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To Alexandra

Through text, researcher-writer Alexandra David-Néel’s journey across the Himalayas a century ago unfolds via her letters home—seeking answers in a world fractured by colonial entanglements, wars, and human ferocity. In audiovisual spaces, the filmmaker's experiences in eastern Tibet are reflected via her own lens and those of native Tibetan people. What begins through her encounter with a legendary school in the region becomes, by the film’s completion, an elegy — as violence eclipses “history”, yet fails to erase memory. Meandering between past and present, the work invites viewers into a meditative space open to contemplations on life, death, history, remembrance, the self, and more.

To Alexandra

2.0 2025
Fight to the Death

During the 1939 Battle of Fanchang, Zhu Zhen, a platoon leader of the New Fourth Army, led his unit in escorting journalist Lu Ying, who carried evidence of the Japanese army’s atrocities in Nanjing as well as their operational plans. Pursued and blocked by Japanese forces, the team suffered continuous casualties and endured life-and-death trials, including ambushes on snowy plains and fierce combat in mountain caves. In the end, Zhu Zhen sacrificed his life for the mission, while Lu Ying successfully delivered the evidence, aiding the New Fourth Army in securing victory and exposing the crimes of the Japanese military.

Fight to the Death

NR 2025
When the Night Meets Light

This is the first non-fiction film to document, through real footage, the stories of children seeking help — and finding self-rescue — amid psychological and emotional struggles. Through intimate, unfiltered moments at schools, in families, and inside hospitals, the film captures the children’s interactions with teachers, parents, and doctors. Over the course of five years, the director — a veteran journalist — immersed herself in classrooms, medical institutions, and social organizations, conducting hundreds of interviews with children, parents, educators, and mental health professionals. Drawing from tens of thousands of real cases and records, she uses documentary cinema to explore the urgent question: how can we better understand and support children in their journeys of growth, care, and education?

When the Night Meets Light

NR 2025
Left Behind

In China, over 69 million children have been left behind by their parents in their home villages while they migrate to big cities to survive. Qui Che (14) was left by his mother with his grandparents. He was 4 years old when his father tragically took his own life due to their financial situation. He grew up lonely with unbearable burdens to help his grandparents with farm work. He vents his difficulties by writing diaries that provide a glimpse into his inner world. His story reveals a personal journey filled with emotional, familial, and societal challenges, especially the absence of his mother, who returns home once in three years. The film is a microcosm of the universal migration tendencies around the world.

Left Behind

NR 2025
Azalea

Once a spirited and ambitious young man of the Miao people, Chong Sheng (Wang Yu) lived for his dream of performing the traditional lusheng dance. A tragic accident left him with a broken leg, forever shattering that dream. Consumed by despair, he retreats into silence, until, two years later, a failed attempt at ending his life propels him into a haunting journey through layered dreamscapes. Azalea is a meditation on broken aspirations, resilience, and the fragile border between life, death, and dreams.

Azalea

NR 2025
Land Sailing

Land Sailing 边境航行 tells the story of an Asian immigrant returning to the UK after an ordeal crossing the England Channel due to the refusal to board a plane and legally entering the UK. This road movie is mainly shot by action cameras, documenting from a first-person perspective a journey back from Paris on a Flixbus, via Calais and Dover by a ferry, illustrating a ten-hour crossing of the border and the geographic distance. This works tells a heartbreaking and serious story from a naive and innocent tune; it is feminine, gentle and poetic, containing shadow puppetry, Kazoo, paper boats and many other domestic and childlike elements.

Land Sailing

NR 2025