Discover Movies

55,926 Matches Found

Four Moods

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Four Moods

6.8 1970
The Sex Victims

A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)

The Sex Victims

5.0 1973
Ghost of the Mirror

Adapted from a Tang Dynasty fantasy tale, Sung Chuen-sau used the story of a scholar meeting a female ghost at night, but emphasised neither the killing nor horror but the literary and romantic elements. Scholar Chan (Shih Chun) stays in a remote mansion outside the city. People often fall into the mansion’s well for no apparent reason. Chan looks into it. Later, he sees the girl from the well, Susu (Brigitte Lin), waving to him. She begins to wait on him nightly. Susu was from a wealthy family, but was running away from bandits during wartime, and committed suicide by jumping into the well rather than be caught. After her death, her spirit was controlled by Du Long (Pai Lin). Du Long has forced her many times to harm Chan, but she never has the heart to carry it through. Chan’s pity for her soon becomes love. He goes into the well to retrieve an old bronze mirror, and eventually succeeds in freeing Susu. In the end, to rescue Chan, Susu fights with Du Long and they destroy each other.

Ghost of the Mirror

7.0 1974