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A Casa do Tom: Mundo, Monde, Mondo

Even the most loyal admirer of Tom Jobim, the most documented Brazilian artist throughout the world, cannot imagine the surprises he will encounter in this film. It contains previously unreleased pictures and images captured for 15 years by Ana Jobim, his wife, that show details of the life and work of Tom Jobim. Shot in New York, Rio de Janeiro and the family ranch in Poço Fundo, the film shows his intimacy with his children, the birth of important songs, parties at home with other musicians, and even a unusual Jobim in pajamas, in an “expedition” in the woods. “When someone visits the intimacy of a great artists, possibly the distance between him and the myth is felt to be smaller. For me it is the opposite; the distance becomes greater and I have more conscience of the myth”, says Ana.

A Casa do Tom: Mundo, Monde, Mondo

NR 2007
Mais uma Vez Amor

In Rio de Janeiro, the teenagers Lia and Rodrigo have opposite behaviors and personalities. The clumsy Rodrigo is responsible and good student, while the emancipated Lia is totally irresponsible. They have their first sexual intercourse together on April 23rd, and they schedule to meet each other every year in the same date. Along the years, Rodrigo graduates in engineering and gets married with Clara (Christine Fernandes), having a son. The single mother Lia has a life without any commitment, moves to Paris and comes back to Brazil later. After a comedown, Rodrigo leaves his family and quits his job to live with Lia. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Mais uma Vez Amor

5.4 2005
Laura

Laura, a sexy Brazilian immigrant, has been living in New York for 25 years. She is a regular at NY nightclubs and frequents the most exclusive parties and upscale restaurants. However, she lives in a modest boarding house in Manhattan, where she shares a bathroom with other guests who are largely illegal immigrants. The film questions the meaning of success, examines the fear of returning home, the unconscious pressure of the family she abandoned in Curitiba, and the deliberate creation of a fantasy as a means of protection.

Laura

5.0 2011