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Das Gestell

A Japanese philosopher writes a letter to a famous German colleague. He asks the German to advise the Japanese people how to deal with the permeation of modern life by technology. More than 50 years later, the same issues are being discussed among academics and aspiring engineers. It is hard to grasp how humans and technology continue to coexist. Resorting to biographical trivia, mythological histories and the recounting of dreams is not helping them to see these issues any clearer. In the grainy images of the film, landscapes from an uncertain time appear, occasionally flooded by water and a cacophony of brass players. The uncontrollable finds its ways into a world that tries to minimise risks and thus creates new dangers.

Das Gestell

NR 2017
A Living Knot

This performance takes place at the Puente de Cal y Canto bridge in Santiago de Chile, constructed during colonial times at the site where an Inka rope bridge had once connected the south and north of Chile. Vicuña invited friends and passersby to join in creating "a living knot" (un nudo vivo), to recover the memory of the sacred Mapocho Valley and its river, now deeply contaminated. This is one of several "performance-knots" of her Quipu Mapocho, conducted between 2016 and 2017.

A Living Knot

NR 2017
White Walls Say Nothing

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

White Walls Say Nothing

6.0 2017