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Peace | Lemon

"Peace | Lemon" explores these stories through a word association game that surrounding two motifs: a can of tobacco and a lemon. The video is accompanied by a subtitle track explaining the two motif’s unique historical contexts. Meanwhile, the artist interprets the fantasy and fetishistic world of post-war Japanese protestors, moving through images and sound in a 'satisfying video' style. The video is further accompanied by ASMR dubbing, recording binaural triggers in viewers.

Peace | Lemon

NR 2020
The Voices of the Harbor

The voices of the harbor are those of thousands of people that have worked there, and of those who still work there today. Like for all cities on the sea, Trieste's history is deeply interrelated with the history of its harbor. The human milieus of the harbor environment are at the foundation of the city, of how the community grew. To understand who we are today, and who we will be tomorrow, we need to reconstruct the memories that tell the story of the last century of the Trieste Harbor. The Harbor will always be there, and the transport of goods is still its main activity, but the ways in which the goods are transported have changed significantly, along with drastic cuts to the harbor's personnel.

The Voices of the Harbor

NR 2020
Un dernier souffle

The film begins with the funeral of Pierre. Beaten in the street, because different in the eyes of society, the young man succumbed to his injuries. The next scene takes place in the office of a publishing house. We learn that a writer named Claire went to meet Pierre a few days before his death. This exchange aims to produce a book relating the fight of the deceased against discrimination. In the next scene, we are a few days before Pierre's disappearance. The singer is rushed to hospital. We see Claire going to a medical center, where the singer is in intensive care. At the end we witness the artist’s “last breath”. At the same time, Claire writes Pierre's story from her notes.

Un dernier souffle

NR 2020
Correspondence

While working on her recent film commission for Kettle’s Yard, Here is Elsewhere , Sarah Wood became curious about what the exhibition of art means at this time. In one part of Kettle’s Yard Alfred Wallis Rediscovered is installed and in another part of the gallery, Wood’s film. How do they relate to one another? How does art enable connection? The answer was Correspondence ­– a short essay film constructed from archive footage taken around the Cornish coastline. Correspondence speaks across time to fellow artist Alfred Wallis about the role the site of art plays in a time of social isolation. The scripted voiceover in the new film takes the form of a letter written by Wood to Wallis.

Correspondence

NR 2020