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SSRC

A group of men is fixing their eyes onto the sky. High above, a swarm of pigeons is moving in an unrecognizable formation, when suddenly individual birds drop in mid-air, spinning backwards with their wings extended and tumbling down in a circular motion before resuming their ordinary flight path. Yalda Afsah’s short film SSRC slowly dissects this aerial choreography, revealing its nature as a form of animal training and gradually zooming into the at times almost intimate details of this interspecies relationship. Focusing on the specific social context of the Los Angeles-based „Secret Society Roller Club“ and its members’ identification with and through the animals, Afsah’s film negotiates positions of co-dependency and care, domestication and dominance – calling into question the ambivalence reflected in the symbol of the soaring bird free in its flight, yet simultaneously bound to human will.

SSRC

NR 2022
Siegfried (Longborough Opera Festival 2022)

The hero Siegfried reforges his father’s shattered sword, embarking on a quest for the greatest prize of all – the love of the valkyrie Brünnhilde, who lies trapped in a ring of fire. Siegfried is the third opera in Richard Wagner’s four-opera cycle Der Ring des Nibelungen. Wagner broke off composition at the end of Act II of Siegfried to write Tristan und Isolde and Die Meistersinger von Nürnberg, returning to Siegfried seven years later. Longborough Festival Opera, known as the British Bayreuth, calls on renowned Wagnerian Anthony Negus to conduct and Amy Lane to stage this new production of Siegfried in the bucolic English Cotswolds.

Siegfried (Longborough Opera Festival 2022)

NR 2022
Never Cursed

In an ever-changing, chameleonic waiting-room, a young man experiences visions of his past life and a phantom who attempt to reconcile and alleviate the young man’s confusion and pain as he slowly progresses towards his passing. NEVER CURSED explores the meta-physiological and somatic suffering of the body and the soul as it slowly wastes away, whilst also challenging pre-existing notions of death as an unwelcoming and harrowing experience through an acceptance of what once was and what can no longer be.

Never Cursed

NR 2022
Wendy Craig: All The Laughs & More

Wendy Craig is the much-loved star of TV series such as Butterflies and The Royal. This feature-length celebration of her life and career features an exclusive new interview with Wendy, recorded at her home, as she retraces the moments that made her a sitcom superstar. Wendy was born in County Durham in 1934 as Anne Gwendolyn Craig. She reveals that she first set her sights on an acting career at the age of three after seeing a pantomime in Newcastle. At drama school in London in the early 1950s, a performance she gave alongside fellow trainee and future Sherlock Holmes star Jeremy Brett was so impressive that she picked up both her first professional acting job and an agent in the same evening.

Wendy Craig: All The Laughs & More

NR 2022
Pierre Pinoncelli, l’artiste à la phalange coupée

Since his two attacks with a hammer against Marcel Duchamp's urinal in 1993 and again in 2006, the artist Pierre Pinoncelli is known worldwide for this iconoclastic and subversive act. Often misinterpreted by the press, this double performance, and the trials that followed it, overshadowed the rest of his work: his paintings from the 1960s, and the many powerful happenings he made. Pinoncelli sprayed André Malraux with red paint in 1969, robbed a bank to protest apartheid in 1975, and mutilated himself in 2002 to denounce FARC violence in Colombia. Often motivated by political demands, Pinoncelli went to the end of his ideas and expressed himself through often shocking gestures, which question us.

Pierre Pinoncelli, l’artiste à la phalange coupée

5.5 2022
Porte de Clichy

In April 2018, the new Paris Courthouse, a 160-meter glass tower by architect Renzo Piano, opened at Porte de Clichy. For several years, this working-class neighborhood on the outskirts of Paris has been undergoing an urban metamorphosis. In the surrounding buildings, the inhabitants are living this transformation on a daily basis, between resignation, adaptation and aspirations. Through a back-and-forth game between intimate trajectories and the metamorphosis of the city, the film sketches moments in the lives of several of its inhabitants, drawing a portrait of a neighborhood at its turning point.

Porte de Clichy

6.0 2022
100 Seconds to Midnight: Doomsday Clock

We, as a planet populated by humans with nowhere else to go, have 100 seconds left to live because humanity teeters on the brink of self-destruction. While this sounds like the start of an apocalyptic disaster movie, it is in fact, reality. The Doomsday Clock is a warning of man's ability to create something that could destroy everything, humanity's very existence, a count-down timer to the point of no return - humanity's doomsday. It symbolizes how close humans as a species, have come to destroying the world with dangerous man-made technologies. The deadline of Midnight represents the moment of Apocalypse, and how close the clock is set to that deadline warns how close humanity is to ultimate disaster. With the intention of warning the public and inspiring action, the clock's hands are set in accordance to how great is the threat of destruction. Now, in the 21st century we are closer to Doomsday than ever before.

100 Seconds to Midnight: Doomsday Clock

NR 2022
H is for Hostile Environment

The work aims to provide a space for people who have suffered under the UK’s border regime to speak about their experiences, whilst also celebrating the rich contribution that people who’ve moved to the UK from overseas have made to our shared social and cultural life. The work comprises 26 sections, each made in collaboration with a partner who has first-hand experience of the issues at hand. Each section is developed, and then collaboratively made, together. The Hostile Environment is the name given by then-Home Secretary Theresa May to a basket of government policies which aimed to co-opt large parts of UK society into policing the UK’s borders — from doctors to landlords, employers, homeless services and more.

H is for Hostile Environment

NR 2022
Cathédrale sauvage

Over the last few decades, systematic concreting and the use of chemical products have seriously damaged the biodiversity of cities. In Strasbourg's old historic city center, on the Cathedral of Notre Dame, Mathieu Baud, in charge of the conservation of the building, watches over the remaining representatives of a rich and unsuspected wildlife. Collaborating with filmmakers Pauline Bugeon and Cédric Chambin, Mathieu embarks on an investigation to document, inventory and attempt to preserve the wild species that populate the most visited religious monument in France, the Cathedral of Strasbourg.

Cathédrale sauvage

10.0 2022