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Presented on a 3-D immersive interactive projection stage, this bio-digital play is set in a visually charged universe of decadence inspired by Francisco Goya's Los Caprichos paintings. Featuring live actors and digital avatars, the story is about the last day of a blind poet, Max Starpower. The project is a universe where tragedy, sarcasm, and comedy are portrayed as a deformed and apocalyptic mirror of reality; In this world, circumstance is the source of tragedy, and the grimace produced by this tragedy is what rules its form.

Claudia, a trans-Chilean midwife, remembers the hardest and most difficult moments she had to face in order to live her identity. The documentary tells her history, her struggles and the constant abuses she had to live on a society that still excludes those that are considered "different".

Michelle, a trans woman who started transitioning later in her life, finds in faith the strength to welcome her true self.

4 Friends head out for a Hot Tub Break, only to find the Hot Tub is to break them. A homage to 80's B-movie Sci-Fi.

Behind Doc Gynéco's apparent nonchalance lies a deeper malaise. Spleen, disenchantment, nostalgia... all symptoms of an increasingly lost youth in search of meaning. Plunging into the France of the early 90s, we explore the themes explored in the cult song Nirvana and the classic album Première Consultation.

A runaway teen struggles to reconnect with his isolated younger brother, who is working on an impossible project after the death of their abusive father.

A man prepares a recipe for a very special guest...

John Hegley's poetry animated.

The Hirak protests appear as a counterpoint to the investigations conducted throughout the film, and seem to provide the gateway to the exploration of hidden memories. Through a discussion on Louiza Ammi's photographic work, this chapter is an opportunity to rectify the iconographic absence of the Black Decade, which is mentioned in the first two parts. The analysis of sequences from the Assia Djebar's movie La Nouba des femmes du mont Chenoua, by Ahmed Bedjaoui, producer and film critic, feeds into this historical reinvestment. This film, which is symbolic of the beginnings of post-decolonization Algerian cinema, reappropriates the writing of history through the prism of women of different generations, whose words embody a memory that is too often overshadowed.

How do we connect what we see and hear with what’s actually happening? In the light and the dark of the 21st century, THE BRAVEST BOAT celebrates the legacy of Margaret Tait’s time in postwar Italy and the origin of her filmic vision. A collaboration inspired by Tait’s aesthetic communality and her understanding of what the image means – what cinema is for.

Apricot, a young pastry chef, is in love with Chocolate, a regular at her pastry shop. One day, having decided to tell him about her feelings, she bakes his favorite cake, but everything does not go according to plan.

Neil Armstrong has just set foot on the moon, The Beatles have performed their last concert on the roof of Apple Music and Franco has just appointed his successor, although in small towns life continues as normal. Laura and Ana are two friends living in rural Spain who decide to escape to Paris, but their trip won’t have the outcome they expect.

A simple bus ride can be a highly stressful experience.

On October 14, 1955, at the intersections of Route 1 and Route 3 on the National Highway, the Chevrolet driven by Delia Nieves hit the Cryssler driven by Nelson Rodríguez. Because of this collision, a year later my mother was born.

Clout examines the creation, distribution and ability to access bodily knowledge in relation to the inequitable availability of technology and community.

Vado verso dove vengo offers a complex meditation on emigration, immigration, and belonging. From New York City to Aliano, from London to Castelmezzano, the voices of emigrants and of their descendants narrate tales filled with emotions of leaving and of remaining, of desertions and returns to small towns on Italy’s fringes, where emigration and depopulation have left enduring scars and where economic and geographical health are emergencies desperately requiring attention. Governmental inattention is to blame, and it still runs rampant in Italy. Is it possible, after more than 100 years of emigration, to forge a new balance between local communities and global flows? Can small towns hold the key to innovative projects and sensibilities that will inform the future?

While big part of the europeans celebrate Christmas with their families, Mariam, a young mother from Ivory Coast, gives birth in the borderline between Morocco and Spain, wanting eagerly a decent future for her newborn in Europe. On that same night, thousands of sub-Saharan immigrants try to jump Melilla's fence while the Moroccan civil guards and the police attempt to prevent it. Before the birthing, the mother of the baby, consious of the dangers for giving birth and her irregular situation, writes a letter to her son Treasure.

ЮНАК [juˈnʌk] is a word often used in the Bulgarian folklore to describe a brave and intrepid youth. This work depicts a series of “unnecessary memories” from the director’s childhood. Reminiscences, not related to a significant event, unnecessarily stored in his mind. All shots in the film are abstract depictions of the director’s personal “unnecessary memories”.

The dogma who escapes the freakshow will find out that the world can be an even worst scenary, while a lone cowboy searching for his lost love will fight his demons...

A strange package arrives home: a Rockefeller puppet.

Satirical animated short showing the construction of a 3D model of the UK based on online comments.

Ramsgate FC take on Arundel FC in an FA Cup qualifying match.

A woman's quest to figure out the yellow in her life.

Shaun Lewis AKA Stormin was one of the pioneers of Grime. While sharing the story of his rise to mainstream fame from the underground scene, his battle with cancer returns.

In 2003, during a trip to Japan, I filmed about ten hours of rushes with a Mini DV camcorder, thinking of making a film that I never managed to finish. The work of time opens the mind: I dive back into the images, digitize them and by looking at them I finally find a form, bathed by the writings of Chris Marker and Nicolas Bouvier on Tokyo. “Faces” was born sixteen years later. It is an invitation to immerse yourself in the heart of a city and its inhabitants. A form of audio and visual narrative, punctuated by only three intertitles, takes the viewer into an ecstatic state between dream and reality.

A self-destructive and lonely rock musician discovers he has a daughter. Her recently deceased mother leaves custody to him. Before his daughter arrives, he decides to take a journey to discover her mother's past, but also his own.

Three men have to meet at a house but while they are blocked there by a blizzard, a dead body is found.

A theatrical performance.

Ritual performance at Père-Lachaise cemetery, Paris.

“To accept yourself against the face of adversity, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community, and how in an age that prides itself on inclusion, we still find segregation and discrimination within even the most marginalised of people, which reflects us inwards.

Ana Livia is a famous actress who suffers workplace harassment by the director of her film

On arriving in Esmeraldas, Ecuador, Patrice Raynal finds himself immersed in the tumult of a carnival. The music and dancing – more ambi­guous phenomena than first appears – provide the through-line for his first-person narrative.

Style exercise "La Nouvelle Vague"