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Gracias Pablo

A ready-made work constructed from a 70mm film reel of unknown origin. Fragments of an action film — helicopters, chase sequences, rollercoaster trajectories — are reassembled into a continuous field of motion. Through re-projection and rhythmic bursts of light, the original footage is reactivated, displacing narrative in favour of spatial and kinetic intensity. The image unfolds as a dynamic structure of movement, where locomotion, repetition, and scale produce an immersive experience of disorientation and propulsion.

Gracias Pablo

NR 2025
Matched with a Predator

What do you do when you think you’ve found the perfect guy online, but all isn’t as it seems? Matched with a Predator exposes the crimes of prolific romance fraudster Christopher Harkins. Harkins stalked dating apps in search of his prey: attractive, smart, career-driven women. His charming, successful and generous front concealed a darker truth, as he stole from and abused women he’d met online, and was found guilty in one case of rape. This is the story of those same women’s fight to be heard when their initial police complaints went nowhere, and of their fight for justice against this insidious form of male violence.

Matched with a Predator

NR 2025
The Guardian of Stories

Xipai Tamaweng, who lives in Laos, makes a living by running a grocery store. He also has another special identity - a storyteller. Xipai often goes to a small theater after work to tell tourists about the ancient legends of Laos. When he learned that an elderly storyteller had passed away, Xipai felt that this field was facing an unprecedented crisis, so he went to a remote village and used paper and pen to record the stories preserved by many storytellers. This film interweaves interesting ancient legends in the storyteller's journey of exploration, immersing the audience in the mysterious folk myths. Faced with the impact of digital media and the loneliness of oral traditions, the film records a race against time and also records the national memory that is about to be forgotten.

The Guardian of Stories

6.0 2025
GIRLAND '81

This is my first completed work: 3 cartridges of expired reversal film are spliced together with short clips from anonymous footage. Hand-painted and altered through direct action on the emulsion: showers, scratches, juices, sperm, hair, etc. The expired cartridges were originally just tests to try out two of my cameras, nothing too thoughtful. Once developed, however, I was fascinated by their blue cast, so I decided to make a 'blue movie'. The first part is a mandala of 3Million colors, the second a scene in the park, interrupted by Blue Kid, the last one is a behind-the-scenes shot on the river. These are places I often go to; I consider them part of this Girl Land.

GIRLAND '81

NR 2025
Glass Bottom Ferry. On Borders and Submerged Utopias

This audiovisual essay dives into the complexity of the border space from three European enclaves located in African territory: Ceuta, Melilla and the Canary Islands. The film plunges into the gap that unites and separates Africa and Europe, in search of the ruins and ghosts from the wreckage of the utopias that have grown on both sides: Europe as a promised land for the dispossessed South and Africa as a paradise for the exotic-hungry North.

Glass Bottom Ferry. On Borders and Submerged Utopias

NR 2025
Freddy Grit

"Freddy's Grit" is a coming-of-age drama that follows 14-year-old Freddy after his father abandons him, forcing him to navigate life independently while grappling with sadness and confusion. The film explores Freddy's reflective nature and his reliance on two close friendships built on honesty and listening. As Freddy deals with his father's emotional unavailability, hinted at through his increasingly distant behavior, he experiences a series of challenges. The first act establishes Freddy's stressful home life and loneliness at school, culminating in his father's departure. The second act sees Freddy running away, encountering poignant reminders of his own situation and ultimately spending his limited funds to return home. The third act highlights Freddy's strained relationships with his friends, who recognize his distress and attempt to intervene.

Freddy Grit

NR 2025