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Double works as a night receptionist in a hotel, and he is a theater actor. The company he is a part of is rehearsing a comedy. Double also has a special power: the power of invisibility. Thanks to this ability, he spends all his free time following others, coming into contact with the less visible sides of their lives and their personalities. He follows his fellow actors and spies on the customers of the hotel where he works. Except for theater and hotel work, Double has no social life, nor does he have friends. One evening, he uses his invisibility power to attend the theater rehearsals. When the actors begin to rehearse the scene, what happens leaves him bewildered: played from start to finish, without his parts, the scene works just as well. Double comes out lost and disoriented. Was it perhaps the answer he was looking for? He ends up staying invisible and completely withdrawing from his own life.

Last Freightliner 86s in service – Ice clearing trains on Southern – Class 37s on Snowplough – Werrington engineering – Last of the 91s – Main Line Class 20s – Class 60 route learners – 69 001 on test – Midland HSTs with Inter City 43 002 and East Midlands livery and last workings – DATS workings – Test trains around the Network – Class 56s on the main line – Stock moves including ROG Class 47s – Class 37s – Main Line Class 40s – Class 60s to East Anglia – Colton Junction electricification – Locomotive Services Class 90 – Staycation Express – Special trains during summer – Rail Head treatment Trains – Class 20s on freight to East Anglia – Main Line 47s and 50s on Severn Valley Railway – Class 91s return – HST stock for scrap – Class 50s on tour – Scottish and Welsh specials Autumn specials around the network – PLUS MUCH MUCH MORE!

Director Bertrand Guerry followed the construction of a permanent circus tent in the Sablons district of Le Mans. Over the course of two years, punctuated by the ups and downs of the construction site, he gives a voice to the inhabitants and offers a curious look at the promise made to the neighbors, the artists, the children and the adults of a new cultural venue open to all.

Adam enters a house, lit by a single candle. Catching a glimpse of a shadowed figure, he becomes a victim to curiosity. Following her, he explores a series of rooms, leading to face-to-face encounters with the being. Truths and lessons to be learnt, Adam's journey leads him 'Halfway'.

Father and son. Secrets separate them, unspoken and unembraced grudges. A wall that keeps the silences, the held back tears, the glances and shy contact. Lack of communication. Despite this, the longing to embrace him, all because they are the same story.

A train stowaway with a dissociative disorder must deliver a crucial parcel to Berlin while evading relentless pursuers, mortal peril, and the mistakes of her past.

Instant Scapes is almost an anthropological observation of our daily lives, our social rituals, the environments in which we move, through a series of short 30-second videos portraying people and landscapes.

Volana (Moon in Malagasy) is a Black Transmasculine dreamer who hides their emotional and physical pain in the shadows of a club. One night, when everything seems fragile and close to collapsing, Volana gets stuck in another space where they meet Tia who will show them the multidimensional aspect of their being.

Lebenslaute is a nationwide network of mainly classical musicians who meet once a year to blockade a "political hotspot". In the summer of 2020, several concerts were In the summer of 2020, several concerts blocked the shift change at the Rheinmetall weapons factory in Unterlüß, Lower Saxony. The film tells about the rehearsals and the action training of the musicians during the preparatory camp and accompanies them during the action. and accompanies them during the action.

From the relegation battle to winning the Europa League to the Champions League anthem for the first time - Eintracht Frankfurt has experienced turbulent times with incredible moments. We have accompanied the SGE on their journey to the Champions League so far - and we were in the heart of Europe.

How does the representation of war change in the internet age? Using only material available on YouTube filmed by soldiers, journalists, civilians and tourists from war zones, Max Viktor Herbert portrays the absurd global theater of war and its representation through new digital communication technologies

War, what is it good for?

Hardly anyone knows the artist, but almost everyone knows her paintings: Tamara de Lempicka, icon of the 1920s. Her art deco paintings of women in cars or in evening dress adorn book covers and break auction records. But who was she? The ARTE documentary by Grimme Prize-winning author Sylvie Kürsten ventures a self-portrait of Lempicka, narrated and played by Nicole Heesters.

Samson is a closeted gay teenager whose biggest fear is people finding out about his secret. After his horrifying first sexual experience Samson finds himself at a crossroads. As he's not ready to come out as gay to his best friend, Eleanor, he resorts to lying to her potentially ruining their friendship. As we get to see him try to mend his friendship with Eleanor, we start to see the reasons behind his sexually confused state of mind: his relationship with religion, having an absent father, the social pressure from his friends to lose his virginity, the shame from having lied to everyone he knows for years and even attraction towards his step-father.

A young man goes to a shopping mall and discovers that everyone has disappeared.

Loubna Régragui is above all a film preservationist who also makes films. One needs to put it like that to understand some of the energies that animate The Nine Lakh Stars, which was the search for acceptable analogue elements of Maṇi Kaul’s high-modernist masterpiece Duvidha (1973) whose soul, she thinks, was erased by its digital mastering. Which is an interesting question to ponder apropos of a film that tells the story of a ghost, who incarnates a young bride’s absent husband... Is the digital the ghost of the analogue?

The Virgin Spring of Dracula - an experimental approach to vampirism rituals. The vampires need the blood of a virgin to reincarnate the force of the virgin spring. This movie was filmed on original filming locations of Nosferatu (1979, Werner Herzog) Suspiria (1977, Dario Argento) Phenomena (1985, Dario Argento) Lucifer Rising (1972/1980, Kenneth Anger) Les Demoniaques (1974, Jean Rollin) Malpertuis (1971, Harry Kümel) Daughters of Darkness (1971, Harry Kümel) and was built on the cosmic spirit of these places. starring Shazzula Aura Lucina Fortuna Kathy S Juju Christian Lala Charlett Valeria Alvarado Mejia Pablo Alvarado Mejia Corvus von Burtle

A man hungry for sausages buys a microwave oven that will drag him into the wild.

Two Soy Boys hunt down Santa Claus.

Between the early 1990s and late 2000s, in what can be considered the golden age of Italian disco, a number of people chose to document a swirling, sleepless nightlife. What emerged is a collection of low-definition videos in which flashing lights, pulsating music and dancing bodies merge to become a mass in constant agitation. Viva la notte starts from this material to explore and expand the sense of loss that characterizes it, taking it to a level of abstraction and opacity where the image dissolves similarly to the world that generated it. Forms are lost in the dark and what remains are the evanescent traces of another place, populated by fleeting ghosts in search of perpetual instability.

"Here was our home," says farmer Rahim Shorkar, and points to the water. “There were streets, schools and concrete buildings. We had everything." The river brings rich sediments that make the land fertile, but the Jamuna's generosity comes at a cost. Islands - known as chars - pop up at the river's whim. But they disappear just as quickly, and the people of the Jamuna must jump from island to island.

What is political rhetoric? How is a word embodied? How do we establish a listening ear? These are all questions at the heart of so called politics. And just as decisive, who is talking to whom? For Pauline Bastard, whose projects (films and performances) consist of investigating the real and drawing out fictions that strip it back to its foundations, the 2022 presidential campaign offered the perfect opportunity to do so. Here are the bodies of some – you, me, everyone, in short the ultimate political body in a democracy – who endorse, are taken by the game and sometimes the words already spoken by others – well-known candidates. From one word to another, through the gaps that this authorises as much as the unforeseen associations, the exposure is as enjoyable as it is disconcerting. (Nicolas Feodoroff)

After being fired for being a lesbian, a woman tries to come to terms with the environment by switching between her real visions and mystical dreams.

Humanity no longer exists, only Fluor and Carlix, two ghosts in sportswear, remain. They wander among the remains of an extinct civilization, one in search of a Wi-Fi connection, the other in search of the head of a giant cetacean. A story of encounter and friendship, punctuated by an ultimate playlist : that of the end of the world.

In the midst of the harsh Californian desert and on the shores of a toxic lake lies a land that time forgot. This once abandoned town is now home to a small community where art heals people in the most unexpected ways. A British matriarch, a retired bank robber, an evicted artist from LA and an Italian prince open the doors to a magical land, a living theater, perhaps a way to an alternative life.

As veteran filmmaker Rolando Díaz confronts his own aging, he turns his lens on unforgettable Spanish centenarian Simona Hoyo, reckoning with what it means when the body keeps going long after the soul grows tired in this colorful and poignant new documentary.

Between the hat and the chandelier : the hat-chandelier. That’s...that's the long and short of it!

“If art is everywhere, it's also in this box” - Ben Vautier

"As leaves in the wind" is the story of two transgender women who migrate from their home countries seeking asylum and opportunities in a new continent. Their lives go through structural changes when they meet and take part in a new support network. Made by them for them.

"We're going into space!" was the motto for children from all over Germany this year. More than 1,200 pictures of rockets, UFOs and planets were submitted for the painting campaign of the German Aerospace Center. Filmmaker Sven Bohde and illustrator Sarah Gorf-Roloff made a selection and turned it into a film - a colorful journey from Earth to the sun.

Cybernetic memories of jugs, tuned cars and pills kept in a drawer emerge with the anthem of the best time in the history of Spain in terms of having a good time.

In order to save himself from the inner emptiness that has haunted him for a long time, Yacinthe tries to feel, to provoke a feeling in him. He thus receives in his intimacy an unknown man, a masked man who tells him nothing about himself, which his interlocutor and friend does not manage to understand. Charmed, Yacinthe metamorphoses into a modern courtesan with an immaculate boudoir. But can he save himself from an innate condemnation?

In Wolof, ‘Goor-Jigeen’ means male/female, by generalization ‘gay’ and akin to an insult. In Senegal, being homosexual is punishable by law and could mean five years of imprisonment. This documentary tells the story of people for whom the journey to Europe is the only choice.

Melilla, a Spanish enclave in Morocco, is a land border between the African continent and Europe. A buffer zone where European migration policies, their challenges and their consequences are read and shown. A place towards which converge the migrants of the Maghreb. They are "those who burn". They have nothing else to lose except wanting to live to the end.

Over the course of one long, wintry day, Liv and Emilia struggle to salvage their precarious relationship.

A collaborative film by Aidan O’Rourke, Becky Manson and Mark Cousins. A musical melange of fiddles, friendship and a search for home. An evocative film about Edinburgh’s Old Town and the communities who have called it home. During lockdown, musician Aidan O’Rourke befriended his three octogenarian neighbours, all called Margaret. Inspired by their tales, with a renewed curiosity for his own roots, he takes a musical journey into the meaning of home and belonging. This celebratory film about folk music and its power to connect features a foot-stomping original soundtrack by O’Rourke and live performances by sensational Irish and Scottish folk musicians.