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For the Sake of a Woman

Insurance representative of the client rich go to the work of an insurance policy, a wealthy married to a beautiful young tempted even located in the nets and cemented their relationship, offer him salvation from her husband, then grab the value of the insurance policy, the husband dies, you go for the company to capture the amount of insurance, but the company have doubts about the death of husband and it suggests that he died unnatural way especially that the wife was a nurse before her marriage, knows insurance this information delegate who was behind the seizure of the wealth of the husband goes to meet her, surprises her in the arms of her lover kill her but they call it lead endure and on his deathbed in hospital admits the full truth then death throes the latter.

For the Sake of a Woman

7.5 1959
Father's Week-End

Goofy plays everyman again. He's an average working joe who demonstrates "the up on time/work on time/bed on time" routine while going from work to home every weekday. On Saturday night, however, he parties it up and attempts to get some rest the next Sunday but with his son around, it's impossible. He insists Dad take him to the beach and, although Goofy refuses, he ends up going anyway where he gets into all sorts of trouble mainly as the result of chasing his son all over the place. Worse yet, when he leaves, he falls victim to the world's biggest traffic jam. As a result of all this, he is relieved to go back to work the following week!

Father's Week-End

6.7 1953
August 15, 1945, New Dawn For Japan

July 1945. War‑exhausted Japan groans under the heel of a brutal military regime. Young journalist Saeki struggles to cling to a fading sense of justice. Writer Yoshida slowly loses his convictions to the darkness of unquestioning orders. Kimiko, a young woman, bears the scars of cruelty from the cold‑hearted military police. Private Yamada has deserted the army. His wife, Ryōko, is branded a traitor's wife and relentlessly hunted. When Yamada finally reaches home, he finds his sick child Toshiko lying in bed. The military police drag him away in front of his family; a struggle ensues, and Yamada is shot dead before his wife's eyes. Hiroshima is annihilated by an atomic bomb. Rumors spread of a final decisive battle on the mainland. The people clutch bamboo spears with gaunt hands. Then August 15th arrives: Japan's defeat is laid bare before the stunned populace.

August 15, 1945, New Dawn For Japan

NR 1952
Star mit fremden Federn

A striking resemblance between the hairdresser Franz Blume and the famous actor Günther Kolmin leads to a curious mix-up during a vacation in Feuerstein. Blume's initially shy attempts to defend himself are unsuccessful. It is believed that the star wants to maintain his incognito. And the hairdresser soon takes a liking to the role of the adored one, especially as Miss Petri never leaves his side. When the real Kolmin finally arrives on the scene, the embarrassment is almost unbearable. In the end, Blume is happy to be himself again and returns home to his fiancée in remorse.

Star mit fremden Federn

8.0 1955
One Hundred Francs Per Second

Philippe, an employee at the Bourdinet firm, having been caught kissing Jacqueline, his boss's daughter, is fired. Some time later, Bourdinet launches a radio quiz show to boost his business. Philippe then decides to compete in the hope of telling the thousands of listeners what he thinks of the industrialist. A blow on the head having given him a gift of second sight, the competitor becomes impeccable and wins astronomical sums to the great despair of Bourdinet. Everything will work out in the end and Philippe will be able to marry Jacqueline.

One Hundred Francs Per Second

6.0 1953
Lord Mito 2: The Nation's Vice Shogun

After settling the matter of shogunal succession, the retired Old Lord of Mito finds himself in a sea of trouble when he gets involved in the succession of the Takamatsu clan. The usurpers try by every means to effect their takeover, even if it leads to blood being spilled. Along with Kaku and Suke, the elder must face the most dangerous time of his life, in a battle against those corrupt individuals who would use any means to further their dastardly conspiracy, regardless of how many lives might be destroyed. The great Misora Hibari gives a bravura performance, as does the rest of this all-star cast. This is another outstanding effort on the part of the Toei Films, blending fact and fiction to bright back Japan’s golden era of the Genroku period.

Lord Mito 2: The Nation's Vice Shogun

8.2 1959
Serious Charge

Howard Phillips, a vicar who's new in the town of Bellington, wants to reach out to youth. The previous vicar's daughter, Hester Peters, who fears being a spinster, wants to be his wife. He tells her he's not interested. When he confronts a tough kid about something the youth has done, the lad sets out to frame the vicar. Hester, who's walked in on the confrontation, backs the youth's story. The town sides with her and the lad, turning against Phillips. He has a crisis of faith. What options does he have; can no one help him, his reputation, or his calling?

Serious Charge

6.2 1959
Captain Pirate

In 1690, years have passed since Captain Blood was pardoned by the Crown for his daring deeds against the Spanish on the Spanish Main, and he is living quietly on his plantation in the West Indies, practicing medicine and planning his marriage to Isabella. But his peaceful existence is shattered when Hilary Evans arrives and arrests him on a piracy charge. Somebody has been raiding the islands, and making it appear it was Captain Blood. In order to prove his innocence, Captain Blood has to sail again under the "Jolly Roger."

Captain Pirate

5.4 1952
Isabelle aux Dombes

Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

Isabelle aux Dombes

5.4 1951