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The New York School

The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.

The New York School

NR 1972
Funny

In London, Tom and Phyl are self-assured and in control of the situation whenever they meet their friends Huw and Tegwen. But when they're not on home ground and when they accept an invitation to visit Huw and Tegwen’s home in Wales, relationships change more than a little Huw, a London barrister, whose heart is in the Welsh hills, is truly king of his castle, and shocks and excites Phul with some of his "Cassanova" qualities. And Tegwen's relationship with her husband intrigues Tom, whose marriage is more of an easy companionship. But why have they been invited for the weekend?

Funny

NR 1971
Who Has Seen the Wind

The coming-of-age of adolescent Brian O'Connal in small town Depression-era Saskatchewan is told. The son of the local pharmacist Gerald O'Connal, Brian is in many ways a typical boy, who dislikes school if only because of his run-ins with the nervous schoolteacher, Miss MacDonald, and who tries to catch gophers with his friends, Artie and Forbsie. His best friend and protector is slightly older Jonathan Ben, better known as The Young Ben (as his father is referred to as The Ben), who is highly regarded as a problem by those in town who see themselves as the moral authority if only because of The Young Ben's association to The Ben, the town still keeper and drunk. Brian's life takes a turn when his parents have to leave town temporarily, while Brian stays on his Uncle Sean's farm. That stint leads to a series of events which make Brian see life around him through slightly older and wiser eyes.

Who Has Seen the Wind

7.0 1977
Roots Rock Reggae: Inside The Jamaican Music Scene

'Roots Rock Reggae' depicts an unforgettable moment in Jamaica's history when music defined the island's struggles and immortalized its heroes. Director Jeremy Marre films Bob Marley and the Wailers, and Lee 'Scratch' Perry record in his legendary Black Ark studio with The Upsetters. Jimmy Cliff rehearses with Sly and Robbie, while Inner Circle's historic live gig is recorded on the violent Kingston streets. The legendary Abyssinians harmonize their haunting Rastafarian songs; Joe Higgs (formerly Bob Marley's teacher) plays and talks; majestic toaster U Roy raps alongside The Mighty Diamonds, and Third World record in a Kingston studio. There is also early archive footage of Toots and the Maytals, and Haile Selessie's royal visit to Jamaica while police and thieves battle it out on the streets, and the ghettos erupt in violence. 1977: An extraordinary year for Reggae music.

Roots Rock Reggae: Inside The Jamaican Music Scene

7.7 1977
Così, così... più forte

Two young women, Lisa and Susan, meet and fall in love at a tennis club in Rome. The two lovers disappear into the privacy of the nightclub and its lounges with carpets and goldfish in the glasses. But their harmony is disturbed by the arrival of a man: Susan cheats on Lisa with Fred. Between jealousy and bottles of Johnnie Walker, the triangle explodes in a luxurious apartment. More elegantly, we will move from the lounge to the police station, where the officer of service will make a duty to lecture them. For the trio there is only one alternative: collective suicide in a classic car, they launch themselves at the bottom of the cliff in order to free themselves from the weight of an misunderstood existence. No one kills anyone: death is a deliberate choice in the face of the tragic absence of an alternative in a world that only condemns.

Così, così... più forte

3.3 1970
Axiomatic Granularity

"There is a paradox in such artistically special (and significant) films as Sharits' very real and reflexively beautiful AXIOMATIC GRANULARITY. It is that in becoming so accessible and authentic through its refusal to be anything but itself - emulsion grain seen in color and movement - the film for most viewers is likely to be impenetrable ... the film begins to evoke a quiet flow of thought. That thought, however, is repeatedly returned to the light perceived on the screen as the film calls attention to itself through the random appearances of scratches, becoming simply and pleasantly what it is, refreshingly nothing more." - Anthony Bannon, Buffalo Evening News

Axiomatic Granularity

NR 1973
Not the First Time

"This film is composed of different and relatively commonplace subjects, but each image is a super-imposition ('double exposure') of two similar shots of the same subject, almost in the same position. The effect is amazing: one's gaze at the image becomes a double gaze, as the two images were made at different times and with slightly different framing. The viewer is engaged in a process of double-vision that returns him to image and subject in a manner more complex, more self-aware, and more temporal than the way most of us view photographs." - Fred Camper

Not the First Time

NR 1976
John Baker's Last Race

John Baker emerges as a fine runner while in High School in Albuquerque, New Mexico, and then continues setting records at the University of New Mexico. His ability is world-class, and after receiving his university degree he accepts a position as a coach and physical education teacher at Aspen Elementary School while continuing to train (with the 1972 Olympics in sight). He becomes very popular with parents and students alike, for seeking ways to involve all his students, even those with an apparent lack of ability. Learning that he has terminal cancer he contemplates suicide, but instead chooses to dedicate himself even more to the kids, helping even the handicapped to participate, and co-founding and coaching the Duke City Dashers, an all-girl AAU track team. He hopes his "last race"...already beating the odds by a year, will not end before seeing this team win the national title.

John Baker's Last Race

8.0 1976
George

After a St. Bernard named George is given to a relative by it's owner he causes mischief in the neighboring town and for the newly named owner, After enough terror while trying to get a girl, The newly found owner gives George to a monastery in the cold snowy mountain wasteland until it's original owner comes back to get him. However, during the night George escapes and finds himself trapped among the frozen wasteland. And the only way for the newly found owner to get the girl and save George is to realize the importance of having and saving George is.

George

8.0 1972
Based on Romance

This stylized narrative is the first in the Yonemotos' Soap Opera Series,in which they employ the traditional syntax and codes of melodrama to explore how mass media formulas manipulate desire and sexuality, fantasy and reality. Played out with the self-conscious acting and dialogue of a soap opera, this story of the dissolution of a contemporary romance is set in the context of the postmodern Southern California art scene. By emphasizing modes of representation — TV, movies, art — the Yonemotos reconstruct a narrative of melodrama itself, illustrating their assertion that personal dramas and romantic ideals are the result of media propaganda, a social fantasy that becomes reality.

Based on Romance

NR 1979
Walya Ngamardiki: The Land My Mother

Exploring the relationship between Aboriginal people and their land (including the Dreaming, sacred places), this film was inspired by Silas Roberts’ submission to the 1976 Australian Government inquiry on uranium mining - the Ranger Uranium Environmental Inquiry. Silas, whose tribal name is Ngourladi, is an elder of the Allawa clan and was the first chairman of the Northern Land Council, established to assist Aboriginal people make land rights claims based on traditional ownership. The film, which moves from Arnhem Land in the north to Yuendumu in the centre, examines the importance of maintaining Aboriginal culture and laws and explains the reasons why they object to the mining being carried out.

Walya Ngamardiki: The Land My Mother

NR 1978