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Fiammetta

Short fiction film starring Fiammetta, a fourteen-year-old girl. Raised in a splendid home in the Tuscan countryside, she ruminates on her memories, her frustrations and her desires. All the charm of the character lies in his innocent perversity. Absorbed by her daydreams, she lives in the universe where her father died and where her mother, still young and beautiful, attracts admirers. One of four film sketches on the problems of adolescents facing the adult world in the 1960s included in the anthology film That Tender Age (La fleur de l'âge, ou Les adolescentes). The three other sketches were directed by Michel Brault, Hiroshi Teshigahara, and Jean Rouch.

Fiammetta

6.0 1965
Trique, gamin de Paris

An old Montmartre building with countless tenants: on the seventh floor, a Russian painter, Igor, lives in his art and dreams, whose paintings express kindness and indulgence; two floors below, a poor cabaret singer, Seraphita, poses for her neighbor when she feels too lonely and abandoned; further down, the Prunelle family lives, where the father and mother, inveterate drunks, indulge in drink and give their eleven-year-old son. Tique, who seems to have become indifferent, the spectacle of atrocious domestic scenes. By the time the film begins, Father Prunelle, drunker than ever, has chased Tique's mother away with insults...

Trique, gamin de Paris

7.0 1962
Maria Callas: At Covent Garden, 1962 and 1964

Maria Callas’ legendary live performances from the Royal Opera House, Covent Garden, from 1962 and 1964 celebrate her triumphant return to the Covent Garden stage. Repertoire from these performances include Verdi: Tu che le vanità (Don Carlo), Bizet: Habanera & Séguedille (Carmen) and Puccini: Tosca (Act II complete). Her vivid portrayals of the tragic Elisabeth de Valois, the tantalising Carmen, and her vulnerable Tosca (directed by Franco Zeffirelli) captured the hearts of the London audiences. This is Maria Callas as the world remembers her. Renato Cioni, Tito Gobbi, Robert Bowman, Dennis Wicks Orchestra & Chorus of the Royal Opera House, Covent Garden- Conducted by Georges Prêtre & Carlo Felice Cillario.

Maria Callas: At Covent Garden, 1962 and 1964

8.5 1962
Part-Time Wife

Insurance salesman Tom and his wife Jenny are struggling through the first years of marriage in a modest flat, on Tom's even more modest salary. By contrast Drew, Tom's old army pal, is a footloose bachelor currently running a car-hire firm owned by his rich uncle, who lives in Canada. Since Drew's uncle makes it clear that his nephew will only inherit the business when he's a respectable married man, his upcoming visit throws Drew into a panic. Having taken a fancy to the vivacious Jenny, Drew persuades her to masquerade as his wife – an arrangement that leads the trio into some highly complicated situations!

Part-Time Wife

6.3 1961
Miró, l’altre

As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró himself, with the help of the cleaning staff erased his own painting. Joan Miró accepted the idea without a doubt. The complicity between the film maker and the painter is evident in the filming.

Miró, l’altre

5.0 1969
Alias Gardelito

The title of this story is taken from the name of the great Argentine singer Carlos Gardel, the idol of the antihero Toribio portrayed by Alberto Argibay. Toribio's goal in life is to emulate the famous singer and making his own way successfully in the music business. Yet at the same time, he does not stop his illegal means of making ends meet, stealing and petty thievery. Discouraged when his big break never quite materializes, Toribio heads for disaster when he joins up with a large smuggling scheme.

Alias Gardelito

6.0 1961
The Banner of Kryvyi Rih

In an act of friendship and solidarity between two mining towns in 1929, the locals of Kryvyi Rih, Ukraine, give their flag as a gift to the locals of Bergstedt, Germany in this GDR propaganda film. This quickly takes on a symbolic meaning for the miners in Bergstedt as the Nazi party demands that this Soviet gesture be erased and the flag be replaced with their own. The miner and communist party functionary Otto Brosowski publicly declares it his duty to defend this flag against every danger, and he keeps his promise despite his family being threatened by torment and torture.

The Banner of Kryvyi Rih

7.5 1967
El halcón de Castilla

Adventure film of Spanish production that follows point by point the parameters set by other literary characters, such as "El Zorro" or "El Coyote". José María Elorrieta, director with extensive experience in western spaghetti, is in charge of the direction and the script, in this film starring a gallant who was fervid among the female audience, Germán Cobos ("La patrulla", "La vida es maravillosa"). Shot on a small budget and with no other pretense than to entertain, "El falcón de Castilla" had considerable box office success.

El halcón de Castilla

6.0 1967
Der Komödienstadel - Der Geisterbräu

The rich and fun-loving brewery owner Xaver Bogenrieder has died. After the funeral, the mourners come to the pub for the funeral feast. The first trouble is already inevitable: It's all about the succession to the Unterbräu and which of the dignitaries will court the beautiful widow. The master brewer, who has long been a silent admirer of the widow, doesn't like this at all. Then the shepherd gives him an idea. The Unterbräu simply has to go around as a ghost, then the false admirers will stay away. Unfortunately, the gravedigger has the same idea, without the one knowing about the other.

Der Komödienstadel - Der Geisterbräu

9.0 1963
A Man to Kill

Barcelona, 1967. Hans Fromm, a German-born architect, lives an well-ordered everyday life. He has become the target of an antifascist death squad though. Indeed their leader, Julius, whose brother was killed by Schmidt, a merciless S.S., believes, without being absolutely certain, that Fromm and Schmidt are the same man. The team, whose other members are Georges, the son of a deportee liquidated by Schmidt craving for action, Raphaël, a mercenary type, Nils, the photographer and Romain, watch Fromm's every move until Julius, convinced at last that the quiet German is their man, gives the green light for the operation. They manage to lure the former Nazi to an old house but Schmidt/Fromm won't let himself be captured so easily...

A Man to Kill

7.0 1967