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K-Saram: Tale of the Pig Head

About 500,000 Koreans reside in the former Soviet Union. Most of their ancestors were forced to flee during the Japanese occupation / annexation (1910-1945). The name they gave themselves is Koryo-saram. Their language, Koryo-mar, is descended from the Hamgyöng dialect (province of North Korea) and many other variants of Northeast Korean. The documentary sets up a multi-voice narrative characterized by shamanic rituals, digital glitches, voiceovers, texts and sound panoramas. At the same time inter-subjective and deeply personal, the film recounts migration, the diaspora and death with humor and lightness.

K-Saram: Tale of the Pig Head

NR 2021
Atlas

Meet Atlas: a two-tonne hunk of metal programmed solely to chop trees. The year is 2090: most labour-intensive jobs have been efficiently mechanized by robots, and in Atlas’ case, wood logging. However, being a robot tasked solely as a lumberjack is no easy feat. Being one of the first of its kind, there are a few bumps in the system; despite his seemingly large build and powerful tools, he still finds himself in unfortunate scenarios that lead to his death. Never fear though as luckily for Atlas, his programming is uploaded to The Cloud, snapping back to normal in an instant. Until there is a problem with the system...

Atlas

NR 2021
re:exposure

The film is a reflection on exposure, of skin to sun and of film to light and the environmental, ecological, social and hereditary factors that impact the aging process. Textures of the skin filmed in extreme close up appear in single or short frame bursts and, accompanied by percussive sounds, create a fast paced rhythmic journey around the surface of the body. This film is then seen at a later stage, as a filmstrip manually reexamined on a light box, alongside spoken analysis of the exposure times. Then, old photos of my mother, and her mother, on the beach, are seen in close-up. The DIY analogue film processing method gives this material a burnt brown look while the inclusion of “mistakes,” such as fogged and scratched sections, emphasize the sense of exposure and damage to skin and to film material.

re:exposure

NR 2021
Unisono

The work is a visual and sonic hypnotic journey that has 'experience at the centre of it'; It consists of a combination of synthetic and digital elements blended seamlessly into each other: CGI landscapes blend with real-life drone footage, as well as macro shots of rock surfaces carved by water blends with simulated geological erosions; real-life camera motion blends with dazzling digitally captured live camera motion, stroboscopic real-time lighting is responsive to the music and overlayed on top of real-life footage.

Unisono

NR 2021