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The Virgin Mary

In BBC ONE's The Virgin Mary, dramatic reconstructions and stunning visual effects are combined with the latest findings from historians and New Testament scholars to recreate the story of this remarkable woman. Presented by actress Sue Johnston, The Virgin Mary explores the history behind the miraculous Bible story to reveal the living, breathing mother of Christianity. The picture that emerges is very different from that of popular belief – the serene young woman, dressed in blue silken robes, was largely a creation of later writers and Renaissance painters.

The Virgin Mary

NR 2002
James May at the Edge of Space

James May always wanted to be an astronaut. Now, 40 years after the first Apollo landings, he gets a chance to fly to the edge of space in a U2 spy plane. But first he has to undergo three gruelling days of training with the US Air Force and learn to use a space suit to stay alive in air so thin it can kill in an instant. He discovers that during the flight there are only two people higher than him, and they are both real astronauts on the International Space Station.

James May at the Edge of Space

7.3 2009
The Pact of Silence

Everyone has a secret. Twins Sarah and Gaëlle near 25; for ten years, Sarah has been a fundamentalist Carmelite in a Brazilian convent, and Gaëlle has been in prison for a heinous crime. Sarah comes to the attention of Fr. Joachim, a priest and physician; he can find no cause for her debilitating abdominal pain. When Sarah and he are transferred to Paris, Joachim looks for Gaëlle, now on probation and finding no respite from society's approbation. An enterprising reporter is digging into Gaëlle's life, the mother superior of Sarah's convent hovers over her, and Joachim investigates the phenomenon of twin's symmetry. Is there any release from the past?

The Pact of Silence

5.8 2003
Anne and the Reverend

As a young man, Rev. Makoto Otsuka, had a life-altering encounter with Otto Frank, the father of Anne. Inspired by what he heard, and after becoming a Christian minister, he undertook a mission to teach Anne’s story to Japanese children. He built a Holocaust museum in Miyuki, near Hiroshima, dedicating it to the memory of the 1.5 million children murdered. He conducts tours for schoolchildren, teaching them about the dangers of racism and hatred. He even spent time in Israel, learning Hebrew.

Anne and the Reverend

NR 2008
Mütter Väter Kinder

Back then they were just friends, now they are a couple: "Mothers, Fathers, Children" is the sequel to the comedy "How do I raise my mother?". This time it's about the joys and sorrows of the patchwork family: Ginger, the eternal flower child, has to look after her sick mother, neglects her boyfriend Hans and learns to appreciate nurse Laurens in return. Hans, on the other hand, is courted by Marianne, Ginger's daughter wants to meet her biological father, and son Max is deeply in love.

Mütter Väter Kinder

7.0 2008
Der Rosa Riese

The press called him the “Pink Giant” or the “Beast from Beelitz”. Before the fall of the Wall, he murdered five women. Wearing pink underwear, he ambushed them in the forest. First he killed them, then he raped them. The East German press never mentioned such cases. When he was caught in 1992, journalists stormed the small village where he lived. In the meantime, he is confined to a psychiatric ward near Brandenburg. He is allowed to wear women’s clothes and is seeking a sex change.

Der Rosa Riese

NR 2008
Prokofiev - L'Amour des trois oranges

L'Opéra National de Paris' production of L'Amour des trois oranges must certainly be one of the most elaborate operatic presentations. It has a cast of gazillions, characters who fly, jugglers, fire-eaters, remarkably elaborate costumes, amazingly realistic props (those five-foot oranges are convincingly juicy and edible looking), a huge set, fireworks, and so on. In fact, at times, it looks more like a Cirque de Soleil show than something you'd see in an opera house. Director Gilbert Deflo's conception and William Orlandi's costumes and sets are rooted in commedia dell'arte, but the production is thoroughly eclectic, with allusions to a wonderfully weird assortment of styles and periods.

Prokofiev - L'Amour des trois oranges

NR 2007
Macbeth

Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.

Macbeth

6.6 2001
Dave Allen

Dave Allen was an alternative comedian before the phrase even existed. He was an innovator who set the agenda for comedy and comedians for more than thirty years. All he needed was a stool and a glass of something and he was in his element, reflecting laconically on such subjects as sex, the Irish and God, traffic, smoking, the Bible, Life and Death. Also sex, the Irish and God... This DVD contains his very own personal choice of sketches, gags and monologues. It's a vintage display from a unique raconteur - a man who observes out guilt, weaknesses and doubts and makes us laugh at them and at ourselves.

Dave Allen

4.3 2005
Hollywood : Le règne des séries

Friends, ER, 24, The Sopranos, Six Feet Under, Alias, Sex and the City, The Shield, Lost: the new generation of Hollywood series is blowing things up! Brilliant, inventive, daring, violent, exciting, TV series have indeed become the new creative Eldorado in what used to be the realm of cinema. From now on, they are the ones who attract the best actors, the best writers, the best directors. They capture the public's attention, accompany their daily lives and inspire their thoughts on love, sex or politics. They know how to turn the constraints of the system to their advantage. How are they made? Who are the scriptwriters? On what criteria are they selected? How do the shootings take place? What censorships do they have to bypass?

Hollywood : Le règne des séries

NR 2005
Bad Day

Rebecca Ryan has been working as an undercover agent for the Organised Crime Division (OCD) posing as a taxi driver, while investigating London's south-side mob. When she finds her young daughter Lynn brutally murdered she fears her cover has been blown wide open, so she turns renegade and begins a brutal campaign of vengeance against the mob she believes killed her daughter. As she trawls the seedy depths of London's underworld hunting down her daughter's killers, the lines between good and evil, right and wrong begin to blur as do her notions of justice and revenge. It falls to the world-weary OCD agent Darius Cuise and his newly-assigned, hot-tempered partner Abby Barrett to track down Rebecca and bring her in before all hell breaks loose.

Bad Day

5.1 2008
Wagner - Götterdämmerung

Musically, Götterdämmerung, like its predecessors in this Barcelona production, has strengths and flaws. Fortunately, Kupfer's interpretation places Brünnhilde and Hagen at its center and the singers are well up to the task. Deborah Polaski's final scene, so critical to any performance of the cycle, is excellent, the voice warm, the emotions palpable. Her moving performance here is ample compensation for the touch of vocal hardness she displays in the opening scenes. As Hagen, the veteran bass Matti Salminen offers a great portrayal: firm of voice, creating a complex character, not a stage villain. Also notable are soprano Elisabete Matos, who makes Gutrune a sympathetic character, and Julia Juon, whose Waltraute is more involving than usual.

Wagner - Götterdämmerung

NR 2005
Kiss of Life

Helen lives in London with her father and her kids. John, her husband, is an aid-worker in Eastern Europe. He has been gone many months. Helen is desperately anxious that he should come home. Taking the kids to school one morning, she is killed in a car accident. She remains caught in limbo, trapped between life and death. Many miles away, in war-torn Eastern Europe, John is unaware that his wife has died. As Helen herself is unaware that she is dead. Thus begins, a four-day Odyssey: Grandpa and the kids must come to terms with Helen's death; John must travel across a war-torn land as he tries to reach home; and Helen must stand helplessly observing her own existence as it comes back to haunt her - until at last she is reconciled with John, and thus released.

Kiss of Life

5.7 2003