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Evil Wind Out

"Evil Wind Out" (1963) was written, directed, and narrated by James Blue, with cinematography by Stevan Larner. "This film shows how a Colombian public health service doctor overcomes superstition in a backward village, and, through health education and proper treatment, he is able to significantly reduce the village's infant mortality rate. This results in a demand for a clinic, which the people of the village build with assistance from the Colombian government under the Alliance for Progress. This is the third of three films directed by James Blue for the Alliance for Progress - Colombia" (National Archives). The film was produced by the United States Information Agency (USIA) for audiences outside of the United States.

Evil Wind Out

NR 1962
Ella Fitzgerald Live in Australia

Ella Fitzgerald visited Australia back in 1960. Gracefully stepping up to the microphone for the celebrated television event 'The BP Super Show', hosted by musician and entertainer Horrie Dargie, Fitzgerald delivered a mellifluous set of legendary songs in an intimate concert setting at The Embers Nightclub in Toorak Road, South Yarra Victoria. This rarely seen B&W television treat is considered to be one of the earliest audio-visual recordings of the 'First Lady of Song', backed by the smooth sounds of the Lou Levy Quartet. Beside Fitzgerald's performance of 14 memorable Jazz and Blues classics, the program also contains original BP musical interludes and jingles from the Horrie Dargie Quartet.

Ella Fitzgerald Live in Australia

NR 1960
Line of Apogee

Original electronic score by Vladamire Ussachevsky. My works are that of a person who fought the notion that he was gay because, in the time frame of the 50's 60's & 70's anything gay was perverted and evil LINE OF APOGEE is a dream chronicle of 48 minutes in color and black and white shot of 16 mm, with an original electronic score by Valdimir Ussachevshy. Ussachevsky was one of the founders of the form of electronic music at the Columbia-Princeton Electronic Lab at Columbia University in New York City in the 1960s. It took the Grand Prize at the St. Lawrence Film Festival. 'An Extraordinary trip in Sensory Experience.' Wild colorful imagery probing a lifetime of a man's dreams' said Cue magazine 'A sumptuous color film... disturbing but visually beautiful psychological exploration utilizing surrealistic imagery' – Dance Magazine.

Line of Apogee

7.0 1967
Eve-Ray-Forever

EVE-RAY-FOREVER is a silent, three-screen expanded version of COSMIC RAY (1961). Originally exhibited as an 8mm Technicolor looped installation at the Rose Art Museum in 1965, it was digitally restored in 2006 by Conner in close collaboration with his editor, Michelle Silva. By combining three channels of footage of slightly different lengths, EVE-RAY-FOREVER generates an ever-changing, chance-based juxtaposition of images that flash on the screen with dizzying speed. The film’s name reflects the tripartite structure of the work, with “Eve” referring to the nude woman who appears on the far left channel, “Ray” to Ray Charles, the inspiration for COSMIC RAY, and “Forever” signifying its looped playback, which allows the work to play and mutate continuously.

Eve-Ray-Forever

NR 1965
Kidnapped

Tom and Sukie arrive in Malta to spend the holidays with their father, an archaeologist digging for a legendary golden statue of Calypso on the island of Gozo. He fails to meet the children who make friends with Jiminy, a Maltese boy, and go to the villa where they overhear two crooks threatening their father. The cooks fool the police to whom the children have gone. They escape and make their way finally to Gozo to see their father's colleague where they all captured. Just before the statue is handed over Jiminy arrives with an army of children who rout the crooks and drive them into the arms of the police. Based on the novel. By Jiminy by David Scott Daniel

Kidnapped

NR 1963
I Just Work Here

This customer service training film from Roundtable Productions "I Just Work Here" (1963) was written by Marvin Wald and directed by Leon Gold. The film takes on the opinion that "the customer is always right", and presents a series of dialogues and scenarios illustrating the importance of empathy, understanding, and effective communication in customer service. It includes various interactions in different settings, such as a service company, a library, and a bank. Each scenario highlights the challenges and frustrations customers face and how service representatives can address these issues by being empathetic, understanding, and willing to help. The overall message emphasizes that seeing things from the customer's perspective and making an extra effort can lead to better outcomes and more positive interactions.

I Just Work Here

NR 1963
Red Stockings

By 1968, Huot had begun to use photographic imagery, fusing his continuing concern with minimalism and an interest in the erotic. RED STOCKINGS is a demonstration of the power of a single frame of photographic imagery. Except for one frame, the entire three-minute film is a continuous, uniform red which creates a variety of afterimages and other optical illusions. When the lone frame flashes by halfway through the film, the imagery is difficult to identify, but it has a somewhat erotic quality which, when I first saw the film, sent me to the rewind. I scanned the red until I located the frame and discovered an image of a naked female crotch. The title clarifies the erotic joke, which, however, exists only if the viewer is willing to examine the film closely enough to be sure of what is there.

Red Stockings

NR 1969
Opus One

Color/Black and White UCLA Student, Film Preserved by the UCLA Film and Television Archive. A humorous play on Hollywood romance conventions and the process of student film critique. Higgins introduces a meta soundtrack of voices critiquing the film overlaying on the footage, with a filmmaker responding to the questions. Bookending the film is the same footage of a couple running into each others' arms on the beach, contrasted with a story of a couple's attempts to get an abortion in the middle of the film. Directed by Colin Higgins, the writer of Harold and Maude, 9 to 5, and The Best Little Whorehouse in Texas.

Opus One

NR 1968
Adjacent Yes, But Simultaneous?

“Both sides are the same time (well,almost). It’s really simultaneous – practically. Except at the end a car burns and that is the same car we have been looking at on the other track,already a burnt out wreck around which kids dance.All this was taking place in and outside of my window when I lived uptown.” (George Landow, letter to Sheldon Renan, 1967) “Two random street events in New York City … in one of them a car was on fire.They’re shown in split screen, created by matte-ing.” (Owen Land, interviewed by Mark Webber, 2004)

Adjacent Yes, But Simultaneous?

NR 1965
Stokely Carmichael Press Conference

PIX news footage from January 27, 1966 with reporter Jim Anderson featuring scenes from a press conference given by Stokely Carmichael (c1966) about the Lowndes County Freedom Organization, in which he defends the group against accusations of millitancy and responds to questions about their point of view on violent resistance. During the press conference Carmichael refers to the Alabama Democratic Party as "corrupt" and "racistic" and says that "it has to be smashed." Ends with silent views of the press conference. Opening graphic designed by Carrie Hawks. This film reversal print was remastered in 4K (4096 x 2970) using a Lasergraphics ScanStation film scanner, in September 2022.

Stokely Carmichael Press Conference

NR 1966
Carolyn and Me: Part Three

David and Carolyn Brooks and friends. At Tibetan seminar, prison, Chandler Moore's house, etc. "Was going to tape Carolyn and my first conversation in about 5 months of no contact. Show true love (whatever that is). Couldn't do it. Chickened out. Didn't want to get something between us. (Carolyn, what's come between us?). Film sequence, love: single frame printing, break colors into basic three (in the order of red, green, blue) and A/B roll to create 'well-known symetry' and to lighten frame (AB brightens, bi-pack darkens) / Binarius is the devil / ah, love / one flesh / let no man put asunder." - David Brooks

Carolyn and Me: Part Three

7.0 1969