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Sergeant X of the Foreign Legion

A remake and rewriting by director Bernard Borderie and scripters of a well-made 1932 film, this routine French drama seems a little outdated. The story has changed from a Russian officer who returns home from the war to find his wife has remarried, to a former paratrooper who tries to drive a stolen truck back from Morocco and suffers an accident -- and the same fate as the Russian. As a result of his injuries and the subsequent delay, the ex-military man is unable to get home as scheduled, and the woman he loves decides that he has left her. Once she "realizes" that supposed truth, she decides to marry her boss. As in the earlier film, one of the protagonists ends up in the French Foreign Legion and all three head toward a fateful meeting in a North African desert.

Sergeant X of the Foreign Legion

9.0 1960
On Sunday Afternoon

A voice, warm and heartbreaking, that of Brisseau himself, coils over black and white images. The tone was set very quickly: "To wake up is to be born again in the world of despair." 'On Sunday afternoon' is a film all at once clinical and theoretical on melancholy in the strong sense of the famous "black bile" of the Greeks whose author seems to want to make a complete turn, from his tragic dimension to his psychological dimension, even ending his film with a long quote from Freud's 'Mourning and Melancholia'.

On Sunday Afternoon

3.2 1967
The Commandant

The retired general Antonio Cavalli is a nuisance to his family: to his wife Francesca who still works, to his son and to his daughter-in-law. Then he finds a job in a building firm. Only by chance Cavalli finds out that his salary is paid by his wife to keep him busy. But the general is well known as a very reliable man, and Sandrelli, the firm's owner, uses him and his name to win a valuable contract. When Sandrelli is arrested, the general finds the money to honour his debt but he is robbed while he is going to the bank...

The Commandant

6.9 1963
Irrlicht und Feuer

Jürgen Fohrmann works as a hauer underground. In the course of the coal crisis, his mine closes - he loses the work. In this mood, his wife's prosperity thinking gets on his nerves - his marriage threatens to break. The dismissed coal buddy applys, first becomes an auxiliary worker, but then receives a job in an automated operation of the electrical industry and believes to have socially risen through this "clean work". Fohrmann quickly realizes that wearing a "white coat" is only seemingly better than the arduous work in the pit and understands that he can no longer stay out of the work struggles of the buddies.

Irrlicht und Feuer

9.0 1966
Der Nachfolger

The Federal Republic of Germany. Journalist Rohmann, seriously injured in a car accident, is dying in hospital. Before his death, he bequeaths his unfinished novel to his friend, the famous writer Frank Seburg, and asks him to complete the work he started. Frank Seburg examines the materials collected by Rohmann. It turns out that the journalist was trying to uncover the mystery surrounding the deaths of several West German officials. According to the official version, they all committed suicide. Seburg was unable to fulfill his friend's request to reveal the true causes of their deaths. The fight against the followers of fascism proved too much for him.

Der Nachfolger

9.0 1965
Hauptmann Florian von der Mühle

This story of the miller Florian, who gave all his money to the war against Napoleon, is loosely based on a true story. After the war, Florian's reimbursement is challenged, and he must also pay taxes on his destroyed mill. He resists the tax collectors and takes off to Vienna, where he intends to defend his rights. On the way, he rescues the Duchess of Guastalla from assault. She also wants to go to Vienna, as His Majesty Franz II is trying to contest an heir in her favor. With cunning, luck, and dagger, Florian fights his way through a slew of nobility and their secret police.

Hauptmann Florian von der Mühle

4.9 1968