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Australia: The Wild Continent

Australia: The Wild Continent carries its audience through the wildest and most beautiful landscapes in Australia in search of the hidden stories that make this continent unique. Discover flora and fauna that has evolved in splendid isolation, explore ancient landscapes sculpted by great geological forces, and learn what it means to care for Country from traditional custodians of the land. Circumnavigating the continent, we travel from the limestone cliffs of the Nullarbor to the steamy tropical wetlands of the Northern Territory via the stunning Kimberley coast and Australia’s expanse of red deserts. Along the way we meet giant humpback whales, get up close and personal with baby wetland birds, and fly with wedge-tailed eagles. Each destination has its own unique story of formation and biological significance unlike any other place on earth.

Australia: The Wild Continent

NR 2024
Facades

“I was interested in how people behave at street crossings… particularly at ‘Walk’ and ‘Don’t Walk’ signs. With a 200mm lens I shot stills of people at traffic lights and pedestrian crossings. The look was flat and harsh. Again I used the matte-box image shifter, to create motion where there was no motion…to create a tension. I wanted to show the frustration you sometimes feel when the damn light doesn’t change. You stand there…in your mind you’re already moving…but you can’t move.” (Paul Winkler)

Facades

NR 1987
Red Church

“I wanted to make a sequel to Chants…the gold against black, but I wasn’t quite sure how. One day I went to St Mary’s Cathedral here in Sydney. After looking at the stained glass windows for some time, on the way out I noticed that they were selling slides of the interior…and whoever photographed the stained glass had used a red filter. This was the image I was after…red against black. By simply photographing and rephotographing the slide (up to 200 times, in some cases)…and varying the exposure by changing the distance between the light source and the slide, I was able to give the feeling of looking up…which is what you do in a church…from the knave up to the stained glass up to the ceiling…up to heaven in this red light. The upward motion was layered without visible edits by superimposing strips of the varyingly exposed film, in the lab.” (Paul Winkler)

Red Church

NR 1976
Australian Batman

In suburban Australia, a self-proclaimed vigilante known as “Ninja Man” struggles to balance delusions of heroism with the harsh realities of his chaotic personal life. Armed with improvised weapons, a dysfunctional “Ninja Mobile,” and an obsessive grudge over a stolen wallet, he patrols the streets in search of purpose — all while evading police, confronting mythical threats like Bigfoot, and navigating family breakdowns. Australian Batman is a bizarre and heartfelt satire of superhero culture, masculinity, and small-town Australian life.

Australian Batman

NR 2024
Don't Throw Stones

Stephen Cummings is one of Australia's most revered rock 'n' roll icons. Rising to fame as frontman of ‘70s legends The Sports, he has spent more than 30 years at the forefront of the local music scene, forging a reputation both as one of Australian rock's greatest lyrical storytellers and also one of its most incendiary critics. Based on his scathing tell-all memoir Will It Be Funny Tomorrow, Billy?, Don't Throw Stones tells Cummings' story in his own words – as well as the words of those he has so gleefully skewered. Featuring interviews with Michael Gudinski, Steve Kilbey, Joe Camilleri and many more, Don't Throw Stones is a revealing portrait of three decades of rock-world gossip, larger-than-life personalities and good, old-fashioned artistic beef.

Don't Throw Stones

4.2 2014
Women of Steel

Forty years ago, Wollongong’s Jobs for Women Campaign, with director Robynne Murphy among its leaders, took on Australia’s most powerful company BHP – and won. But when the 1980s steel slump devastated the city’s economy, the women were forced into the courtroom. Their struggle plays out against a background of societal changes: from anti-discrimination legislation, to the shifting roles of women in the home and workforce (particularly complex in Wollongong’s migrant, non-English speaking households). This fascinating account of the largely forgotten history of Australia’s Steel City was crafted over decades with support from local community volunteers and over 500 donors.

Women of Steel

NR 2020
She Who Must Be Loved

A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.

She Who Must Be Loved

5.0 2018
The Glenrowan Affair

Shot almost entirely in 'Kelly Country', near the country town of Benalla, The Glenrowan Affair takes us back to the era of Victoria's most notorious bushranger, showcasing thrilling action sequences and horsemanship as time and again the Kelly Gang outwit the law. The film begins with old timer, Dinny (some say he knows too much for an outsider) telling the story of the Kelly Gang to a visiting sketch artist. His tale unfolds as Ned Kelly and Joe Byrne surprise the constabulary in the bar of the Glenrowan Hotel and Ned shoots a constable in the hand. The Glenrowan Affair includes the ambush at Eleven Mile Creek, the hold up at the Jerilderie Bank and the siege at the Glenrowan Hotel where Ned, dressed in a suit of homemade armour, taunts the 'traps' in a hail of gunfire before he is shot and captured.

The Glenrowan Affair

10.0 1951
On the Waves of the Adriatic

Melbourne filmmaker Brian McKenzie spent 5 years working on this engrossing study of a not-so-typical Brunswick household. It's a laconic, observational documentary similar to the director's I'll Be Home For Christmas (MFF '85), in which McKenzie plays a central part, camera in tow, as he documents the lifestyle of Graham (a youth in his 20s), his family and friends. After having spent so long with the family, McKenzie becomes part of the furniture - a situation which enables him to dig deep into the subject's lives.

On the Waves of the Adriatic

NR 1991
Since the Company Came

A Solomon Islands community struggles with some unexpected consequences of a logging operation. The men of Rendova Island embrace the chance to be part of the modern economy; but the women are concerned for the forests and traditions that sustain their families. As Rendova's forest rapidly disappears, the loggers set their sights on a deserted island held sacred by the villagers. Through evocative archival images, 'Since the Company Came' questions the ongoing legacy of colonial attitudes to land and people.

Since the Company Came

NR 2000