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Yusra

On the evening of his birthday, the young painter Sadri walked out on his mistress Lisa, and the party planned in his honour. While ambling along the beaches of Carthage in the dead of night, he sees a young woman, as beautiful as she was enigmatic, completely nude, rise up out of the waves. She told him her name was Yusra. From that time on Sadri was to live a story of wild love and spellbinding erotism with the mysterious stranger, abandoning the heartbroken Lisa. While attempting to paint her portrait, Sadri noticed there was a strange resemblance between Yusra and Lisa. An old wise man whom he met in the ruins of Carthage, told him that Yusra was one of the names of Dido, queen of ancient Carthage, who sometimes comes back to earth in the body of a young woman. Sadri tries to solve the mystery of the origins of the beautiful stranger.

Yusra

3.7 1971
Io tigro, tu tigri, egli tigra

Three short stories full of absurd Italian humor. Episode 1: Oddjobs man Elia is hired to be a waiter and soon finds himself caught up in a plot to knock off his mistress (in more ways than one). Episode 2: Della is convinced that aliens are on their way to consume the world and before long ends up a guinea pig on a spaceship from the planet Phobos. Episode 3: Roberto becomes a Bersaglieri in the Italian army and nearly causes a war between Italy and Switzerland over a packet of cigarettes.

Io tigro, tu tigri, egli tigra

5.0 1978
Céleste

Georges Cazenave, a " politically committed" French TV reporter leads a good life. Besides having a regular mistress in the person of Hélène, he is a ladies man with "a girl in every port". But this comfortable situation is challenged the day he hires Céleste as his housemaid. A Portuguese immigrant, she soon appears to be a Marxist-Leninist activist, engaged in political groups working against the regime of Salazar, the dictator of Portugal. Geoges and Céleste fall in love with each other, which brings adventure in the reporter's hitherto superficial life, upset by a breakup with Hélène, the interference of the French Secret Service and a touch of terrorism.

Céleste

7.0 1970
The Second Awakening of Christa Klages

Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.

The Second Awakening of Christa Klages

6.1 1978
The Last Years of Childhood

A juvenile offender is handed over to authorities at age 13 and placed in an institution in this somber social drama. Martin is a petty thief who enjoys stealing and looks up to his older brother. When he is informed that his brother has died, Martin runs away from the reform school. He passes through various institutions and is labeled as incorrigible because of his refusal to comply with the rules of society. A dedicated child psychologist tries to save Martin when he entertains thoughts of suicide.

The Last Years of Childhood

6.5 1979
Whinfrey's Last Case

In 1913 the British government, hearing that the Germans are planning World War I, ask top agent Whinfrey to intervene, but instead he decides to go on holiday to Cornish fishing village Torpoint. Here he believes he has stumbled upon a smuggling ring, but in fact they are Germans who are masquerading as locals in an advance invasion party. The British arrive and arrest them, believing that Whinfrey deliberately planned everything - though it is apparent that he did not.

Whinfrey's Last Case

9.5 1979
Otello

Herbert von Karajan directed this film of Verdi’s Shakespearan masterpiece as well as conducting the Berlin Philharmonic. As the tragic Moor of Venice, arguably his greatest role, John Vickers (in the words of critic David Cairns) "commands both the notes and the moral grandeur of the part. … And he has the aura of greatness – greatness of heart, of bearing, of musical and dramatic conception". Mirella Freni is a heartbreakingly lovely and fragile Desdemona, while the fine English baritone Peter Glossop plays the villainous Jago.

Otello

8.0 1973
Lina Braake

After the death of the owner of the house Lina Braake is living in, the house is accrued to the bank. During the complete refurbishment of the building, the 81-year old woman is thrown out of her flat and is put in an old people′s home. There she meets 84-year old Gustaf. Together, the lively seniors come up with a plan to trick the bank with a smart credit fraud and take their revenge. They need the money to buy a country house on Sardinia and leave Germany for good. Although their coup proves to be successful, the bank soon finds Lina. But due to her old age she cannot be tried anymore.

Lina Braake

7.6 1975
Ulster - Whatever Happened to the Moderates?

Can John Hume’s campaign of civil disobedience challenge the political status quo and take violence off the streets of Northern Ireland? In Hume's opinion there was no military solution to the problems that beset Northern Irish society. Instead, we here see him promote passive resistance, including the instigation of a rent strike. He believed that through such protests the silent majority could make their voice heard. However some believe Hume is a man who pleads pacifism, but whose actions "keep the pot boiling".

Ulster - Whatever Happened to the Moderates?

NR 1971
Tell Me You Love Me

Two couples, undermined by frequent scenes, fall apart: the men, Richard and Bertrand, directors of an advertising agency, move into their office; soon Lucien, their main client and friend, suffering from the same afflictions, joins them in this new bachelor life. For their part, the women regroup and organize themselves: Victoire absorbs herself in her work as a decorator; Charlotte, long submissive to Richard's personality, raises her head and finds a job; as for Pascaline, she runs off with Tabard, her husband Lucien's groom, to start raising sheep. These three crises, combined with a series of twists and turns, bring unexpected results for each of the couples.

Tell Me You Love Me

4.8 1974