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Female Gambler

In this suspenseful tale of high-stakes gambling, Female Gambler follows the life of a skilled young woman drawn into the perilous underground world of Japan’s gambling scene. As she rises through the ranks, her talent and resilience attract dangerous rivals and unexpected allies. Caught between loyalty and survival, she must outwit seasoned gamblers and navigate treacherous situations to secure her place in the game, ultimately risking everything she has to maintain her independence in a male-dominated world.

Female Gambler

NR 1991
Dare Ya!

“Dare Ya!” explores what has made the members of Hong Kong’s most controversial band, LMF (LazyMuthaFuckaz), the new “voice of Hong Kong youth”. Their music may raise eyebrows with the older generation, but to their hardcore fan base, LMF’s point of view is their “voice” and their music is the heartbeat–and their hopes, dreams, nightmares, concerns, problems, and solutions for their future. As the title of this raw, different, relevant, and timely film suggests, “Dare Ya!” is a challenge to Hong Kong to take a good look at itself, warts and all, because only by facing up to our flaws can we become the “World City” that we aspire to. “Dare Ya!” is not just a documentary about the exploits and growth of ten ordinary young men from the Estates who just happen to be members of a rap band, but a wake-up call for Hong Kong.

Dare Ya!

5.0 2002
Roomless

Wai (Tiny Gary) is a film school graduate who has lost everything in post-1997 Hong Kong. Out of despair and anger, the cynical young man decided to live entirely off government allowance, leading a lonely, trashy life in a rented room of 100 square feet. Seven years have passed in a blink. This fateful year, Wai meets Mainland prostitute Mei (Gloria Poon) and the two begin living together in his tiny room. With his growing affection for Mei, Wai risks smuggling illegal drugs into China in order to earn some fast money for a better life with her.

Roomless

5.2 2011
Breaking the Willow

In Breaking the Willow, tells the story of two Chinese women, of different dynasty & society, their personal link to a bejeweled Phoenix Tierra. Cui, a woman of humble background, who divorce her husband to marry again for comfort, who dreams her husband will gain title and bring the official Phoenix Tierra to honor her. One day her dream come true but is too late. Hsiao Yu, a beautiful songstress from a royal decent of the past dynasty, meets the First Scholar and falls in love. The day after their wedding, the husband is called for the frontier. The fallen Princess wears her Phoenix Tierra to bid him fare well poetry.

Breaking the Willow

NR 2003
White Powder and Neon Lights

This is the first 16mm Cantonese film in full colour, shot on 1940s state-of-the-art Technicolor film stock. Opera star Man-ha (Leung Bik-yuk) enjoys tremendous popularity during her performances in San Francisco, but drowns herself in the vices and temptations of the big city. Increasingly, she fails to show up for performances, almost causing the theatre to go bankrupt. When she sees her lover for the scoundrel that he is, she also sees the errors of her own ways and saves the theatre, restoring it to glory. Joseph Sunn Jue established the Grandview Film Company in Hong Kong during the 1930s and continued making films in the USA during wartime by collaborating with Chinese opera performers in exile there. Wong Hok-sing, an opera actor himself, directed, wrote and starred in this film. He staged a spectacular play-within-a-play at the end, not only to promote the art of Cantonese opera but also to boost solidarity among overseas Chinese through difficult times.

White Powder and Neon Lights

9.0 1947
The Dispute

During his studies in Edinburgh in 2021, filmmaker Fredie Chan experienced a protest by the locals to fight for their housing rights, as developers are discovered to be converting empty lots and unused old buildings into new international students flats, rather than resolving severe housing shortage for the locals. From the perspective of a Hongkonger, who is no stranger to housing problems, the documentary follows a group of local grassroots housing advocates, attempting to investigate the crisis, connecting the dots between global and local. Screened with the director’s previous film Beautiful Life, about an Indonesian girl who left her homeland to work as a domestic helper for a financially unstable grassroot family in Hong Kong.

The Dispute

NR 2023
Electric Signs

The film's narrator, an observer modeled on the critic Walter Benjamin, takes us on a journey through a variety of urban landscapes, examining public spaces and making connections between light, perception and the culture of attractions in today's consumer society. Structured as a documentary essay in the spirit of city symphony films, ELECTRIC SIGNS features footage in Hong Kong, Los Angeles, New York, and other cities around the world. Also featured are interviews with prominent lighting designers; advertising and marketing professionals; urban sociologists and visual culture experts; and community activists.

Electric Signs

NR 2020
Tomorrow Is Another Day

Wang Chieh is a young man who's in love with a girl, Yang Wan-ru. However, Yang tells her friend, Tang Hwa, that she's fond of another boy, Kang Ping. Tang Hwa host a party at her place and announces to everyone there that she's engaged to Kang Ping. Yang is heartbroken and later agrees to marry Wang if he's able to pay for her mother's medical bills. He fulfilled his promise and they end up marrying each other. Years later, Wang gets himself into trouble with drugs and goes to jail. Yang returns to her hometown and finds out that Tang Hwa is married but not to Kang Ping. Yang starts an affair with Kang but realizes that he's just a womanizer. Yang returns home and wait for her husband to be released from prison.

Tomorrow Is Another Day

NR 1969