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Missa of Zen

In Missa of Zen, a TV screen, filmed from an extremely oblique angle, appears as a ghostly, flickering sliver at the side of a darkened frame. The images playing across its surface are rendered abstract by the perspective: we witness the transmission of information, but at a great distance. Isolated in silence and darkness, the television set slips into the realm of the unheimlich — an uncanny object, at once familiar and unfamiliar. Situating mediated America at the crossroads of missa — Latin for the Christian mass — and Zen Buddhism, Paik highlights the connections between mass culture and the transcendental.

Missa of Zen

NR 1967
Remembrance: A Portrait Study

“The music is by Marilyn Monroe singing ‘Running Wild’ from Some Like It Hot, because it’s a film portrait of Nettie Thomas. She did floors in white women’s homes, like black women did to support their families in the olden days. My mother is sitting in a wicker chair with an ostrich feather boa, a grey worsted wool skirt, a silk belt. For her portrait, I used ‘All Cried Out’ by Dusty Springfield...I was advised by Gregory Markopoulos not to play the music. Because Gregory didn’t think it was proper.” - Edward Owens

Remembrance: A Portrait Study

6.2 1967
Mission: Impossible - The Controllers

An Eastern Bloc nation is trying to develop a mind-controlling drug, a project led by Dr. Karl Turek. Phelps devises a plan to play Turek off against a rival, Colonel Borodin. Phelps and Meredyth pose as a pair of defecting U.S. scientists, who supposedly have developed an alternative drug to the one that Turek is working on. The IMF's scheme calls for Turek to try to kill Borodin, which will result in a trial where Turek will be discredited. But the complicated plan goes awry and the episode ends with Phelps under fire by guards.

Mission: Impossible - The Controllers

NR 1969
My Third Wife, George

Ralph Higbee is a 40-year-old drunkard who lives with his mother to take care of her. When his mother dies, he picks up three women who persuade him to take LSD for an experience. Seeking a companionship to replace his mother, Ralph meets and soon marries Josephine, but he is unable to satisfy her constant desire for sex. He leaves her when he finds out that she has other male and female lovers. Ralph marries a second time, but his second wife, Amanda, is also unfaithful and wants to scam him out of most of his money. Marring for the third time, Ralph is finally happy... until he cheats on her for no good reason and when she finds out... there will literal hell to pay

My Third Wife, George

4.0 1968
Bouncing in the Corner No. 1

For this videotape, Nauman turned the camera sideways and positioned it so that his head is cropped from the frame and his body is presented from neck to ankles. As he stands in the corner, his back to the wall, he appears to be lying down; falling backwards into the corner and then pushing himself off the wall again, he appears to be trying to levitate himself... As he performs these actions, his hands slam into the wall to break his falls, and the sounds become an integral part of the activities filmed. -- EAI

Bouncing in the Corner No. 1

NR 1968
Banarasi

Ratan sees a courtesan on the roads of Kolkata and identifies her to be Sona, his long lost childhood lover who was kidnapped from the ghats of Benaras and could never be found again. He goes over to her place and finds out that she was indeed, Sona. However after being kidnapped her life had changed. She was forced into a life which she never wanted. Ratan urges her to come along with him, and after much dilemma, she gives in. They get married and move to a different place and start life afresh. However much to Ratan's horror, Sona's dark past haunt them until one day Sona is humiliated in public by one of her old clients who recognize her. Sona decides to leave his husband for good as she was the reason for his misery. True love wins in the end as Ratan promises to always be by her side no matter what the society's verdict is. Watch the full movie, Benarasi, only on Eros Now.

Banarasi

NR 1962
Breathdeath

A surrealistic fantasy based on the 15th century woodcuts of the dance of the dead. A film experiment that deals with the photoreality and the surrealism of life. A collage-animation that cuts up photos and newsreel film and reassembles them, producing an image that is a mixture of unexplainable fact (Why is Harpo Marx playing a harp in the middle of a battlefield?) with inexplicable act (Why is there a battlefield?). It is a black comedy, a fantasy that mocks death ... a parabolic parable.

Breathdeath

4.9 1963