Discover Movies

2,237 Matches Found

Djo

In the Hauts de Mayotte (The Comoro Islands), a secret space, of magic and escape, men and dogs, maintain filial almost intertwined relationships, companion species who share a common land of transformation and autonomy. Smogi has a particular relationship with dogs but also with the power of the elements, nature and the sly spirits that inhabit him (the djinns). “Djo” crosses different belief systems in a wild syncretism where the Muslim call to prayer also marks a moment of reunion with the animist and impure forces of the forest.

Djo

NR 2018
Leftovers & Leftlovers

For every generation the doomsday clock is ticking louder and human beings feel they live in the most bizarre and dreadful time ever. No one knows if it’s an incapability to comprehend the existence, a need to return to a more primitive state or a pure idealization of nihilism. After the Great Blackout a man seeks out his past. By confronting his feminine and masculine alter egos he strives to restore his identity. The emergence of his most primal instincts is an absolutely straightforward and unequivocal reflection of the present day.

Leftovers & Leftlovers

NR 2018
La Bataille d'Alger, l'empreinte

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

La Bataille d'Alger, l'empreinte

10.0 2018
The Game of Love and Chance

Théâtre de la Porte Saint-Martin , Paris From 16 janvier to 28 avril 2018. The Game of Love and Chance (French: Le Jeu de l'amour et du hasard) is a three-act romantic comedy by French playwright Marivaux. The Game of Love and Chance was first performed 23 January 1730 by the Comédie Italienne. In this play, a young woman is visited by her betrothed, whom she does not know. To get a better idea of the type of person he is, she trades places with her servant and disguises herself. However, unbeknownst to her, her fiancé has the same idea and trades places with his valet. The "game" pits the two false servants against the two false masters, and in the end, the couples fall in love with their appropriate counterpart.

The Game of Love and Chance

8.0 2018
Through the Eyes of an Astronaut

Directed by Franco-German duo Pierre-Emmanuel Le Goff and Jürgen Hansen, Through the Eyes of an Astronaut is a 28-minute documentary based on images shot on board (and outside) of the International Space Station (ISS) by Thomas Pesquet, the European Space Agency’s (ESA) youngest astronaut, and the 10th French astronaut to travel into space. Enjoy the highlights of his six-month space odyssey, the Proxima Mission, 400 km above the Earth. Pesquet docked with the ISS in November 2016 for a 196-day, 17-hour, and 49-minute mission. The filmmakers and Pesquet had agreed to a shooting plan before the mission, but the result exceeded their expectations! Pesquet kept a daily visual diary -he brought back more than 600 hours of footage, including 40 in IMAX format, sharing his thoughts and feelings on the beauty and fragile nature of our planet, and man’s place in the universe.

Through the Eyes of an Astronaut

6.4 2018
Les rustres

Written in 1760, Carlo Goldoni’s comedy has never been performed at the Comédie-Française, perhaps overshadowed by the famousHoliday Trilogy. A satire of the Venetian merchant class, embodied by narrow-minded, complaining and intolerant men whose mistrust of the fairer sex borders on the absurd, The Boors perfectly illustrates Goldoni’s theatre, a “theatre of life with a real content, characters observed in reality, and a natural expression.” Thus, a theatre in which the man Voltaire described as “nature’s son and painter” scrutinises his contemporaries, their relationships and their social behaviour. His work served to entertain while providing posterity with an acute testimony of the morals of his time. Indeed, Jean-Louis Benoit warns against reducing the author to a simple “photographer of reality”.

Les rustres

NR 2018