friends and relatives. Director, living isolated with his family, he takes pictures with a camera and a microphone moments of family life for three weeks.

This is a first essay experimental approach around Femicide. Playing on the edges of its silence and the heavy denial surrounding the facts. The voice of invisible women, with no place to hide, disappearing and left like some used furniture

Over the course of a year, two Parisians fall in and out of love. Lee Manansala directs “One Year of Khadijah and Pauline,” an eloquent study of a relationship shot in lovely black and white and rendered with grace and intelligence. Told in three parts, the film examines the ups and downs of Khadijah and Pauline. In November, the lovers share a night in good spirits. Khadijah tells the story of why she always wears a suit and tie while Pauline listens on, touched. The next year, in June, the couple has an argument after attending an uncomfortable party and this threatens the future of their relationship. Later that year, they reconvene at a cafe to take stock of where they stand. Each segment is characterized by a story told by either Khadijah or Pauline that paints a vivid picture of their background and personal struggles. The complex and poignant tale becomes less about love and more about the stories we tell to explain and illuminate ourselves.

A semi-autobiographical film about the writer/director's experiences of being in a closeted relationship. And of using fishing as a way to avoid sex.