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David and his friends do a ouija session.

A young shipwreck arrives unconscious to an desert island. After waking up she explores the island and discovers that it is a landfill. But the young girl is not going to turn a blind eye.

Dr. Bryan Strange seeks to reduce the emotional impact of traumatic memories, which prevent some people from continuing to live normally. Following the experiment this reflection was born; about the ability to retain and remember the past as a fundamental part in the construction of our identity.

In a corner and during a day, a rock and several onions perched on the cement of an avenue near a market coexist next to the steps of passers-by. The sun denotes the sunset in this small still life found in the city of Valparaíso.

On 19 July 1929, in a village in Colombia, a group of shoemakers fought to improve living and working conditions in the country. They called themselves "The Bolsheviks of Líbano, Tolima". Their revolution lasted only one day and there was an attempt to erase their trail. The women of this village meet Aura, an anarchist grandmother, with the feeling that their rebellion is still going on.

A film about Donatien Alphonse François de Sade by Raul Perrone

Simón must go from London to Barcelona to attend the funeral of one of his friends, Carlos. In the 24 hours that he spends in Barcelona, he will find a city that he doesn't recognise and some friends that he feels are like strangers: María, determined to have everything under control; Úrsula, caught between the expectations she had about herself and what she has become; León, a resentment virtuoso due to his precarious personal situation and Axel, the great love of his life to whom he wrote a song that was a hit some years ago.

A couple builds a space to live. When it is finished, before inhabiting it, they invite a group of people to visit it. The invited people circulate individually through this new and empty space. They look, they walk, they talk. The film tries to rescue the effect of that experience in each one of them. So the space itself becomes an experience. What will they leave of themselves? What will they take? What will they show of the human? What is a house? What do you do with the past? The series of people who briefly inhabit that place, recently built, still free of all traces, could be thought of as infinite. The space fills and empties. The residual of that transit remains: a luminous fragility.

The processes of Love/Life/Internet/Music/Sadness/And Love Again

8-year-old Nuria has a perfect plan: for her father to fall in love again. What she has not taken into account is that love is not so easy to find.

Every day, Martin fills the set he works on with excitement. However, in his personal life he feels a great emptiness.

A girl has a date with a guy from Tinder, and she has her own ritual before every date...

Eva, a young woman, discovers she is pregnant and decides to have an abortion. With her partner against her, she feels it's the best thing to do and will soon discover that the decision was easier to take than to face. Nevertheless, she knows she made the right thing, even if it sometimes haunts her.

Three classmates talk about the Way of Santiago and the Galician heritage.

On a warm summer afternoon, a girl disappears in the small town of Oak Paso. Her desperate mother quickly asks the police for help when she realizes that her eldest son has not returned home that night either.

December 31, 2015. The Valencian bookstore Valdeska closed its doors permanently after forty years of activity. The result of four years of monitoring and filming, these 31 minuts of run time are part of a book unread, unknown and undiscovered. "Me voy. Me voy" it's not the story of a bookstore, not the portrait of an exceptional bookseller, it's a will to attach the things in the filmed image, to make something lasting showing the moment of its disappearence.

Mel is a photographer who preferably takes pictures of trees, used hotel rooms after sexual encounters and the streets of her hometown Trujillo. After her mother dies, she learns about a large debt she has left her. In an exhibition about her city, which she has organized with some colleagues, her picture catches the attention of a woman whom Mel has already come across in her photographic expeditions on the streets. They develop a special connection while accompanying each other through their days, wandering in a black and white Trujillo.

Lertxundi’s first film since relocating to Spain from California in 2019 is a triptych composed of three independent and yet interrelated pieces – Teatrillo, Inner Outer Space and Under the Nothing Night. A new setting for the filmmaker but the same sun-drenched blue sky and sea. Like all of Lertxundi’s work, Inner Outer Space is a film about relationships – between characters, between characters and landscape, between image and sound – but also, and ultimately, a deconstruction of the production process that highlights materiality and artifice. Just like the blindfolded woman in the film who attempts to orientate herself in a new geography, Lertxundi is learning – through the making of a film – to reacquaint herself with the landscape of her native Basque Country. The concluding chapter – in which two young women perform a mysterious choreography to the projected images of waves – is an outburst of pure feeling.

Through songs and puns, comedian Lokillo Florez hilariously reviews how Latin Americans have adjusted to a new world where no-hugging policies prevail.

Seven women and one non binary person share their personal experiences with masturbation through short anecdotes and a revolutionary washing machine.

Clara and Arnau have decided to get married on the same train they met. A cousin, a supervisor and their families and friends accompany them on an journey along the Mediterranean coast that will push patience and love to the limit.

On a cold April afternoon, coming down a mountain, Marcos and Iván will be faced with deciding whether to cover up or take responsibility for an action they have just committed.

Hundreds of workers risked their lives in union conflicts during the last civilian-military dictatorship. With an unusual narrative creativity that even includes animated reenactments, The End Will Come… gathers their silenced testimonies and gives an account on their vital resistances.

The life and experiences of six emblematic Chilean actors. One by one, they relate aspects of their trajectories, origin and dreams, reliving and analyzing not only their careers, but also happy and historical moments that marked their lives.

Menchu ​​Lamas and Antón Patiño have spent a whole life together dedicated to painting, where the spirit of play and artistic exploration of their early years remains intact. In Alcabre, Vigo, they have their watchtower by the sea.

One summer night in 1995, Juli and her friends meet for dinner in a cabin away from the city. In the middle of the night, a killer duck bursts into the place and begins to kill everyone one by one, but the young woman will do her best to survive.

Through more than thirty interviews and unpublished archive material we will discover the inspiration of “La Costa del Sol” (The Coast of the Sun) in Movies, Literature, Music, Architecture, Fashion... A true island of freedom, during the Dictatorship in Spain.

A couple, dragged by the bustle of their daily lives, are increasingly estranged from each other. With the arrival of the pandemic and social isolation, despite the vicissitudes, they work to recover what they had joined: the essential.

A man, a dream, a chorizo ​​sandwich. Pablo, a sad and melancholic man, wakes up one day with the sole purpose of eating a chorizo ​​sandwich; but that will prove to be more complicated than he imagines. A whole odyssey of drama and everything it takes to get his sandwich.

One morning, after a restless sleep, Gregorio wakes up a generous conversationalist who shares some of his biggest secrets.

Mexican comedian Alan Saldaña is back, poking gentle fun at himself and parceling advice, especially about how to stay married and how to be parents.

An introspective poetic vision of the relationship of people who experience a supernatural event and approach it by resorting to their most primitive instincts. An allegory about life, death and love with music by Bach, Beethoven and Wagner.

Jaguar voice of a territory is a Colombian production that took a decade to complete. It talks about love, affection, respect, humility, temperance and courage. It talks about balance with oneself and the other. It is the voice of a territory and a tradition where the jaguar dwells and seeks to be heard. It is a tour through the mountains, jungles and plains where the jaguar has directly engaged with humans, creating a millenary journey of chants, myths and cultural traditions which narrate the history of the man-jaguar relationship, and speak to the importance of preserving this species which finds itself severely threatened.

Forty years later, Lluís Escribano and José Romero Ahumada, a former member and actor respectively, of Els 5 QKs, an anarcha-fag filmmaking collective, meet on a nudist beach and make love.

This documentary aims to show that it is impossible to address the care crisis exacerbated by Covid-19 in the Basque Country unless care work is distributed and dignified through transformative cooperativism.

The pilgrimage to Mecca is one of the most important religious journeys for millions of people around the world. But how to get there? This documentary shows us how 12 companies met the immense challenge of running a high-speed train through Saudi Arabia's sandy rocky desert in temperatures of up to 50 degrees Celsius. A true marvel of engineering and cooperation, and together, overcoming obstacles.

Jon Sistiaga takes an immersive trip to Poland, a country divided into two zones: on the one hand, the urban and pro-European, and on the other, the rural and ultra-Catholic, still anchored in the traumas of the war and the post-war period. Is Poland a homophobic country or does it have a homophobic government? How does the European Union allow this situation?

Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.

Rodrigo once had a girlfriend, a son and a house. But today a different man has taken his place. One day, at dawn, he appears at his old home with the intention of regaining, in a single day, everything he has lost; even if this might mean hurting the ones he loves. The stubbornness, the ego and the grief of a man.

After having a drunken night, a couple of women return to their apartment. Later, both listen to Camila, their neighbor, having sex with a man and everything turns into a hostile situation from which it will be difficult to escape.