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Self

The movie follows Fernando, a 16-year-old teenager from the conservative countryside of Sao Paulo as he decides to meet up with an online hook up after being mercilessly teased by his friends for being a virgin. Fernando hides his homosexuality from everyone and ends up meeting his date, an older man, in a remote area of the woods where they are both out of sight. The sexual encounter promises to be a romantic one but ends up being a traumatic episode that will undoubtedly haunt Fernando the rest of his life.

Self

1.0 2020
Tô Ryca 2

Selminha is back! Now wealthy and willing to pay generously for all her needs and desires. The problem is that a poor person’s happiness is brief: a namesake heir appears claiming that she is the legitimate inheritor and Selminha’s assets are frozen. Her only source of income becomes a minimum wage salary of R$30 per day. However, Selminha has already forgotten how to live the hardships of poverty. And worst, she is the patron of the Quintino community, and with her financial difficulties, the community also feels the squeeze.

Tô Ryca 2

6.4 2022
Papai Noel Existe

A tender story, in which Santa Claus helps to preserve a family. Dudu (David Lucas), a very naughty boy, makes a wish full of hope on Christmas Eve, seeking the reconciliation of his parents, Luciana (Carolina Kasting) and Roberto (Daniel Boaventura), who are determined to separate. Dudu looks for a Santa Claus in a store and insists that his order be fulfilled. However, the good old man, who in fact is Jonas (Reginaldo Farias), who lives making beaks to survive, at first does not take the boy very seriously, as he does not have a past of family joy, much less on Christmas Eve.

Papai Noel Existe

NR 2006
Sound Letter

Sound Letter is an experimental documentary that investigates the sensory identity of the city of São Paulo. Far from following a conventional linear narrative, the film proposes a kind of sonic correspondence in search of the hidden music of the metropolis. Through the perspectives of Arthur Nestrovski and Eduardo Santos Mendes, the work explores the idea that inhabiting the city means superimposing distinct times, where the contemporary noise of traffic and urban chaos coexist with echoes of centuries-old traditions, such as old street vendors' cries. The medium-length film challenges the traditional documentary form by privileging the sound element as the protagonist and openly presenting its own recording apparatus, transforming the journey of a motorcycle courier into a true ballet of forms and sounds that translate the complexity and vibrancy of the São Paulo capital.

Sound Letter

7.0 2009