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It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives

Daniel, a young man from the provinces come to the city and moves from one gay subculture to the next. His adventures begin on the streets of Berlin, where the shy brunette Daniel meets the blonde Clemens, who invites him home for coffee and offers him a place to stay. Soon Daniel is living with Clemens and believes he has found the love of his life. The two try to imitate a bourgeois marriage and its lifestyle. But after four months of tedium, Daniel is cruised by a rich older man who entices him to move into his villa, where he encounters a group of older gays, pretentious in their appreciations of fine art and classical music, who fawn over him.

It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives

5.1 1971
People of the Seal, Part 1: Eskimo Summer

The first of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 1: Eskimo Summer is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Kugaaruk region (formerly Pelly Bay) of the Canadian Arctic. The original films of the Netsilik series attempted to recreate the traditional lifestyle of Netsilingmiut living there. They show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 1: Eskimo Summer shows how Inuit families prepare for winter by hunting seal, birds and caribou and by fishing for Arctic Char during the extended hours of daylight.

People of the Seal, Part 1: Eskimo Summer

10.0 1971
Mein Onkel Theodor oder Wie man viel Geld im Schlaf verdient

The somewhat indolent father Traugott Wurster looks after his six sons while his wife works in a butcher's shop. One day, when Traugott falls into a mysterious prolonged sleep, mother Wurster is forced to give the children to relatives. Markus is sent to the stuffy Uncle Theodor, who turns into a childhood friend under his influence. Mother Wurster also "rents" the sleeping Traugott to a furniture store, which uses him to advertise mattresses in the shop window.

Mein Onkel Theodor oder Wie man viel Geld im Schlaf verdient

8.0 1975
Mania

Professor Brecht, a renowned scientist, is obsessively experimenting in his isolated villa. The object of his studies is "apparent death", with the intention that the human body in a cataleptic state can be cured more easily. He lives with his wife Lisa and several other people: his twin brother Germano; Katia, the waitress; Lailo, his assistant and young student Erina. Having discovered his brother's affair with Lisa, Brecht sets up a plan to kill Germano and take his place. The shock makes Erina dumb. Bercht's persecution of Lisa soon turns the woman mad, while Lailo, wandering in the villa's surroundings, vainly tries to find the key to the mystery. A psychiatrist, Louis, firmly believes Lailo's madness is caused by her inner anguish and seems confident in her recovery. But he's wrong: the demented woman kills Katia and then throws herself out of a window. Brecht takes back his own identity, but his actions will have further tragic consequences...

Mania

5.5 1974
Ohnsorg Theater - Die Königin von Honolulu

In the sailors' pub "Die Königin von Honolulu" in Hamburg's St. Pauli district in 1910, the sailors are sitting grumpily and pestering their wages master, Krischon Honolulu, to finally get them a ship, as their coffers are at low tide. Then the sailor Scharli appears and reports that an American luxury yacht has arrived, owned by the millionaire William Thomson, a "madman" and misogynist who throws his money around. Eight sailors are wanted for a voyage around the world, including to Honolulu.

Ohnsorg Theater - Die Königin von Honolulu

NR 1977
Berthe

Berthe, a pretty young woman, has suffered from a mental disease since she was a child. A doctor has tried for years to understand her behavior and to teach her some basic notions such as those of time and emotional expression. But he also tends to use her as a guinea-pig and does not oppose her parents when they decide to marry her as a way to solve her problems. Unfortunately the cure proves worse than the disease as Berthe's husband, who soon tires of her, abandons her and leaves her more helpless than ever... —Guy Bellinger

Berthe

7.0 1976
A Rose: That's What Life Is All About

Rosy Selavy arrives in New York, with her chessboard under her arm. occupying Duchamp's place at the Washington Square chess table (where he converses with the composer John Cage) later invites his suitors to a game. Rosy comes in contact with John Cage, with Broadway star Jean Halbert, with French singer Janet Maillard and Soho artist Hannah Wilke, before embarking on a long journey across the country, where she meets Mary Jane Collins , singer of Memphis Blues' stumbles upon a colony of Puritans, meets some hippies in the Far West, being finally raped and murdered on a beach in Los Angeles by psychiatrist Hal James.

A Rose: That's What Life Is All About

9.0 1977
Gestuel

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor filmed in close-up on a plain black background. Nedjar "wiggles" his camera, with Gaël Badaud manipulating a green net or a mirror, wearing a gas mask or covering his head with a red-skinned knit like a bloody balaclava, he inaugurates a search for luminous calligraphies that will soon be shared with Teo Hernandez.-- Dominique Noguez.

Gestuel

NR 1978
The Hand That Feeds the Dead

Baron Ivan Rassimov, a brilliant doctor, died horribly during a fire burst in his laboratory. Since that day, his daughter Tanja retired to a life of reclusion, covering with a dark veil her disfigured face. Professor Nijinski was once a student of Rassimov; he married Tanja, and he's trying to restore her lost beauty with a series of skin transplants. However, to reach his goal, professor Nijinski needs beautiful young victims for his transplant experiments.

The Hand That Feeds the Dead

4.6 1974
Living Room

A film about people and the space in which they live. From country cottage to council flats, stately detached houses, railway arches and tiny bedsitters - this is a journey with the camera through living rooms of all sizes, designed in all kinds of taste. It's a journey, too, through the lives of the people who inhabit these rooms; a film producer who lives in an empty house with bare walls and floor, a young Gloucestershire couple who have filled every inch of space with mementoes of their life together, an artist's model whose walls are crammed with paintings of herself, an architect who lives in a bedsit one-and-a-half metres square. Couples, families and single people appear in this film, some happy and secure within their living space, others lonely, or simply alone.

Living Room

NR 1978