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With her elegant classic persona, Li Li-hua was the ideal performer for period aristocratic and imperial roles. The Goddess Of Mercy is a good example of her strong empathy and noble presence. The youngest daughter of a brutal king, the princess openly disapproves of the floggings and cruel treatment her royal family heaps on the peasants. As a result, the heartless king turns on his own daughter forcing her into exile.
Zatoichi is sworn to protect the life of a young girl and without any real allies finds himself in the middle of a bloody turf war.
In Osaka's slum, capricious folks without futures engage in pilfering, assault and robbery, prostitution, and the trading of ID cards and blood.
The story is about how the odd-demon create his “mutilation-poison leg”. At the same time his disciple Dragon Girl realized his cruel means to all men including herself. Despairing Dragon Girl finally met her bosom friend Yuan Tung and her benefactor Long & Qiu and pull together to wipe out her evil master.
Pinku from 1969.
Katsuji takes revenge on evil Tamaru who forcefully took control of the fishery business run by Katsuji’s friend.
Journalist Kuroki is investigating clandestine arms sales to Southeast Asia. He discovers that the point man in an arms trade was also involved in the cover-up of a murder on an American base during the Allied Occupation. The film rolls along as a suspenseful thriller while offering a critique of political corruption, hypocrisy, and journalistic cowardice in postwar Japan.
Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.
When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.
Shinko Terasawa was always considered to be the odd ball of the bunch. At a time when romance was against school regulations, Shinko was the first to take a bite out of the forbidden fruit. Expelled from her former school, she finds herself in an all-girls school in Jokamachi, where rumors fly. One day, Shinko delivers an anonymous love letter addressed to her English teacher, Ms. Shimazaki. Convinced that the students are playing a prank, Ms. Shimazaki is adamant about getting to the bottom of this "problem”.
Jiro, a young yakuza, and Mami, a diplomat’s daughter, are two young lovers from different worlds. Having met by accident, they soon discover a new life together. But their love is ill-fated. Mami's family will not accept her choice, while leading an honest life seems like an unattainable goal for Jiro. Can there be anything else but a tragic ending?
In the mid-sixties Chang Cheh changed the face of female dominated films with his male dominated, violent kung-fu films. Dead End was the start of a new force that lasted 6 years, the first film to star David Chiang and Ti Lung under director Chang's discerning eye. The trouble all begins when Chen Hung-lieh's character disapproves of Ti Lung's character courting his sister.
Follows the lives of three sisters who have a dance act together.
Tajima is a private detective in charge of his own company, Detective Bureau 2-3. When warring criminal gangs go overboard by robbing U.S. military munitions, Tajima steps in to stop what the cops can't.
When a local gambling house kidnaps some peasants because they failed to pay their debts, a rival gambling house pays their debts and sets them free.
The last film in the series brings the tale to the doorstep of Pacific War, with the planning of the bombing of Pearl Harbor dominant in Nakano Spy School.
This anthology film consists of nine incidents in the late 19th and early 20th centuries when assassins changed the course of Japanese history.
Taut thriller about a too-perfect criminal case against an ex-convict that makes a nosy detective suspicious.
In the third installment of Yoshikawa's novel Musashi, things continue from the 2nd film at the end of battle, where Miyamoto continues on a mission of learning; with the introduction of his arch-rival Sasaki Kojiro; and lastly the large cast of characters rendezvouses for a fateful finale.
The first in what would become Toei's most successful, longest-running bosozoku film series. It lasted from 1968 till 1972 through sixteen films.
A Tokugawa Daimyo rebels against an his lord after the battle of Sekigahara. Samurai Matabei, a famous spear fighter and warrior, is a vassal of lord Honjo. One of Honjo's most trusted under-lords is Sanzaemon. He has designs on Matabei's fief, and he plots to kill Matabei. He finally convinces Lord Honjo of Matabei's guilt. Now Matabei must fight to survive.
In the middle of the period of high economic growth in Japan, a family is thrown into disarray over work, money, and romance. Their father's sudden unemployment later in life causes friction among the siblings of the Akagi family. Kensuke, a salaryman at a top company, refuses to support his parents while his brother, Shoji, determines to care for them despite only working as a taxi driver. The concern over money affects Noriko's own love life as she courts a wealthy salaryman to the chagrin of her mechanic boyfriend.
A court fortune-teller loses his mind after a conspiracy leads to the death of his lover. Hope appears to be on the horizon after he becomes romantically involved with his dead lover's twin sister, but more complications arise thanks to a chance encounter with a clan of shape-shifters.
This film focuses on Okatsu; the adopted daughter of a master swordsman. She is a master with a sword herself and her talents far overshadow that of her brother, and real child of the man who adopted her. Her brother unfortunately has a gambling habit, and it plunges the family into trouble when he loses a lot of money in a crooked dice game. After releasing he is unable to pay the debt he owes; the blame is shouldered by the father, who is killed, leading Okatsu on a path of revenge.
A crime film released in 1962
"10 minutes of the act of creation itself run through close up and magnifying lenses. " -T.I.
Zhang Shijie is an international spy, like James Bond, and has to seduce Julie Tan, the daughter of an organization’s leader in order to find their headquarters.
Detective Tarao investigates the deaths of police officers who were involved in solving a kidnapping case.
Near the end of the nineteenth century, as the balance of power shifts from Shogunate towards the Emperor, Japan restlessly awaits the dawning of a new age. But not all are content...The Shinsengumi, a small army of samurai, farmers and peasants, band together to do battle against the tide of history. Their leader, Isami Kondo is a man who rises from farmer to fighter to head the fierce Shinsengumi brigade. Using a stern hand and a heart of gold, he rallies his men in defense of the tottering Shogunate. But bloodshed and treachery lurk around every corner.
Saotome Mondonosuke pursues the culprit who placed a malicious curse upon Shogun Tsunekichi.
The story of Lonely Seventeen centers on Tan-mei, a seventeen-year-old high school girl who comes from a wealthy family. The film begins with Tan-mei inviting her cousin, who is also her sister’s fiancé, Feng Tse (Ke Jun-Xiong), to come over to her place on a rainy night. However, Feng Tse secretly visits his mistress first and gets seriously wounded after a fight with the woman. When he tries to make a second stop at Tan-mei’s place, he loses control of his car and is killed in a car accident. After the death of Feng Tse, Tan-mei and the mistress start to behave strangely, and both of them are sent to the same mental health institute after their emotional breakdown.
A nerdy young college instructor named Shinji Kikyo returns home one day to find himself the target of a mad assassin. Surviving somewhat miraculously, he fends off other assassins and with the help of reporter Keiko Tsurumaki and car mechanic Bill Otomo, eventually discovering that a "population control" association is really an assassination squad led by Shogo Mizorogi, who has been training patients of a mental asylum to become killers.
A fearsome swordswoman known as The Jade Raksha appears in the martial arts world and begins killing people whose surname is Yan. A swordsman figures out who she is, and asks her why - the answer being that a Yan killed her family 18 years ago... but she's not sure exactly which Yan it was. He suggests that killing the innocent is wrong, but she only has vengeance on her mind and is not to be convinced.
Kisuke, a young bamboo worker marries Tomoe, a courtesan who was once involved with Kisuke's late father.
On the eve of the Russo-Japanese war at the beginning of the 20th century, small-town girl Okane has married an old wealthy man to escape a life of poverty.
Pinky and Yoko are about to graduate. Full of hope and uncertainties they embark on a tale of temptation.
Blind swordsman/masseuse Zatoichi befriends a young woman looking for her father, a village leader who has disappeared. As he helps her investigate the disappearance, Zatoichi also becomes involved with another young woman who is trying to help her brother, who has murdered someone at about the same time and place as the missing man was last seen.
Ayako (Sayuri Yoshinaga) is a free-willed college girl who shares a room with Takako and Kimie. They each have a clear vision of what they want from their career and love life. Soon, their room share takes a turn, when ideals begin to clash with reality.
Namiko is married, but has an infatuation with Ishizuka who runs a nightclub. The businessman is also planning on wrecking the company of Namiko's husband. As personal lives and professional careers intertwine and cross one another including a love triangle dangerously, the affair is taken up a notch following a murder.
The happy lives of animals in the forest are stirred by the sudden attack of a pack of wolves. Uncle Deer comes to the rescue, and asks Birdy to notify his son, the Deer Warrior. Deer and his rival, Sika Deer fight for the love of Miss Deer while Foxy mingles with the leader of the wolves, desiring to be the prettiest in the land. A truly bizarre family (?) film from critic and pioneer Chang Ying.
Today is a new day with hopes. A youth hymn that depicts a young truck driver growing up in love with a dream while being supported by his friends who are always close to him. A movie adaptation of a hit song by Kazuo Funaki.
One week into newlywed Teiko Uhara's marriage, her husband, Kenichi, leaves on a short business trip and never returns. Teiko travels across Japan to search for him, and along the way discovers some surprising facts about her husband's past. With only a pair of old photographs among his belongings to go off of, Teiko tries to figure out what has happened to him.
Ghost comedy film.
1962 Japanese movie
1961 Japanese movie
Hong Kong movie
An omnibus comedy set in a newly built housing complex, the film follows seven interconnected stories about the everyday vices simmering behind thin apartment walls. The film observes the lives of ambitious young couples, suspicious spouses, self-styled rationalists, overworked husbands, and gossiping neighbors navigating the promises of modern apartment living.
A prostitute and her stepfather are falsely accused of murder, imprisoned, sexually abused and tortured. The real murderer will be discovered - and the girl will take revenge.
1961 Toei adaptation of Yokomizo's novel.
In order to exact revenge upon him, a young woman (Lin Dai) marries the Emperor Chou (Shin Young-kyun), who killed her father.
Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.
An abandoned temple in the mountains outside of the old capital city of Kyoto is the scene of a fated meeting between a traveling priest, two women, and a vicious killer. Bloody violence erupts whenever strangers approach the temple. Can the traveling priest bring his belief in the Buddha and rid the three temple residents of the devils that hold their souls?
A story about the lives of four sisters and their manipulative mother who must come to terms with each of their decisions in life.