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Wonton Soup

Adrian is a Chinese Australian visiting his Hong Kong girlfriend Ann. The relationship is already in deep trouble because both are suffering from an identity crisis. Adrian is "yellow on the outside but white in the middle." The solution he thinks is a crash course for Adrian by his uncle on lovemaking techniques using a thousand-year-old Chinese sex manual. Naturally, Adrian's newly acquired skills do not work. The problem, as it turns out, is not that Adrian is "not Chinese enough" but that, according to Ann, he does not know "wonton soup does not exist in Hong Kong." The young couple's real problem, Law seems to suggest, is that they live in an eclectic and transnational cultural environment yet they are not aware of its implication for their mosaic identities. Wonton Soup is Law's contribution to the omnibus film Erotique, a collaborative effort by four women directors from four continents that bills itself as "women's erotica."

Wonton Soup

NR 1994
Song of Tomorrow

Ivy Ling Po was at the height of her fame in traditional Huangmei Opera films -- and chiefly as a male impersonator -- when she radically changed her image, taking on an ultra-contemporary semi-musical role in Song Of Tomorrow. Ivy plays a dance hostess and leading man Chiao Chuang is a jazz drummer, but with a difference. Chiao is a heroin addict, and Ivy learns that heroin is a far more lethal adversary than "the other woman" when trying to keep their marriage intact.

Song of Tomorrow

9.0 1967
Darling, Stay at Home

The misadventures of a beautiful but bored housewife Wang Yui-chuan and her chauvinistic salary-man husband Chang Wei-min reaches madcap proportions upon his denying her the opportunity to work outside the home. With calculating smarts, Wang takes action with the help of her scheming neighbors Lily and her mother Mrs. Hsu to change her identity and land a situation in her husband's firm where she successfully advances within the ranks in direct competition with Chang for promotion. A madcap comedy of errors ensue.

Darling, Stay at Home

5.8 1968
Our Husband

Li's first directorial work in Hong Kong is adapted, by himself, from the Hollywood movie The Great Lie (1941) starring Bette Davis. When a husband disappears in an accident, the wife is dismayed by a social butterfly pregnant with her husband's child. To preserve the husband's blood line, the wife takes care of the expectant mother and raises the child. Featuring the two ravishing beauties Li Lihua and Sun Jinglu, Our Husband foregoes juicy feuds between the leads and delivers an allegorical message: parents should provide an ideal environment for the next generation. Addressing the rocky times in China, it is equally overt in its remonstration as Yung Hwa's earlier works, The Soul of China and Sorrows of the Forbidden City.

Our Husband

8.0 1949
Ungratefulness

Chuk Tai-ming elopes to Hong Kong with Shum Tsui-hung in defiance of his father but soon succumbs to harsh conditions and ill health. Shum becomes a courtesan to fulfil Tai-ming's last wish of funding his younger brother Chi-ming's studies in Australia, while creating the false impression that she is a rich widow. Chi-ming returns in summer and a chance encounter in the nightclub evolves into a budding romance. Tormented by a love doomed from the start, Shum pretends to despise the poor suitor. The rejection is taken hard by Chi-ming, who snubs the woman in public. Shum plunges into despair, taking gravely ill. Her lawyer Lee Chung-ling finally breaks the silence, making Chi-ming attuned to the woman's unspoken suffering after she's been laid to rest.

Ungratefulness

10.0 1965
Liu Yang He

Liu Yang He, a landmark in Hunan province, is not only the film’s original title but also a well-known Communist folk song in China. It was written during the Agrarian Reform that precedes the Cultural Revolution. Youngsters were sent to farmlands and factories to experience intense labour. They sang to praise Chairman Mao. Kah-kah (Rain Lau) was permanently injured in an industrial accident during that time. When Kah-kah meets this amputated client (Ko Hon-man), they feel sympathy with each other and turn this sympathy into a possibility of love as if they were flowing into a river of no return. Here, Rain Lau’s sophisticated performance resembles her award-winning role in Queen of Temple Street (1990).

Liu Yang He

6.0 2017
Hong Kong's 1971 Diaoyutai Movement

Hong Kong Diaoyutai Movement (1971) documents HK youth protesting the U.S. decision to transfer the disputed Diaoyu Islands to Japan alongside Okinawa's return. The protest joined the transnational Baodiao movement, launched by overseas Chinese students in America and taken up across Taiwan and Hong Kong in defense of Chinese territorial claims. The film was produced by 70s Biweekly, a radical publication that served as a crucial platform for political debate among young Hong Kong intellectuals. Co-founders Ng Chung-yin and Mok Chiu-yu, who organized the demonstrations themselves, commissioned directors Law Kar and Chiu Tak-hak to create a documentary from inside the movement. The camera moves with the protesters, capturing chants, gestures, and surging crowds as they unfold. This approach transforms cinema into a tool of activism—the filmmakers weren't documenting history but participating in it, positioning the camera as part of collective action rather than a neutral observer.

Hong Kong's 1971 Diaoyutai Movement

NR 1971
Fatal Command

The Russian operations in Asia are ruined by the American agents. Ivan, a KGB, is sent to Kampuchea and terminates the op-posing American forces. John Matthews, an American CIA spy, works with Jim, a patriot to offset the Russian aggression. In Kampuchea, Well’s, a military general, is recruited by the KGB secretly and he makes use of his formal cover to get rid of Jim. Realizing that he’s a traitor, Jim never drops his guard. He concentrates on destroying him along with his gangsters. During the birthday party of Wells' daughter...

Fatal Command

NR 1988
Ninja Operation 3: Licensed to Terminate

"For the evil forces of THE BLACK NINJA EMPIRE there is no law of justice only corruption. A saviour, "THE PRINCE OF JUSTICE", is born to save and protect mankind from this wickedness and his chosen protector is the fearless Golden Ninja. The Empire in its quest to find the 'Prince', brutalize and murder innocent victims, before the Golden Ninja is confronted." - VHS Back of the box description Hong Kong cut and paste edit of the 1981 Taiwanese Film "賭命一條龍" (The Daredevil/Desperado) with new ninja scenes.

Ninja Operation 3: Licensed to Terminate

6.9 1987
Head-to-tail

An overwhelming pro-democracy movement in Hong Kong (also described as the Occupy Movement or the Umbrella Revolution in the region) in 2014 has devastated many families in the city. A veteran journalist father, a policeman son and an activist daughter are living in a torn society of Hong Kong. The trios in the Suen family are caught off-guard by the teasing of Moerae, or the Goddess of Destiny. In philately, "tête-bêche", or head-to-tail in English, is used to referred to a pair of generic stamps which is inverted in relation to one another, either through a printing error or intentionally. The stamps are of special value only when they are unseparated. Metaphorically, "tête-bêche" can precisely reflected the portrayed family's tricky situation, that different role-plays or value judgments can lead to sparkling tension among family members, yet somehow the old saying of "blood is thicker than water" prevails.

Head-to-tail

NR 2018
The Wall

Kam Fan and Wong Ching-ping have a peaceful married life, until Ping's mother is serious ill. They desperately need a large amount of money. Fan tries in vain to raise money, he thus intends to use their daughter's school fees for the medical fees. Ping is against it and works as a song girl to earn money for her mother's medical expense. Her grudging husband Kam Fan uses a bed sheet to partition the bedroom into halves and even demands a divorce. After some mediation by their lawyer and neighbours, Wong finds a teaching job at an orphanage, but Fan still opposes it. Ping is so angry that she moves to live in the dormitory of the orphanage. Fan has to look after their daughter alone, making everything a mess. Later, their daughter catches a cold and has a high fever after an outing with Fan. Ping cannot set her mind at rest and goes home to take care of her daughter. The loving couple reconciles, for the sake of their daughter.

The Wall

NR 1956
Sun, Moon and Star: Part 2

Part 1 ended with Jianbai and Su Yanan among the students fleeing the invading Japanese. Part 2 follows the efforts of all four characters to participate in the war effort. Su Yanan joins the army and fights. Jianbai enlists to be near her. A-Lan becomes a nurse at a battlefront hospital and Qiuming entertains the troops. (Grace Chang, Cathay's leading musical star at the time, performs some rousing patriotic numbers in these scenes.) Jianbai is reunited with Su in the battlefield, but...

Sun, Moon and Star: Part 2

6.3 1961
Opera Omnibus

Eight segments of opera films: Sheng Xinma performs a monologue from A King's Revenge (1955), followed by an excerpt of The Patriot's Sword (1958). Cibo Liang is featured in An Immortal Refuses Love (1958), and Yutang Bai appears in The Wonder Boy (1961). Segment five shows Xingbo Liang, Jiasheng Lin, and Cibo Liang in The Impartial Bao Gong (1967), while segment six is a performance by Northern opera actress Suqiu Yu. The last two are versions of Red Maid, The Matchmaker, first a 1958 film with Yanfen Fang and An Banri, followed by one titled The Little Go-Between, featuring Baobao Feng and Cibo Liang. It was originally double billed with South China Stars Special.

Opera Omnibus

8.0 1987