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The Inventor

In this interesting World War I drama, Bruno Ganz gives a compelling performance as Jakob, an obsessive inventor who lives in a Swiss village. He receives unconditional support from his friend Otti (Walo Luond), but that is about all; the other villagers do not tolerate Jakob's eccentricities very well, and regard him as a crackpot. He perserveres in spite of this obstacle and finally invents a viable carriage that does not run on wheels but on a tread. Unfortunately for Jakob, the military have already come up with the same invention: the tank. The discovery finally breaks him, and he is quickly shuttled off to an asylum.

The Inventor

6.4 1980
Memoirs of My Nervous Illness, Part 2

On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. To his rehabilition he wrote an extensive piece of work, "Denkwürdigkeiten eines Nervenkranken" (Memoirs of My Nervous Illness), which was published in 1903 and led to his temporary dismissal. Hereby Schreber became the most quoted psychiatric patient in scientific literature. This second part was finished after Ernst Schmidt Jr. death by his assistant Susi Praglowski.

Memoirs of My Nervous Illness, Part 2

NR 1988
Das verrückte Strandhotel

Various German tourists arrive at the African vacation hotel "Leisure Lodge". Businessman Harry Weber wants to seduce his secretary Julia undisturbed, but unbeknownst to him, his wife Melanie has also arrived to seduce skier Toni. Weber's business partner, the industrialist Pfefferkorn, also turns up, and Weber's secretary is trying to woo his son Florian. Harry is given the call girl Christine by a friend, but Pfefferkorn is also after her. Hairdresser Agathe is the first to recognize the connections and uses her knowledge for business purposes. Finally, Toni's fiancée Resi arrives and adds to the confusion.

Das verrückte Strandhotel

4.0 1983
Komm doch mit nach Monte Carlo

An ageing actor leaves the stage in the middle of a Strindberg performance and goes home. He has realized that his life is as sterile as the characters he portrays. He encourages his daughter to pack a few things in the car and he wants to drive off with her. Where to? Why not to Monte Carlo, to tempt their luck? As it turns out during their journey, they have already tempted their luck enough. While father and daughter slowly grow closer again, the goal of Monte Carlo becomes a long way off. But they will not give up, no matter what the cost..

Komm doch mit nach Monte Carlo

9.0 1981
Jenatsch

A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.

Jenatsch

5.2 1987
We

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.

We

4.8 1982
Longing for Women: Dorothy Arzner

By the time director Katja Raganelli arrived in California to make a film about Dorothy Arzner in 1980, Arzner had passed away in a car accident. Nonetheless, Raganelli visited Arzner’s desert home and retraced the pioneering filmmaker’s career in this documentary, using Arzner’s trove of photographs, as well as interviews with her leading lady Esther Ralston, to create this nuanced portrait of a woman who bucked every norm and defied societal expectation.

Longing for Women: Dorothy Arzner

NR 1983
Blue-Eyed

In this suspense story, the main character, Johann Neudorff, immigrated to Argentina from Germany after World War Two, and has become a successful businessman there. He is unconcerned with the nature of the government there, which at the time of this film (1978) is a military dictatorship. His comfortable existence is disrupted when he discovers that his beloved daughter Laura has become the lover of a political activist who is on the military's hit list. When his daughter is kidnapped, Johann attempts to use his government connections to free both her and her lover. However, his son Alfredo undermines his efforts, and Johann himself is incarcerated in a military prison, but not before he discovers that his daughter and her lover are both dead, killed by the regime.

Blue-Eyed

10.0 1989
The Liberation of Auschwitz

This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film

The Liberation of Auschwitz

7.7 1986
Alles im Eimer

The unsuccessful inventor Leo Bergert is the awkwardness in person: Everything he tackles goes wrong. His latest project, the development of a totally new fuel goes, clearly failed. Now he is deeply in debt, and the bank will immediately return their money. As also leaves him his Dauerverlobte and also the rich Erbtante nothing rausrückt, he sees only one way out: Suicide. But even while he proves to be a failure: All attempts to convey himself to death, miscarry. He hires a hitman to kill him. But then his situation improves suddenly, he wants to live and make the job undone. But that turns out to be not so easy.

Alles im Eimer

5.0 1981