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Hedi returns to Tunisia for the first time since his father’s death to attend his cousin Salma’s wedding, with whom he once had a deep bond. He confronts his unresolved grief, his cowardice, and his desire for redemption.

Two young women are enjoying the wild surroundings of an isolated lake. It’s a sunny day.

Two women from another dimension where society is matrilineal meet again in a version of earth similar to ours.

In Almaty, Kazakhstan, 17-year-old Mila escapes her unstable home life by joining an elite swimming team led by Vlad. Amid intense training and suspicions of doping, Mila faces a complex attraction to Vlad, while traumatic memories and moral dilemmas threaten to undermine her new-found independence.

The incredible house of Pierre Loti (1850-1923) in Rochefort will reopen to the public in June 2025. This is an opportunity to look back on the romantic life of one of the most widely read and translated authors of his time. The writer-officer, who joined the navy at the age of 17, traveled around the world as his assignments took him. Through his literary work, he built a sensitive memory of the diversity of cultures at the turn of the 20th century, questioning the major geopolitical upheavals of his time. The film draws heavily on Loti's own words, combined with a collection of rare archives from the period.

Lust follows desire as sure as night follows day, but in these five stories from France, Switzerland, Brazil and Romania, reality takes an unexpected detour, and things turn out a little differently when sunrise comes.

In 1932, Albert Einstein was invited by the League of Nations to address a letter on any subject to any person. He chose to correspond with Sigmund Freud about avoiding war. To this day, the correspondence about war of two great thinkers of all time proves to be more relevant than ever. Inspired by this correspondence between Albert Einstein and Sigmund Freud almost a century ago, the film Why War traces the roots of war, and embarks on a search for an explanation of the savagery of wars that inhabit our world.

Palestinian-Syrian teenager Nasser and his older brother Yassin have been living in a Greek refugee camp, awaiting a decision on their asylum application. They pass the time recording comedy sketches, fantasizing of making zombie films and moving to Sweden. Nasser, however, feels increasingly trapped in this no-man’s-land. With nowhere to escape, Boiling tensions in the camp push Nasser to another world.

Aya, thirty-year-old Tunisian, lives in Tozeur, a city in southern Tunisia, at the gates of the desert. Between social diktats, conservatism and disillusionment, Aya is not the happiest girl in the world. One day, a misfortune befalls her. Aya doesn't know yet that this will be the most beautiful thing that has ever happened to her. An unexpected opportunity for this young woman who sees her life completely questioned.

Bernadette Soubirous, just 14 years old, goes by the river near the Massabielle cave. It is there that, for the first time, a “lady dressed in white” appears to her. Accused of lying, Bernadette’s revelation initially provokes mistrust and tensions in her family, drawing the wrath of civil and ecclesiastical authorities. The rumor spreads. Pilgrims begin to converge. Lourdes goes down in History.

It is the story of a love affair between a musical score and a screenplay! Chief editor Bernard Sasia observes and interviews the key figures of this journey. Centered on the collaboration between composer Michel Petrossian and director Robert Guédiguian, Sasia uses his editing tools to capture the sudden emergence of a musical creation for the cinema.

After decades of marriage, Marie-Luce and Bernard, traditional Catholics with a once dazzling libido, face the erosion of their relationship. Marie-Luce is convinced that if their son Tristan leaves the nest, she could regain her husband's attention. But he, like a clinging vampire, seems unwilling to fly the coop.

Serhii, a young man who fills his days with volunteer work, loses contact with his mother living in occupied territory. When his mother finally decides to evacuate, he learns that a humanitarian convoy from his hometown has been destroyed in a bombing raid.

74-year-old dancer Sonja Vukićević moves through socialist-modernist spaces, her body echoing Yugoslavia's last mass performance.

A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.

In a remote Jura village, Cédric, a broken young father, tries to win back his daughter from a violent rival. Surrounded by silence and cows, haunted by his past, he makes desperate choices that pull them all into a downward spiral.

Director Guillermo del Toro journeys through a labyrinth of childhood memories, cultural myths and monsters to reveal the origins of his visionary films.

A group of kidnappers take the son of a wealthy presidential candidate in Haiti. Doc and Zoe are two amateur gangsters tasked with delivering the young man to their ruthless boss. With a hitman on their trail, Zoe accidentally kills the hostage. Panicked, Doc and Zoe come across Patrick and his very pregnant wife Laura. Patrick looks exactly like the senator’s dead son. Doc and Zoe decide to abduct the couple and replace the candidate's son with Patrick.

Bisoubye is Paul's third and final bilingual show in which he talks about saying goodbye to the concept of bilingual shows, the French language and alcohol. The show toured from 2022-2024 and was filmed in Brussels.

Three people come in touch through an application that provides tenderness-on-demand. As the boundaries between the virtual and the real begin to blur, an unexpected connection emerges between them — one that helps them confront their unresolved emotional needs and the mistakes of their past.

In France, as in the United States, an ideological divide is widening between girls and boys: "Young women born between 1995 and 2010 are hyper-progressive, while men of the same age are hyper-conservative," according to Alice Evans, a researcher at Stanford University. "Tens of millions of people who live in the same cities, work in the same places, attend the same classrooms, and even live in the same houses no longer share the same views. This is unprecedented. Generation Z is actually two generations, not one."

Ivan is a freelancer on holiday in rural France. Not very inspired by the article he has to write, he hangs out by the river with Léa and her baby Jojo. It’s the start of a workation…

While everyone wants to die "at home" without suffering and surrounded by loved ones, in reality almost everyone dies in hospital. What healthcare provisions enable people to die at home? Are we all equal in terms of the support we receive, regardless of where we live? Young caregivers in a home hospitalization unit drive day and night along the Alabaster Coast. From house to house, from dying person to dying person. Accompanying a dying person at home also means accompanying their loved ones, immersing oneself for a few days or weeks in the intimacy of a family history. Thanks to them, the end of life returns to the home, to the family, and is rehumanized.

The story that follows is that of the President of the Land of Diamonds. A fictional character, in a fictional world, yet close to reality.

An invaluable imprint of the world tour of the play Maria Callas: Letters and Memoirs, starring Monica Bellucci as the great opera diva. Through the chronicle of the tour, which lasted from November 2019 to January 2023, we observe and compare two different eras (the current one and the one in which Callas reached the apex of fame), while at the same time, we partake to and witness an essential dialogue between the great contemporary Italian actress and the voice that marked the 20th century: two women who, despite their different background, meet in retrospect due to their love of art.

Among Swiss specialities, raclette is envied around the world and fills our stomachs and winter evenings, as well as inspiring the greatest comedians.

A look back at the years leading up to the fall of Kabul and the perilous evacuation of civilians trapped inside the embassy in the hours following the Taliban's takeover of the country.

Alice is 27 years old today. Even though she is suffocating a bit, she still lives with her parents and tends to live in her dreams to escape her dreary everyday life. After a psychedelic party on a factory roof, she has a serious drunken bike accident. Will this give her the courage to become an adult?

Despite the war, school life continues in Ukraine, with pupils and teachers striving to continue learning even under constant threat. The film is a mosaic of the everyday lives of teachers and students from different corners of Ukraine.

In this short film, we follow the difficult morning of a sleepy teenager locked in his room. Everything changes, however, the moment he comes face to face with his reflection in the mirror. The story then touches on sensitive topics such as body dysmorphic disorder and dermatillomania, revealing the inner turmoil that is eating away at him.

Kassovitz revisits the story of his cult film by adapting it for the stage and highlights the film's eminently contemporary nature. Recorded in December 2024 at La Seine Musicale in Boulogne Billancourt, in the Hauts-de-Seine department.

How can a queer, androgynous Brazilian, son of a saint in Candomblé, an immigrant from Santo Amaro da Purificação in Europe, for 23 years bring together more than 60 thousand people dancing to the sounds of atabaques in the streets of Paris? This ritual, the Lavagem da Madeleine, which washes the steps of the French church, is intertwined with the life of his creator, the dancer from the Paradis Latin cabaret, Robertinho Chaves. In search of his identity in the Afro-Brazilian diaspora of Paris, he is about to cross the border of masculine and feminine, between the sacred and the profane.

Reda seemingly has a life of privilege in Algiers, in his late twenties still living at the family home, with a father who has arranged a job and a fiancée. Reda is eager to please, yet the more he tries the more he veers off course.

A scorching summer in a small village near Marseille. After a three-year absence, Lucas and his group of friends welcome back their best friend Hicham. This eagerly-awaited return quickly arouses conflicting emotions in the gang, but above all, new hopes in Lucas.

The incredible adventure of what was supposed to be a three-month inventory project turned into a vast undertaking lasting more than fourteen years, an extraordinary reconstruction and restoration with unexpected twists and turns of one of the masterpieces of world cinema: Napoleon as seen by Abel Gance (1927).

Anx has just met Cass when a mysterious virus breaks out: everywhere, people’s bodies are merging with objects. Stuck in their apartment, the couple must face this dreadful threat.

In his tower-block apartment in New Lodge, Joe reenacts memories from his childhood amidst the “Troubles”. In this Catholic area of Belfast, the number of deaths was tragically significant. Joe is joined by neighbours Jolene, Sean, Angie, and others, all willingly participating in this process of revisiting the collective memories that shaped their lives and the district they live in.

Following the steps of an English botanist, in the landscapes of the Normandy coast, people and cameras look at flowers. This is an essay on attention and friendship, a cinematic herbarium.

A curious lynx leaves its forest, attracted by the lights of the nearby town. It has great fun there until it falls asleep in the middle of a parking lot. In the early morning, locals are astonished to find this strange animal covered in snow.

Puts into practice a radical Godardian proposition: the screening of his Made in USA (1966) and 2 ou 3 choses que je sais d’elle (Two or Three Things I Know About Her, 1966) as a single work, with their reels and narratives intertwined. In 1967, having set aside the idea of adapting The Wild Palms, Godard proposed instead projecting his two very different most recent features, which he had shot back-to-back for separate producers, as an integrated work. As Richard Roud reported, what Godard wanted was to have them shown together, ‘first a reel of Made in USA, then a reel of Two or Three Things I Know About Her, then a reel of Made in USA, etc., just as Faulkner mixed two stories in The Wild Palms. That would be his adaptation of the novel.’