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Mulch

In Mulch, a young man named Lance (Joel Corriveau) is suffering from repressed memories relating to the violent death of his parents and then the traumatic murders of his friends. Dr. Darnell (Darren Toderick), his doctor and the world's most irresponsible psychiatrist, decides to force Lance to confront his fears by returning to the rural scene of his friends' deaths. Along for the ride on this ill-advised field trip are two other of the doctor's patients, a whimpering agoraphobic (Justin Peeler) and a busty paranoid narcissist (Lindsey Queen). But waiting for them, in the woods, are a trio of backwoods psychopaths with a gruesome passion for gardening. And these twisted green thumbs traffic in a fertilizer that's decidedly more red. Part gross-out comedy, part exploitation gore-fest, Mulch is chockablock with disgustingly over the top blood, guts, boobs, and dark comedy.

Mulch

NR 2013
Os Olhos Do Meu Amor

Every four years, the residents of Campo Maior, in Portugal’s arid Alentejo region, reinvent their village: each street is lavishly decorated with paper flowers, painstakingly handmade in the months before being put on display. Rui Silveira films this tradition in his birthplace, taking us on a trip out of time. Capturing the smallest details, he conveys the patience and skill that go into a beautiful ephemeral art that brings the community’s spirit to life; meanwhile, questions related to rurality and exile keep cropping up in the conversations. The fragility of the paper flowers, threatened as much by the weather as by souvenir-hungry tourists, is a window on an ages-old world struggling to protect its integrity.

Os Olhos Do Meu Amor

NR 2019
Visual Music for 10 Voices

In Barthes' essay, "The Grain of the Voice", the concept of the "genosong" was evoked to separate the sound of the voice from its language. Visual Music for Ten Voices distinguishes the physicality of the optical vocal track as having a unique identity from its actual resonance in sound films. Designed as a 10-foot black box projection loop, this film focuses on the rhythm and materiality of ten 35mm optical soundtracks. Each musical passage maintains its original length and linear harmony with the other tracks, collectively creating a new sense of motion and repetition.

Visual Music for 10 Voices

NR 2011
Because We Are Girls

Three sisters have spent years bracing themselves for the pivotal moment that opens this film: the final verdict in their trial against their cousin, their childhood sexual abuser. From there, the story returns to their memories of growing up in a large and insular Punjabi-Canadian family in the small mill town of Williams Lake, British Columbia. With unflinching candour, the sisters discuss their family's dark secrets and expose a toxic family culture that relied on female subservience and obedience. These roles, they acknowledge, have deeper roots and have in part been reinforced by the Bollywood films that have structured their fantasies of romantic relationships. While the film tells a difficult and confrontational story of abuse, it is also a celebration of the loving sisterhood that allows these women to demand justice for the wrongs of their childhood years.

Because We Are Girls

4.0 2019