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An date suddenly gets an unwelcome (and undead) guest. A young woman welcomes a gentleman in with a glass of wine and proudly shows him her inherited Grandfather clock - which seems to take on a life of its own. A 21st century twist on M.R. James' love of quietly-creepy English everyday life, Grandfather looks at the supernatural side of online dating.

Funny story of jelly pimples on the skin of a young girl.

Recognizing yourself in your mother's face. Perceiving each other. Growing old together.

Victoria gets an unexpected visit from Steven, her boss's mischievous and spoiled son, who seeks a favor in exchange for assisting with her family's financial struggles.

Most of the moments we spend with friends, with the family, a date... or, at the end of the day, with our loved-ones, are spent surrounded by food. Imagine meeting the love of your life thanks to food. What dish would make you fall in love?

I, Tom Mayhew was critically acclaimed at the Edinburgh Fringe, gaining rave reviews across the board. This is a story of rejections, the JobCentre, being working class, and fighting for your place in the world. With lots of jokes.

Rob Carter masters the well meaning idiot in this endearing character comedy based on a bad writer and his even worse books.

'Sanguine' or 'Never Say Twice on Her Majesty's Golden Service to Kill Tomorrow with Love' is the second short film I made with my two best friends Austin Hampshire and Zack Ainsley.

All fate can be willed by those who know how...

Audiovisual exploration of an experiential period in the territory of Lessinia, in the month of August. Long and terse days in the mountains can change quickly due to sudden disturbances. Often the conformation of the territory leaves the possibility to trace the path of the clouds even just following their shadows.

The project is part of a series of works investigating the meaning of the visual limit. μεταξύ is a work exploring the space of the image, the space in between.

In Toloriu, a small village nestled between the Catalan pyrenees, the people tell the story of Xipahuatzin, daughter of the aztec emperor Moctezuma, taken there by the baron Joan de Grau during the Spanish conquest. Several years later, incapable of adapting to the cold mountains, Xipahuatzin died of sadness. Drawn to this story, Mexican filmmaker Patricia Ordaz travelled to this village to explore the landscapes that harbored the princess, and record the traditions of an almost ghost town. Do we exist beyond the stories we tell?

Starting from a small kiosk of old postcards as a derisory memorial of Algerian history, the visual artist questions the role of images - or the absence of images - in the representation of the colonial heritage of Algeria, of decolonization and the dark years… in short, in the construction of his national novel. In three separate chapters, Katia Kameli delivers a reflection on the making of images or symbols (the flag!). In the enlightened company of the philosopher Marie-José Mondzain and extracts from films by Assia Djebar, she begins a critique that goes beyond the Algerian framework on our relationship to the stories, ideologies and images that shape them.

The first webseries to alter your mind.

After being asked by his teacher, Liam recalls the shocking events of his school holiday.

Music in Mi by Poppy Sanchez

Short by Ménine Beaugrand Collot.

A man searching for a new truth.

To search. To remember and to search. To remember and to find. To search and to find again. In the labyrinth of the mind, the only way to find is to get lost in the limbo and start again from oneself.

Thérèse cultivates a Creole garden in Guadeloupe. She resists against some invisible poisons. Her hands are confused with the soil. Her face with the light.

A documentary series that focuses throughout 164 episodes on the mystery of existence and on the existence of mystery.

Echo 1, alone, guided by radio, makes archaeological excavations in search of traces of human life. Imprisoned between the post-apocalyptic infinity of an arid universe and the cramped confinement of a rustic shelter, his only escape lies in the dreamy contemplation of simple and majestic nature.

Short movie by Matias Guerra.

Based on Hermaphrodite from Book IV of Ovid’s Metamorphoses translated by Marie Cosnay.

Chris feels trapped in his life, but his dreams give him a glimpse of a better life.

This work is a long-term research project developed until now in 10 different cities over the world: Seoul, Bogota, Naples, Saint-Petersburg, Rabat, Tokyo, Kyoto, Shanghai, Doha and Venice. Born as an artistic commission for the Agora Biennale in Bordeaux around the theme of the moving landscapes, these videos plunge into cities in a spontaneous and subjective approach with very modest means in order to translate in the closest possible way the feel of their constant moving nature: their human landscape. Presented in a comparative dynamic through the lens of a selection of themes and issues linked with the street daily life, the videos enable us to perceive each of these different urban contexts as an experimental, local and unique laboratory answering the same global challenge of how can we live all together.

This work is a long-term research project developed until now in 10 different cities over the world: Seoul, Bogota, Naples, Saint-Petersburg, Rabat, Tokyo, Kyoto, Shanghai, Doha and Venice. Born as an artistic commission for the Agora Biennale in Bordeaux around the theme of the moving landscapes, these videos plunge into cities in a spontaneous and subjective approach with very modest means in order to translate in the closest possible way the feel of their constant moving nature: their human landscape. Presented in a comparative dynamic through the lens of a selection of themes and issues linked with the street daily life, the videos enable us to perceive each of these different urban contexts as an experimental, local and unique laboratory answering the same global challenge of how can we live all together.

A war elephant gets lost in the mountains. Unexpected encounters will change his life.

The Little red riding hood’s tale told on stage, under the spotlight and through the rythm of Piotr Ilitch Tchaïkovski’s music.

In her short film, Sunsets Caramelizados, Ciriza reveals the secret poetry that she and her abuela Aida Rodriguez shared. As she submerges jewelry and her hands into a tarry pot of boiling sugar she uses invocations, sculptural ritual and the abstract erotic in an attempt to reverse ancestral pain in her Cuban bloodlines and to open a passageway for her abuela’s earthly departure.

A fragment of a collective victory.

Nicole, a 27-year-old girl, cracks her life open to ponder over life, identity and responsibility.

19 year-old Alice uses an app to relive the last summer she spent with her girlfriend.

The narration of a night, or many nights, a celebration, the observation of a queer Dionysian state. Its form changes depending on the circumstance as well as by the personas that alternate and define it. It is not necessarily presented as a literal intoxication but also as an emotional one. The subject experiences a communion, a spiritual encounter that co-exists with a rapture, the division of the soul, its departure from the Sensible World. The individual limits fade away, the subjects lose their outlines and their privacy; they cling to a dissimilarity that lacks a specific shape. The body turns into a place of observation, its pulse, its signs and its facial expressions recorded. As every state of influence and intoxication evolves, it registers on the body, leaving its mark behind.

The BBC Symphony Orchestra, conducted by Ben Gernon, performs Gustav Holst’s masterpiece, The Planets, at the Barbican, 100 years after its composition. Professor Brian Cox introduces each movement against a backdrop of the very latest in planetary imagery.

The DRC is one of the poorest countries on the planet with one of the highest proportions of millionaires. While 70% of the population lives on less than a dollar a day, 6% are millionaires. Businessmen, artists, former rebel leaders or evangelists, many have made fortunes in chaos. In the capital, Kinshasa, these new rich live in the heart of secure and luxurious enclaves, while elsewhere, children work several hours a day tens of meters underground extracting coltan.

An inquiry into identity as the art of inventing oneself. We have David - the human of the future - whose very existence is an act of subversion to common sense, because who is it possible to become himself?