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Cyber Cop

A 3D Japanese short film based on Toho Planning, Studio Jump, and Yomiko Advertising's 1988 television series of the same name. It was produced for the "Jump Out! Super Heroes" event at the Takarazuka Family Land theme park, where it premiered on the day of the event's opening on March 18, 1989.[1] The film is not known to have been released again until almost a full decade later in 1998, when it was included as a bonus feature on the second volume of the series' LaserDisc releases. It has since been carried over to Toho's subsequent video releases, including the second volume of their 2005 DVDs, and the fourth volume of the discs' 2018 Toho Masterpiece Selection reissues.

Cyber Cop

NR 1989
NANA

One winter day, a young man named Yutaka, who is haunted by an "inexplicable tiredness", meets a mysterious white woman. One day in winter, he meets a mysterious white woman and lets her rest in his room. He becomes intensely curious about her identity, but she simply tells him her name is "Nana", and her silence and wandering continue. Who is she? A unique drama that uses the emptiness and loneliness that all of us face today as a motif to vividly cut through the fundamental problems of human existence. The director's ability to create tense and suspenseful images is so imposing in scale that it is easy to forget the 8mm frame.

NANA

NR 1989
Bus

A village in a different world that I do not know anywhere. There are five laws in the village, and if you break that rule you will be punished. The driver of the bus with the synonym of "Bengal's Tiger" attempts to escape from the village with two friends, but failed five times. By the instruction of the computer of "city", memory is erased as punishment. After that, the village steadily got dominated by the computer of the "city", and the driver of the bus who lost his memory kept living calmly while being watched by the lover. Meanwhile, a guerrilla group had been expecting the collapse of computer control.

Bus

NR 1987
Twin Dragons

Jang Yong-Ho loses his parents owing to his grandfather's Cheongja martial art by the Japanese. To retaliate upon the enemy, he practices martial art. Kim Seok-Do advises Jang to escape, but Jang's grandfather is kidnaped and tortured by a Japanese (Nishi Hiro) while keeping his place. Jang sneaks into Nishi Hiro's mountain villa and rescues his grandfather. Nishi Hiro calls again the Japanese snipers, that is, Kenji and Harata. Kenji let Harata fight against Jang, while Kenji himself kills both Kim Seok-Do and Jang's grandfather, and kidnaps Da-Bok. Jang fails to pass Nishi Hiro's yard. On the way to home, Jang meets his younger brother and is informed that his grandfather has been killed. To retaliate upon the enemy, he let his younger brother learn Cheongja martial art. The brothers attack Nishi Hiro's mountain villa and rescues Da-Bok.

Twin Dragons

7.0 1982
Chill point out period

So, what exactly were we doing with this work? To put it simply, we tried to see if we could do something similar to musical improvisation in film.In musical improvisation, some performers play instruments, others voice, and sometimes even dancers join in, creating a unique expression through the collaboration of these expressive acts, which could be described as a kind of friendly competition on the spot.In film, there was a "convention" to construct a work based on a "blueprint" called a concept, whether it was a scenario for a commercial film or an experimental film.This film is an attempt to break away from that style, and together with the staff and actors with whom I have worked on several other films, I explored a free jazz-like approach to making a film through a session.I didn't want to keep shooting indefinitely, so I decided to shoot from March 1st to March 10th, 1984.

Chill point out period

NR 1984
Blue Requiem

The author writes that at the moment the sun retrieved its last ray of light, the girl "sensed sensuality in the dark and watched death". The Woman at the Toy Store (OH Jeonghee) was transformed into a film, and the sexuality of the girl and woman gained the rhythm of requiem. The thrill of the moment when the positive changes to negative is, therefore, the sensuality of the cinema. Blue Requiem, the queer experimental work dedicated to the girl and the woman, arrived in the Winter Republic in 1986.

Blue Requiem

NR 1985
Integration Of Winds

This work is a day and night time-lapse film of the sky over the course of one year from July 1, 1988 to June 30, 1989. At first, the house next door had been demolished and was going to be rebuilt, Suzuki then decided to take a time-lapse photo of how the house was going to be built. However, while shooting, the movement of the clouds amazed the filmmaker who became more interested in capturing them. In September, Emperor Showa fell ill and was reported to be in critical condition, this inspired Suzuki to shoot "the last sky of the Showa era".

Integration Of Winds

NR 1989
Last Train To Tanshui

Jeui is a teenager who lives in Tamshui, near Taipei City. Jeui never liked to go to school. One day he meets Old Man Shu on a train to Tamshui. Jeui decides to run away from school and spend the day with him on the streets. Accompanied by Old Man Shu, Jeui wanders about in this small town. Jeui loves to play the suona, and falls in love with a sales girl working in a record store. Old Man Shu tries to help Jeui without letting him know. Through Jeui and her do not turn out to be a couple, they share a good friendship since then. However, there are some misunderstandings between Old Man Shu and his children. One day he disappears after a quarrel with them, causing everyone to worry. While looking for Old Man Shu everywhere, Jeui realizes how important he is to him. When Jeui finally finds him, he is sitting alone by the river bank Jeui's care and comfort cheer up Old Man Shu. This is a story of friendship between the young and the old in the small town of Tamshui.

Last Train To Tanshui

10.0 1986
Kappas

The world of the kappa lives in the water. There they live in a mousy apartment block, surrounded by mousy walls and looking up at a mousy sky. The expression on the back of the Kappa's face is very similar to that of a middle-aged businessman. Eventually, the final war comes to the lives of the peaceful, smiling Kappa. Mass slaughter, spurts of purple blood, and mountains of corpses. But whether this is in the past or the future is never mentioned. A Kappa desperately pedals his bicycle, but where will he end up? A unique animation that captures war as an idea and the Japanese people as an idea.

Kappas

NR 1989