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What if sheep were born in the foam of sea waves?

Le Cristalin is a film in which one forgets the photography of cinema to find oneself in its film strip, where the film is a living organ. The fantasy of a film as a physical continuation of the body... It looks like a vision from the inside of an eye. Dazzled, the pupil retracts and then dilates. Light, the immediate material of the film, is what makes it exist.

A short portrait of director Ousmane Sembène.

In 1928, Germaine Dulac shot the film The Seashell and the Clergyman, which was based on the script of the surrealist poet Antonin Artaud. However, their co-operation ended in dispute which in fact culminated during the premiere of the film on February 9, 1928 at Studio des Ursulines. That night, as well as the scandal it caused, was indelibly printed on film history. Shot in the same cinema as that of the premiere, this documentary gives an account of the attack and booing against Dulac, primarily provoked by Antonin Artaud, André Breton and Louis Aragon. Alain Virmaux, a connoisseur in surrealism and particularly Artaud’s, recounts the period prior to the premiere and expounds the different versions of that night. Also, the documentary pays tribute to the Ursulines Studio, a landmark cinema of 1920s avant-garde film.

A Darkstar Skateboards video featuring Adam Dyet, Chet Thomas, Gailea Momolu, Paul Machnau, Paul Trep, PLG, Ryan Decenzo, Terell Robinson and more.

When the master rider, Ali dies, his son Hammadi suffers a psychological shock, in which he loses his speech and finds himself alone with a necklace symbolizing equestrianism left to him by his father. Hammadi's condition worsens, especially when his mother marries another man, according to the customs and traditions of the tribe.

A short film featuring footage shot at the Musée d'Art Mosan in Liège.

A man who has taken to the habit of observing the stars departs with them. An adaptation of Howard Phillips Lovecraft's short story.

An unlucky guy walks in on a religious ritual deep in some forest in France.

A Jordi Colomer Cartoon

In Witness Screen, Annlee, a virtual entity shaped by contemporary artists, becomes a fragile witness to her own constructed existence, blurring the line between observation and identity.

Saint-Pierre and Miquelon lived for decades off a single resource that seemed inexhaustible: cod. When it disappeared, strict quotas were introduced. As a result, the economy collapsed and people have been looking for alternative paths. On the islands, it’s the realm of the boreal forest. But with the introduction of the white-tailed deer for hunting purposes, this treasure of biodiversity is under threat of vanishing. On a more positive note, the only seal colony in Europe is doing well. The islands are also a haven for petrels, Atlantic puffins, and razorbills, which nest there by the hundreds…

Seven boys and eleven girls ages 8-10, selected from among several hundred candidates, spend six months at the Paris Opera Ballet School. In July, a final exam will decide whether these young dancers can stay at the school. For these children who have barely reached the age of reason, the pressure is immense and the competition fierce...

Boby is a nice zombie who only wants to make friends. This afternoon, he has a date with a girl, but the romantic encounter turns into a nightmare because of his delicate constitution.

In southern Italy, in the 1960s, women danced into a trance to free themselves from the tarantula's venom. A remnant of an ancient rite, I set out to see what remained of it in Galatina on June 28th, a feast day. Reusing the trance images from Mingozzi's film Taranta (1962), I contrast them with the beauty of Puglia and what happens today on June 28th, when the tarantella is danced until the early hours. "Des Tarantelles" is a poetic reflection on transformation, the survival of rites in our contemporary world.

A French graduate student, Sophie, wants to make a research and shoot a documentary about Iran to present it to her professor and university. Her French born Iranian friend Shahnaz suggests that the title of the Documentary be the Axis of Evil. They provide her videos and pictures to use in her documentary. But Sophie wants to be objective and decides to visit Iran herself.