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The story is that Liu Hu and his classmates in a night to play pen fairy, in fear of when the classmates ran together, and finally lost a classmate, and then afraid to tell the truth when it affects their own learning, has been and classmates insisted on keeping this secret, and finally have the pen fairy to haunt each of them .......

The film is the first time I interviewed the old people of my hometown about their memories of the "three years of famine". I also documented the current life of the elderly and the village.

The disappearance of homeland and the dislocation of memory make us question eternity and the meaning of home. A long-existing lifestyle disappears suddenly and people cannot figure out whether man or the nation will conquer nature through rapid development. We can only believe in a better tomorrow because we have no choice. The last image of our homeland is a broken river and a disappearing town, and it is also the last elegy for our past.

Uga lives in the grasslands of Ordos in Inner Mongolia. One day he is riding his horse on his way to school as usual. Every day on his way to school he passes by Khan Dibu's house and looks for Khan Dibu to go to school with him. However, on this day, Khan Dibu has to leave to go to school in the city.

Mrs. Zhou, a sanitation worker, has found a mini DV camcorder with broken screen by the riverside.This short film is a video from the Camcorder, which recorded the death of the owner.

The arrogant Hua Pozi, the first-time brother who is full of joy. Even the seemingly greasy, exaggerated, and gaudy drum art seems to be unrelenting in the villages and villages.

This experimental, one channel, 2D flat animation Kaleidoscope is built by Wei Zhang, which features the possibility of a future world defined by transhumanism. Kaleidoscope supplies an alternative mind of thinking about our community towards current social issues.

Wei Zhang’s practice is an experimental film created by multi post-production technologies, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary, the expression of emotion and the symbol of predicament.

The film, as a crystal of seven years observation and three years shooting, recounts the social changes of Xiaoluoshui, a Mosuo village by the side of Lugu Lake in Yunnan Province of China. With the emergence of commodity economy and tourism, obvious changes have been brought to the village within a few years. They rest not only on the surface, but also in people’s confusions, pains and paradoxes at the advent of the tremendous social reform.

On August 21, 1942, while the Japanese "Expeditionary Team" immediately retreated with ground troops, they scattered anthrax on fields, grasses, and crops in urban residential areas along the Zhejiang-Jiangxi traffic. People along the route mostly depend on farming for their livelihoods, so at the same time, many people crippled and died with rotten feet. According to incomplete statistics, there are only more than 160 suspected germ warfare survivors in Quzhou, Zhejiang. This film focuses on these surviving elderly people. When 70 years have passed since the war and a new chapter of history opened, what kind of lives are the old people who are victims? What kind of mental state are you in? Will the wounds left over from the war heal? What is the attitude towards war?

The work was shot in Chongqing where Yu Guo lives. The artist utilises a camera with 8000mm digital zoom to capture the farthest objects that lens could reach. Because of the refraction of air and the limit of distance, the images that taken from kilometres away becomes blurred. Yu Guo continually adjusts the focal length in the process of shooting. Then, these unclear and ambiguous objects are inserted into the original or different video clips by re-editing or a collaging way. Through the misplacement of vision and the transformation of context, the original information and reference split in the images. Yu Guo attempts to interrogate the physical distance between himself and object, the relationship between subject and object in the video, and then re-examine the individual relationship and psychological distance in real life.

"Chang Jiang is a boy of passiveness. He was sent to a Rehab Center because of his addiction of Internet and fell in love there. After five months of treating, he was “healed” and went back to the real word where he found himself lost and incapable of dealing with real relations when he fell in love for a real girl. One night, he sneaked out to an Internet bar while his mother was asleep. But it has been too long that he hadn’t been online, his once online-lover has disappeared. And to his surprise, he found his mother waiting just outside when he stepped out of the Internet bar.

There are two roads in the woods. You can only take one of them, and wonder about the other for the rest of your life. Longwu is a temple of no more than 20 monks. When 17-year-old Jime became a junior monk there, he had no idea whether it's better to renounce or to join the secular world. The temple quietly sits in the depths of a mountain.This year, with only 11 monks left, there are not enough junior monks to officially receive the precepts during summer recluse. The temple seniors decide to have three young monks to do this. Jime is fully aware what this means to him. He patiently waits for an answer to dawn on him. On a dark night, Jime takes out the long roll of sutra that he reads every day, and cleans it carefully by a lamp. This summer, someone has come to the crossroad of life. Of the two roads out there, he can only choose one.

The film records the emotions and destinies of seven single women. Whether at a loss, confused, waiting in hope, disappointed, helpless, compromised, independent or defiant, they are closely bound up to this agitated and chaotic era. Through their different experiences they tell us about the failed marriages of middle-aged women, about life being single, and about a group of men who have not yet showed up but who appear vivid from a female perspective.

‘Body’ is an object we are all familiar with. For British sculptor Anthony Gormley, it is a medium for expressing thoughts about space, while for young female artist Wang Ying, it is a potential vehicle for expressing emotions. This documentary uses a split-screen method to create a three-dimensional space like a "body". It not only explores the artistic concept and development of Wang Ying, a female artist born in the 1990s who studied in the UK but also completed it on this basis. The documentary creator (me) thinks about her and her body, from'meeting','seeing' to'existence'

The film records a long journey by Guo Kuan and his friends, as well as a post-cycling biography. The changes in Dali after one year, and the hurried passing by around. These subtly melt into life, and then there is this instinct documentary that needs to be expressed.

In the Chinese New Year of 2017, Solar and I went together to visit David Zhang who was practicing kung fu on Wudang Mountain. As the three of us interacted, we observed and looked after each other. We also filmed each other to document and reconstruct this experience of listening to each other and growing up.

I came to the "90 km-long traffic jam, road transport of coal (news)," the Shenmu and Fugu, Coal makes this town less than one million people among the Chinese economy in the forefront. And arrived here three days later, Pass me a tramp pointing to the front for me, "in front of you can find a dream." I gave up being shocked shoot spectacular traffic jam events. I start shooting those who rub shoulders with Seoul before, Children, adolescents, youth, middle-aged, elderly. We talked about the harsh reality of the real Titanic, We are also talking about the illusory ideals, My ideal also quietly began to grow from here.

Jiangxinzhou, a little-known island in the Yangtze river on the western outskirts of Nanjing, is suddenly abuzz with property development. The ancient fish-shaped coins that have long disappeared appear in several shops on the island. Familiar with the island of the broker of two thunder, help the police invited sun teacher secretly visit, trying to calm down. Luo Bin, the old book merchant on the island, the fate of the family and the great river early origin, in or dream or fantasy, that reason. He quietly with similar ancient witchcraft rituals, from the river, the restless spirit, unexpectedly, but the storm to himself

A story of Chinese New Year, the young man's happiness and sadness in the Chinese family.

HD Video - HAILING LIU 刘海玲

A girl returns to her island hometown during summer break, and gets into trouble when her father catches her meeting a girlfriend in a motel.

Yu and Jun were in love for years. Their relationship interfered by another man from time to time. For love or just curiosity, Jun followed Yu to a bar. There he fell for this man. One night of stalking made the loneliness of three men became one sort of love.