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Lai Lai Ballroom has gained its fame in the past two decades within Shanghai’s gay community. It is particularly popular among middle-aged and elderly gay men. This place opens its arms to men with all kinds of stories: a monk who yields to his own desire, an HIV-positive individual who hides from one hurting relationship to another, and a transgender person making a living with breast prostheses. They find a moment of comfort and understanding here, before returning to what life expects of them in the real world. In May 2018, this place was closed. Nobody knows whether it will ever re-open to those who miss it.

Wen Hao and Jiang Zhen, struggling street performers sharing a cramped apartment, lead parallel lives of artistic hustle. While Jiang finds solace in their bohemian routine, Wen Hao burns with unfulfilled ambitions. His world tilts when he falls for Li Ying—a love that fuels his artistic drive but blinds him to Jiang Zhen’s quiet loyalty. As Wen Hao chases success and romance, Jiang, feeling increasingly invisible, moves out, leaving behind fractured camaraderie. Unbeknownst to Wen Hao, Li Ying is married to Wang Peng, a man with shadowy ties to Jiang Zhen. The fragile façade shatters when fate converges all four at a gallery opening. Secrets detonate: Jiang confesses his long-suppressed feelings for Wen Hao; Li Ying reveals her pregnancy; and Wang Peng, cloaked in unsettling civility, unveils a meticulously orchestrated scheme to dismantle Wen Hao’s life—using Jiang’s vulnerability and Li Ying’s divided heart as pawns.

Public Service video released during a rash of parasitic infections.

Shan Yue, a young Yue Opera dan actress, navigates the dissonance between stage romance and her impending marriage to Chen He, whose heart belongs to another man, Qiao Mo. While audiences weep for the butterfly lovers’ eternal bond, Shan knows too well the chasm separating theatrical passion from life’s stark prose. As Chen vanishes and her mother-in-law Lu Xiuzhen’s tragic history surfaces, Shan confronts her crossroad: perpetuate the ornate lie of tradition or dismantle the gilded cage. Beneath the phoenix crown and painted brows, a quiet revolution brews—not with arias, but the tremulous courage to rewrite her script beyond society’s stage.

Song Yaru, heiress to a corporate empire, faces a torturous dilemma: divorce her husband Qin Haoyu—a man crippled by chronic illness and drowning in speculative forex debts—or uphold her father Song Huaien's demand to bequeath the family conglomerate to him. Haoyu's lifelong physical trauma from a childhood accident and his reckless financial gambles have shackled him to perpetual despair, viewing the inheritance as his sole redemption. Enter An Yi, Haoyu's guilt-ridden childhood friend who believes himself responsible for the accident that doomed Haoyu's life. Driven by penitence, An Yi begins nightly infiltrations into Yaru's mansion, orchestrating clandestine schemes to salvage Haoyu's fate. What begins as a twisted act of atonement evolves into an obsessive bond between the three—until calculated interventions spiral into grotesque accidents, hurtling them toward catastrophic and irreversible consequences.

This harrowing tale follows a university student who escapes his impoverished mountain village, only to grapple with destitution that forces him into part-time jobs to fund his education. Amidst this struggle, he encounters a man who ignites an all-consuming love—a connection so electric it consumes them both. Yet, their respite is fleeting. In a society hostile to their love, they endure vicious mockery from peers and societal condemnation, culminating in the student's expulsion. His aging parents, heartbroken and disillusioned, grudgingly acquiesce, their hopes frayed but clinging to a thread. Tragedy compounds as the lovers, desperate to survive cascading calamities, begin withholding painful truths and even resort to selling their bodies. Each betrayal deepens their despair, eroding their bond until they teeter on the edge of oblivion—casualties of a world that weaponizes love into a death sentence.

The arrival of backpacker Lin Qian changes Shifang’s life. Her college friend Qiantang continues to care for her, but unresolved dreams and the past lead to doubts and arguments. Shifang returns to her hometown with Lin Qian, reuniting with her first love, Chen Xiao, and resurrecting memories. Qiantang’s unexpected visit leaves Shifang conflicted. How will the four of them move past their past and face the future?

Enslaved in a clandestine brick kiln controlled by a violent criminal syndicate, migrant workers Liu Chunhe and Bai Guangsheng cling to dreams of escape. Driven by a desperate quest for freedom, they pay the ultimate price—yet amidst the kiln’s suffocating cruelty, their bond flickers with the resilience of human dignity, ephemeral yet defiant.

Green, an agent of dark organization X (manipulating human emotions), accidentally kills Xia Mo's boyfriend. Given 7 days to console her, his gender-shifting ability fails—turning male when emotional. If he fails, he’ll vanish. Can he succeed, or will uncontrollable transformations doom his mission?

Han Wangxi, nearly 70 years old, has spent months digging a five- to six-meter-deep hole in the riverbank of Moba Gorge in Longnan, China, searching for gold. He carefully sifts sand from the rock and washes it repeatedly, hoping to find even tiny pieces of gold. On good days, he finds gold the size of a needle, but on bad days, he finds nothing. Despite his struggles, he remains convinced that gold lies beneath the clear water. However, he is worried about losing his home when a reservoir is built in the area.

The Hungarian Camera, also known as the Communist State Camera, is dedicated to my dear parents, and to my compatriots who were persecuted and unjustly died in all the campaigns! And their great faith in surviving for their children.

Using existing film clips to piece together the story prototype of the director's next script, while connecting the various interpretations of such stories in the works of several generations of film history figures.

Life of two students in grade 6.

Taiwan CTV Production

At the beginning of 80's in 20th century the discarded old metals called foreign garbage began to appear here,and then were carried to the nearby Fengjiang Town for dismantling . At the present time, Fengjiang Dismantling Industrial Park founded by Taizhou City has expanded to more than 1600 acres. More than 200 enterprises altogether take on the improvement trade for import of scrap metals inside the park ,where a great deal of migrant workers pour and go in for metal dismantling. The dioxin pollution for local soil has been detected here by Chinese research mrvhsnidm for the first time. As one of the most poisonous materials up to now, the dioxin pollution could extend to the range in dozens of square kilometers.

Li Sheng Zhao was born in a landlord family in Sichuan. He used to be a soldier, and then became a student in the Department of Economics at Sichuan University in the spring of 1961. After he became a rightist, Mr. Li was escorted to his hometown of Long Chang County in Sichuan province. He observed that people were dying with hunger in his way to hometown. With his investigative experience in army, Mr. Li was called for conscience and justice, and started a private investigation. He braved the risk of death to write this hunger report to the central party committee leaders, requesting them to take measures to save the country. Although he received a reply from Ma Yin Chu, the former president of Peking University, and Deng Zi Hui, the former vice premier of the State Council, this did not prevent him from becoming a counter-revolutionary and getting into jail for 18 years.

In many ways, Ji Jia Shu is just like any other college student, but he possesses the ability to see ghosts. Unfortunately, despite being able to see ghosts, Jia Shu can’t communicate with them; a fact that has frustrated him his entire life. But the day he encounters Zhang Qian Qian, everything changes. Jia Shu asks Qian Qian for help “translating” for the others. Agreeing to help, Qian Qian introduces Jai Shu to Pete, a ghost who has been haunting Jai Shu for ages. One of Jia Shu’s ancestors, Pete hopes his great-great-great-grandson will finally be able to unravel the mysteries surrounding his death. Will this investigation into the past bring his ancestor the peace he desires or will Jia Shu be haunted by his great grandfather forever? (Source: Viki)

Mangshi, Dehong Dai and Jingpo Autonomous Prefecture, on the southwestern border of China, is home to many women who married into China from Myanmar. Are they really being sold, cheating on marriage, drug trafficking, and as the media reported? In 2015, Shudan Huang went deep into Dai stronghold, together with three Burmese women: Azhen Ma, Mayong, and Han’Ai Lang, lived and worked together with them for more than three months, using the life fragments of the three protagonists to show the stories of Burmese women of different ages and backgrounds, In this process of filming and researching, the brilliance of human nature are explored and displayed.

The current state of life of unsuccessful literary youth.

Deaths were happening very mysteriously inside the state. People believe that an evil spark was killing people very brutally Then the Justice Department formed two teams and entrusted them with the responsibility of finding out the truth.