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Road

During the anti-Japanese war, truck driver Lee Sing's secret mission is to transport weapons and supplies for the resistance fighters. Sing has to deliver a signal gun to guerrillas at ten on that night for launching an attack against the Japanese soldiers. He works for the Ko's family and he has to send the gun to the provincial city to prevent it from being bombed. Sing carries on his vehicle a group of passengers including a Chinese traitor, a guerilla, a compassionate nurse, a comfort woman on the run, a teacher and his pregnant wife. Sing is given a hard time by the Japanese troops on the road. The Japanese ransack the vehicle and they find the signal gun. All the males on board are being interrogated with torture, but the passengers pool their efforts to subdue the traitor and accomplish their mission.

Road

10.0 1959
Memory in The Ashes

The average person’s head has up to 100,000 hairs. Each strand may be unique in length and texture but they are said to bear our memories of sorrow and worry. Neighbors come to the old shop “Barber’s Time” to part with both their hair and bad memories. Although Cantonese style haircutting is on the slippery slope to extinction, barber shop owner Hoi-chuen wishes for his son Cheung-fat to manage the shop. Aspiring to be a writer like J. D. Salinger instead, Cheung-fat takes over “Barber’s Time” when his father had an accident. Just like his father, Cheung-fat develops rapport with the customers and provides guidance. His own life also turns around when a runaway girl comes to the shop. A magical heartwarming tale of community support and kindness, the short features Kaki Shum from the film “Weeds of Fire”.

Memory in The Ashes

NR 2017
Dare Ya!

“Dare Ya!” explores what has made the members of Hong Kong’s most controversial band, LMF (LazyMuthaFuckaz), the new “voice of Hong Kong youth”. Their music may raise eyebrows with the older generation, but to their hardcore fan base, LMF’s point of view is their “voice” and their music is the heartbeat–and their hopes, dreams, nightmares, concerns, problems, and solutions for their future. As the title of this raw, different, relevant, and timely film suggests, “Dare Ya!” is a challenge to Hong Kong to take a good look at itself, warts and all, because only by facing up to our flaws can we become the “World City” that we aspire to. “Dare Ya!” is not just a documentary about the exploits and growth of ten ordinary young men from the Estates who just happen to be members of a rap band, but a wake-up call for Hong Kong.

Dare Ya!

5.0 2002
An All-Consuming Love

Gao Zhijian is the good friend of married couple Li Xiangmei and Hou Xinming. They live in the foreign settlement quarter of Shanghai. zhijian is a teacher,Xinming is involved in underground work against the Jpanese, while Xiangmei is a musician. The Pacific War erupts; the Japanese occupy the foreign settlements. Xinming is called off to work for the war effort, leaving behind his wife and blind mother. Zhijian aids Xiangmei and her mother-in-law with financial assistance. To earn money, Xiangmei becomes a song girl in a dance hall through the recommendation of her friend Liu Qing, arousing anger in Zhijian. Zhijian is soon arrested for teaching anti-Jpanese propaganda to his students and it is due to Xiangmei and Liu qing's efforts that he is released. From this,Zhijian learns of Xiangmei's difficulties and feelings of love grow between the two friends. The war ends. Xinming, minus an arm, returns to his wife and mother. Seeing his friend reunited with his family, Zhijian leaves.

An All-Consuming Love

9.0 1947
White Powder and Neon Lights

This is the first 16mm Cantonese film in full colour, shot on 1940s state-of-the-art Technicolor film stock. Opera star Man-ha (Leung Bik-yuk) enjoys tremendous popularity during her performances in San Francisco, but drowns herself in the vices and temptations of the big city. Increasingly, she fails to show up for performances, almost causing the theatre to go bankrupt. When she sees her lover for the scoundrel that he is, she also sees the errors of her own ways and saves the theatre, restoring it to glory. Joseph Sunn Jue established the Grandview Film Company in Hong Kong during the 1930s and continued making films in the USA during wartime by collaborating with Chinese opera performers in exile there. Wong Hok-sing, an opera actor himself, directed, wrote and starred in this film. He staged a spectacular play-within-a-play at the end, not only to promote the art of Cantonese opera but also to boost solidarity among overseas Chinese through difficult times.

White Powder and Neon Lights

9.0 1947
On The Edge Of A Floating City, We Sing

Hong Kong is called many things, but "musical" is rarely, if ever, among them. Mak's semi-experimental documentary looks at a handful of local musicians who are actively forging creative havens in the city's most unexpected corners, from old dai pai dongs to major tourist hubs to childhood neighbourhoods. As Ah P, Billy and Dejay choose to express themselves wherever, whenever, Mak's latest explores social and political issues in the context of the physical space, contrasts the subjective with the objective, and proves that the city indeed has a vibrant indie music scene.

On The Edge Of A Floating City, We Sing

7.0 2012
Sword in 21st Century

Casting a sword with one's bare hands may sound like a crazy idea to many in the high-tech, digital 21st Century, but not to Fung, a stock broker, who welcomes the assigned task that bears special meaning. When Fung is bequeathed a tattered notebook by his father Lang on his deathbed, his life is turned upside down. Tasked with a heavy undertaking, Fung has to think and look out of the box before rolling up his sleeves to forge the sword. Through the tedious process of annealing and tempering, grinding and cutting, he begins to contemplate the meaning of casting a sword, and of the elusive father and son relationship.

Sword in 21st Century

6.0 2007