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Ellipsis

Leo is a successful author of mystery novels, who writes under the pseudonym Cameron Graves. While penning his next book in an isolated chalet, he receives a strange visit from Jota, a somewhat troubling character, who claims to be a journalist. No one is aware of Leo’s true identity and only Victoria, his agent, knows his whereabouts, so... How has Jota managed to track him down? What are his intentions? A dark secret linked to Adriana, his young lover, seems to be behind the mysterious visit. Lies, betrayal, threats and death will be the order of the day as the two characters go head to head in a merciless duel.

Ellipsis

5.5 2024
Silvia

Silvia looks dazzling in the old VHS footage of her wedding in the early 1980s—she's a beautiful woman about to embark on a promising future with a diplomat husband, and a comfortable house to live in. The home videos that follow show more highlights from her life: her first wedding anniversary, her daughters growing up, and the farewell party at the embassy. Meanwhile, the audio commentary offers a very different reality. The film's director María Silvia Esteve is the middle one of Silvia's daughters, and she and her siblings talk about their parents' gradual descent into a spiral of angry clashes, psychological problems and prescription drugs. By recounting events from their childhood, they try to get a handle on what went wrong in their family. And they wonder why their mother, with whom they had a very close relationship, never managed to improve the situation or leave their father.

Silvia

6.0 2018
Illusions S.A.

Mr. Balboa had a heartless grandson who, at the time, was kicked out of the house (a fact concealed from his wife). Since then he had forwarded himself letters sent in theory by his grandson in order to please his wife. The real grandson decides to go home (looking for money) but the boat where he was traveling sinks. Balboa hires an impersonator and master of beneficial illusions (Mauritius) and together with a cute girl (Isabel), they pretend to be the missing grandson and his "happy wife" to the grandmother, who is very pleased with the guest. But then comes the surprise...the real grandson is alive and he is on his way to return home.

Illusions S.A.

6.6 2015
The Light of Aisha

Aisha, a 13-year-old girl, lives in 11th century Al-Andalus, where fireworks displays are the most popular entertainment and the one big passion of young Aisha, who dreams of becoming a professional rocketeer one day. Someday, the adventurous alchemist Txawir comes to town, using Aisha for his own purposes and convincing her to steal a banned book from the Calipha’s library without permission. Txawir disappears with the book, for which Aisha’s father is blamed. To recover the book and save her father, Aisha embarks on an adventurous journey…

The Light of Aisha

5.0 2025
The diva, my grandma and me

Inés and her grandmother Esperanza have always had a special relationship, but she waited until she turned thirty to ask her to tell her about her youth. Her grandmother opens the box of memories, determined to share details of her life that she had never shared before. The photographs from the family archive come to life with the rhythm of the songs hummed by her grandmother. The lyrics of "Batallón de modistillas," a cuplé from the late 19th century, set Inés's heart on fire and she begins to search.

The diva, my grandma and me

NR 2025
Cómicos

“Cómicos” is a sentimental road movie in which we have accompanied the veteran Benavente Company on their tour of Spain. It is the last touring repertory theatre company left in Spain, whose patriarchs, Luis and Aurora, are approaching 80 years old. At the same time, on this emotional journey, we are introduced to the supporting actors, such as Manuel Andrés oandAmparo Pacheco - also octogenarians - who live their profession with dignity and unwavering enthusiasm. In “Cómicos” the names of our protagonists do not appear on illuminated signs but they shine with their own light in a film that talks about passion, the passage of time and the thin line that separates triumph and failure.

Cómicos

NR 2009
200 Km

200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets. One year after setting up the "Camp of Hope" with which they occupied Madrid's Avenida de la Castellana for months, and with the promises they were made unfulfilled, Sintel workers began a 10-day, 200-km march to Madrid to claim your job. Premiered on San Sebastian Film Festival 2003.

200 Km

7.2 2003