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The Stolen Sea

Umitori takes place in Shimokita Peninsula on the northern edge of the mainland, which was becoming a “nuclear energy peninsula”, undergoing tremendous development and serving as the home port for Mutsu, a nuclear­-powered ship. Focusing on the fishermen and their stories, Tsuchimoto and his crew made their subject matter the “theft of the sea” perpetrated by giant business conglomerates. While the fishermen of Minamata were obvious victims of the mercury­-poisoning tragedy, the fishermen in Shimokita were inadvertently becoming the permanent victims of another announced trag­edy. Tsuchimoto interviews the fishermen, especially focusing on a stage play actor and his boat­-owner family, establishing, as it became his practice, a complex reflection about the threat brought to small communities by the forces of “progress”.

The Stolen Sea

NR 1984
The Democratic National Funeral of the Lee Han-yeol

This is 8mm film footage documenting the Democratic National Funeral held for the late Lee Han-yeol on July 9, 1987. It was shot by Kim Si-cheon, a member of Dolbit, the Korea University Film Study Group, as part of the club’s activities. The material was never screened—even within the club—after it was filmed. It includes, among other scenes, a speech in front of Seoul City Hall by Lee In-young, who at the time served as chair of the Seoul Area College Student Representatives Council and president of the Korea University Student Union. A primary historical record of the funeral, captured from the perspective of a student participant.

The Democratic National Funeral of the Lee Han-yeol

NR 1987
Ecosystem 5 ~ A Tremulous Stone

The ecosystem series which started in 1981 counts 15 and is still growing, becoming Koike's lifework. Through the series, Koike has shot a huge amount – thousands – of still photos of objective motifs, from ocean creatures, microbes, and granite to artificial material such as fishing nets. Those photos are developed with a specialized method then reshot with movie film. The style has been thoroughly continued. The images that are created as a result tower before our eyes as an overwhelming visual experience. Each motif has been repeatedly decomposed and reconstructed of its "attribution" and "meaning", causing a shocking Gestalt breakdown for the audience.

Ecosystem 5 ~ A Tremulous Stone

2.0 1988
Back Head

Tsujiko is a college student who suddenly cuts her hair short like a man. Her ordinary daily life is captured with an ultra-long camera that is almost always left unmoved. Episodes with her friends from her high school days are cut back and forth in black and white, and the past and present are told in an unhurried manner. However, the past soon becomes a duplicate of the present, and every day turns into a daringly extraordinary one. Inspired by a short film of the same title by Fumiko Takano.

Back Head

NR 1984
Bass, Amaryllis

Bass Amarillo was looking for "his own sound". He sings he shouts, he thumps. But his sound was hard to find. "This is not the sound I want to hear! The journey to find the sound continues sadly. The sounds and images that are repeated over and over again eventually reach the audience's antennae in the form of pop music. The film's main point is to show the video generation's visual play on film. This is the real image of young people who are now trying to run at the cutting edge.

Bass, Amaryllis

NR 1988
GAMUZE 3

We gathered at the Shinjuku Sports Center, located between Shinjuku and Takadanobaba. It was just before the “Great Funeral Reception” of the Emperor Showa after his death, and the police were on high alert. Of the 12 participants, 6 were former members of the video street gang. Of the 12 participants, six were former members of the video street gang, and another six were from Hokkaido, so it was an uneven training session. I was also very hungover and spent most of the morning in the bathroom throwing up all over the place, which was a big turn-off for me.

GAMUZE 3

NR 1989
Guiding Star

In April 1985, I started to make a film with my friend Kamioka as the main character. But even after three months, the whole film was still unknown. I started to work alone with the camera. One day, the rabbit he keeps at home gives birth to a stillborn baby. As he buries her under a tree in the garden, it made me think of his father, who died the year before. He is no longer with us, but only the gaze he left behind. And so I set off on a journey. In a town in the Hokuriku region, he met a woman who once appeared in one of his films. When I dozed off on the train to Tokyo, she appeared to me in a dream and tells me that I will soon find the exit. Back in Tokyo, I told Kamioka that I'm going to start filming again. I came back into the room, turned on the microphone and pressed the flame against the lens.

Guiding Star

5.0 1987
Great Ambition

Min-woo (played by Jeon Yeong-rok), who came to Hong Kong for business, has his bag stolen at the airport. And after the suspicious death of his friend Ho-jin, Min-woo is treated as a mentally ill person and is confined to a hotel. With the help of the branch manager's secretary, Miss Ho, he is confined to the hotel. With the help of the branch manager's secretary, Miss Ho, he challenges the suspicions about Ho-jin's death with the help of a beautiful Chinese woman named Hyang-ri. After Miss Ho is found dead, Min-woo confirms that Hyang-ri's dead lover, James, is the same person as Ho-jin. Min-woo, who was caught by the villain Chen while trying to save Hyang-ri's female soldier and drowned in the sea, is rescued and Ho-jin's body is recovered from the sea. It is finally revealed that CEO Jin was jealous of Ho-jin and Hyang-ri and had Chen kill Ho-jin. He chases CEO Jin as he runs away and destroys him. When Min-woo returns, love with Hyang-ri awaits him.

Great Ambition

9.0 1987
Basara no Hana (Flowers of Extravagance)

In April 1985 Kusama staged a performance in the cherry tree grove at Kuhonbutsu Jōshin-ji, a Buddhist temple in Tokyo. Commissioned by a professor at Tokyo University, the performance was titled Basara no Hana (Flowers of Extravagance) in reference to the extravagance of the fourteenth-century lord Dōyo Sasaki. He was said to have held a lavish celebration of cherry blossoms near Kyoto that lasted twenty days. For the performance, Kusama encircled the flowering trees with red and white streamers, connecting them in a ‘net’.

Basara no Hana (Flowers of Extravagance)

NR 1985
New Maps of the City Part One: Notes for Films

Director Roger Garcia drew inspiration from Close to Our Hearts, a script he wrote after returning to Hong Kong from the United Kingdom in 1977. Although the project never materialised because of a lack of funding and resources, Garcia adapted its elements—character lines, location shots, references to other films, portraits of a harpist—for this essay film, which traces a disintegrating relationship between a Chinese musician and his English wife, a photographer. Ruminating on the liminal space between text and image, Garcia seeks new ways of looking at a ceaselessly evolving city.

New Maps of the City Part One: Notes for Films

6.0 1982
Maya Pitsawat

Dokbua, a young lady, is hurt by Chala's car. She is a poor girl coming from Chiang Mai to Bangkok in order to work but she was told a falsehood regarding the job nature. As she has nowhere to go, she can finally stay as a maid as Chala gets pity on her harsh life. Chala's Hi-So family includes various members. Pen is a middle aged woman. She is the new wife of Chon, who is paralyzed. Chita is Chon's sister. She never got married. Chon has three children, Chala, Chet and Lek. There is always a bad and oppressive ambiance in the family. Chala only spends money but does not earn anything. In fact Chala gives the money to a poor family. Chet and Pen are lovers. All men in the house fight over Dokbua. Pen wants to use Dokbua to take care about her paralyzed husband ardors so that she can have more free time with Chet. Dokbua played the stupid girl but she is in fact very intelligent. Only Chala knows Dokbua has entered the house with a specific idea. What is her goal and her hidden secret?

Maya Pitsawat

7.0 1983
ERYTHROPOIEISIS AND ERYTHROPOIETIN

The red blood cells that carry oxygen throughout the body have a lifespan of 120 days. The living body continuously produces blood to ensure a plentiful supply of red blood cells. This film accurately records the conversion of stem cells into red blood cells. Conditions such as encounters with various other cells and contact with signals sent by other cells are important for the growth of blood cells, and the erythropoietin is one of these important signals. This signal stimulates the stromal cells to produce the necessary number of red blood cells which are continuously sent into the bloodstream. Scientific supervisor Fumimaro TAKAKU, M.D. Ph.D. (University of Tokyo)

ERYTHROPOIEISIS AND ERYTHROPOIETIN

NR 1989
Doe

Kim Ik-do and his second wife, Hye-mi, are living happily on the deer farm when a new breeder is hired. Hye-mi recognizes him as the ex-boyfriend who betrayed her five years ago. She makes a move on him but he is suffering from amnesia. Through her devoted nursing, he makes a full recovery and regains his memory. He leaves Hye-mi but then returns, demanding her love. Ik-do is furious but ultimately bows to their love. However, the man's wife and young child come looking for him. Hye-mi falls into the embrace of her forgiving husband.

Doe

NR 1983
Aye Jomgay

Keng is staying in relatives' rich house. The mother is not happy to see Keng at her home despite he is a relative. The mother has two sons and one daughter called Chan. Chan teaches Thai boxing to Keng. Keng wishes to take revenge over ruffian Wo as he is responsible of his mother’s death. Keng is Kliaw’s young brother. Kliaw is married to Kira. Keng has also a school friend called Waew. Pochet loves secretly Waew but Waew is already the minor wife of a rich man, i.e. Kira! ...

Aye Jomgay

NR 1984