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The Forest

Two couples and their children go on an excursion into the forest. They are young, successful and well-set parts in today's social-political establishment. When their children disappear in a storm, the entire construct of their friendship starts to crumble. Very soon, their bourgeoisie façade falls and the four turn into the profile of a lost culture. What follows is an odyssey through the forests that turns more and more into a journey into the metaphysical. The story is told in fragments and out of chronological order. The forest and the film imagery act as a poetic expression of the inner mind, creating the metaphorical psychogram of a lost cul-ture that desperately looking for a way out and a future. It is a poetic portrait of today's society.

The Forest

10.0 2018
One for the Road

As a construction manager, drinking is more of a normality for Mark than not drinking. In addition to his work on construction sites, during business dinners and sprawling Berlin party nights, there is always a reason for him to fully indulge in alcohol intoxication. When he tries to drive his car out of a no-parking zone in a drunken stupor one night, he is promptly checked and immediately loses his driver's license. For Mark, this is reason enough to make a bet with his best friend Nadim: He wants to manage not to touch any alcohol until he has his driver's license again.

One for the Road

6.6 2023
Adiós Buenos Aires

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the 'Vecinos de Pompeya', a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

Adiós Buenos Aires

6.7 2023
It Could Have Been Worse - Mario Adorf

Portrays the film star Mario Adorf and his passion for acting, the stage, the cinema, singing and writing. Together with the director Dominik Wessely, the film comes closer to Mario Adorf as a person and highlights important stations of his private life and his international career. When Mario Adorf begins to talk about his life, over 60 years of theatre and film history come to life. A dialogue with him is not only a retrospective, but also an intensive exchange of ideas about film and theatre and his view of the world, love and ageing.

It Could Have Been Worse - Mario Adorf

9.0 2019
Der Struwwelpeter

Der Struwwelpeter is a popular German children's book. It comprises of ten illustrated and rhymed stories, mostly about children. Each has a clear moral that demonstrates the disastrous consequences of misbehavior in an exaggerated way. Writer/director Fritz Genschow adapted Hoffmann's book to the big screen. He made a career doing such films, he had done Hansel and Gretel and would go on to adapt Cinderella, Sleeping Beauty and other family films. Der Struwwelpeter, however, is weirder and darker than the Grimms' tales. They are heavy morality lessons in which children are burned to death, starved to death, or have their thumbs cut off. In Hoffmann's world the punishment usually far outweighs the crime. Genschow provided a happy ending: through the wonders of reverse action children are brought back from their fiery deaths, their thumbs are reattached, and their misdeeds undone through the power of St. Nicholas and some sort of Christmas miracle. (via forcesofgeek.com)

Der Struwwelpeter

6.3 1955
Der letzte Weynfeldt

The lack of an olive for his Dry Martini drives Adrian Weynfeldt one night to a nearby bar. There he meets a beautiful woman whose direct style and unpolished charm he can not escape. He takes Lorena home. The next morning Lorena stands outside the balcony railing and wants to jump down. The awkward Weynfeldt manages to dissuade her from her project. From now on, Lorena blames him for her life and tempts him to help her out of financial bottlenecks on several occasions. So he begins to pay her debts to a man named Pedroni, whom Lorena claims is a debt collector. Then his old friend Dr. Baier asks him for an impossible favor: Weynfeldt is to release a forgery of the painting "Le Salamandre" by Felix Vallotton for auction. But what does Lorena have to do with it? And is Weynfeldt, who has hitherto had nothing to do with the counterfeiters and blackmailers, resist the temptation?

Der letzte Weynfeldt

4.3 2010
Constantine the Great: Emperor of New Rome

Constantine the Great, son of General Constantius Chlorus, rose to power during the Tetrarchy, a division of the Roman Empire among four emperors. After succeeding his father in 306 and being acknowledged as the sole Emperor of the West in 310, he enacted significant military, economic, and religious reforms that unified the empire. This documentary explores his life and reign, highlighting his role in ending the persecution of Christians and the transition from polytheistic beliefs. It also touches on his personal intrigues, including the murder of his concubine Fausta, showcasing his complex legacy of power and grandeur.

Constantine the Great: Emperor of New Rome

7.0 2026
Dear Brother

Markus Becker is hit by a car, dragged along, his head bashed on a curb and he falls into a coma. The doctors don’t believe that the 45-year-old will survive the next five to ten days. His father makes preparations for the funeral. Markus’ brother Michael refuses to accept this fate and begins an extraordinary battle. In his brother’s apartment he seals Markus’ clothes to preserve the smell. He records the neighbors’ voices. Every day, Michael exposes his brother to things that are familiar and films everything that is part of Markus’ life with a DV camera. He wants to keep him in his world and to bring this world to his bedside. He documents every step of Markus’ development, risking his own life in the process, wishing that his brother will one day regain the ability to lead a normal life. This full-length documentary accompanies Michael Becker for 10 years on his unwavering and creative mission to bring his brother Markus back to life.

Dear Brother

7.3 2019