In order to get Kanako (Izumi Yukimura) married, her mother places a rental listing in the student medical school newsletter and attempts to find a suitable lodger who will catch the eye of her daughter.
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In order to get Kanako (Izumi Yukimura) married, her mother places a rental listing in the student medical school newsletter and attempts to find a suitable lodger who will catch the eye of her daughter.
Lonely youth Shinji meets Hatsue, a pretty pearl diver, on the beach and the two fall in love. But Shinji has a rival for Hatsue's affections, Yasuo.
A young, struggling couple are making every sacrifice so they will one day in the not-too-distant-future, have enough money to get married. As they have agreed on this procedure, it comes as a shock to the young woman to find out from her husband-to-be that he just loaned all the money they had saved to a friend. She is understandably miffed, and a big disagreement results. But after some time goes by, she discovers why the friend needed the money so badly, and the couple are back on solid footing again.
Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.
Sayuri, a young woman born to a simple life on a farm, moves to Tokyo to pursue a life long dream of becoming a singer. Through dance, music, and songs, this story shows how a girl raised on a farm was able to make her dream a reality, with the love of those around her.
Shuzenji Monogatari (The Mask and Destiny) is based on a 12th-century Japanese legend. An abortive royal romance leads to an escalating series of tragedies. The central character is a Japanese monarch who would prefer to live a humble existence as a maskmaker. Unfortunately, events -- and destiny -- are against him. When first released, Shuzenji Monogatari was held in far lower esteem than such recent Japanese films as Gate of Hell and Samurai. Nevertheless, the film was selected as an entry at the Venice Film Festival, possibly on the strength of its excellent production values.
With flashing swordwork and a terrific story, wandering gambler Kusama Hanjiro inspires the wrath of Boss Jirotaro who has been terrorizing travelers along the route through his territory. When Hanjiro steps in to gamble with him one-on-one it leads to a deadly vendetta that will show no mercy. Along the way Hanjiro is called upon to help sisters with no one else to depend on. Will the feud end in tragedy, or can the honest wanderer prevail against the bloodlust of an angry yakuza boss whom he had scarred for life?
Kinichi and Akiko meet when they visit their fathers in prison. After successfully gambling on a bicycle race, they spend an enjoyable day together at the beach.
Isshin Tasuke, a friend of Ōkubo Hikozōemon, the esteemed public arbitrator of the realm, saved the maid Onatsu from punishment after she accidentally broke a plate gifted by Lord Ieyasu. Tired of the strict samurai service, Tasuke moved to the Genbei tenements and opened a fish shop. This tenement housed various characters, including the landlord's daughter Osen who had a crush on Tasuke, the midwife Okan, the blind masseur Oyone and her husband, the carpenter-loving couple Yoshigorō and Ohama, the rōnin Takeuchi Yogoemon, and the siblings Ochika and Shin'nosuke who cared for their sick mother.
A boy falls in love with a girl. Neither of them know that she's to be sold to a brothel.
A ghost man with his face hidden entirely by bandages is killing beautiful nude models. Detective Kindaichi investigates.
Machiko and Haruki’s drama continues. Machiko is not allowed to see Haruki. They finally meet again, but Haruki departs to Europe.
A father curries favor with his bosses to further his career, but his wife has lost faith in him. She returns to her family home while they rent out their house during the summer to pay off their mortgage, and there she meets a lonely old man...
1955 Japanese movie
Japanese comedy film.
Having completed the first year at his new medical practice, a doctor plans to relax on his day off. However, it is not to be: on this hectic day a man just back from the war front visits the doctor with a medical emergency, followed by a woman who claims to have been molested. Then a yakuza arrives to ask the doctor to cut his finger off...
Melodrama by Kiyoshi Saeki
The movie depicts the strength and resilience of a woman who spent her entire life as a merchant in Semba, Osaka.
About the struggles of day labourers to achieve dignity and a standard of living above the starvation level. Utilising the Zenshinza theatrical troupe.
A youth lyrical story of pure love of a girl who grew up in the Kyoto Gion quarter, with a geisha mother and sisters Maiko and a college student.
An action-packed, dramatic gangster film.
During the ultra-violent era of the downfall of the Tokugawa Shogunate one man rose above the rest with his ideas of how to overthrow the corrupt government and end the bloodshed between the Choshu and Satsuma clans which would ultimately lead to the alliance of these 2 clans and restoration of the emperor to full power. Based on the play that made Sawada Shojiro famous, this is the story of Tsukigata Hanpeita, a forward looking samurai from Choshu, who along with Katsura Kogoro and Sakamoto Ryoma of Tosa worked to bring their dream of a new era in Japan.
Ichiro Yoshida, the father of the boy Kiyoshi, who has been repatriated from China, returns home after a ten-year separation. The father, who has been estranged from his son for many years, pays no attention to the boy, often punishes him unfairly, and gives all his tenderness to his little daughter, who was born after his return. The boy sees all the injustice of his father and, offended, leaves home. The father realized that he was wrong, that he was guilty before his son. The mother finds the boy and brings him home. The father and the son become friends from that day on.
Five longtime friends get back together, but are disappointed to find that their bonds are not as strong as they once were.
A Japanese artist (Ikebe), who had won the favor of the Cambodian royal family when he rescued their daughter during World War II, returns and falls for the now-grown princess, though neither realizes the other's identity.
A narcotics investigator for the harbor police, Eiichi Tsuda, is driven by thoughts of vengeance for the overdose death of his brother and the subsequent decline and death of their mother. Tsuda acts viciously and with disdain for legal niceties in his exploration of the criminal facts behind the explosion of a freighter in the harbor. He goes undercover with a band of drug smugglers, but his methods threaten to destroy him as well as his case.
Shortly after arriving in Kobe, "Jiro the Lefty", a killer with a natural talent, witnesses a man die in a crane accident which turns out to be a cover-up for a murder. Jiro soon finds himself on the run, tailed by a determined cop.
Jirocho and his followers chase the Kurokomas into the Kai Province.
Sixth entry in the Company President Series.
Makino Masahiro film starring Okada Mariko
In a provincial Japanese town, an entrepreneurial sanitation collector is drawn into the world of local politics, only to discover that the prosperity he helped create will benefit everyone but himself.
Japanese suspense film.
The fifth film in the Toho Diamond series, following "The Hateful Thing." Based on the true story of "Zoo Story" by author Fukuda Saburo. During the Tokyo air raids of World War II, Zen-san, an elephant keeper at Ueno Zoo, is faced with the heartbreaking task of euthanizing Tonki, a beloved elephant, due to food shortages and wartime pressures. Unable to carry out the order, Zen-san secretly feeds Tonki, but the elephant is ultimately shot by the military police. The film poignantly captures Zen-san’s despair and the devastation of war, as he reflects on his powerlessness amid the chaos.
When Katsukawa, a low ranking vassal, learns that his greedy superior, Tatewaki, has hatched a plan to expand his territory, he and his comrades decide to take matters into their own hands. Lots of action in this all-star production from Toei Films, the foremost studio during that era. As with so many of their films, this is highly entertaining, with lots of plot twists and exciting swordplay
A story of a passionate teacher and his great effort for the children in a poor village.
Atsuko is an office secretary who is also her family's primary source of income and caretaker in postwar Japan.
A young student falls for an invalid girl whom he can only see from afar.
A young doctor discovers that the city hall of records has a record of his death. He and some friends try to seek out the person who reported it, and uncover a shady group of criminals with a sinister plot.
A yakuza boss and his right-hand, Hawasaki, escape from prison. the film concentrates on their relationship, emphasizing loyalty and thier eventual betrayal, enroute they get involved in money trafficking, a cop killing and horse racing scams before the inevitable tragic ending. A patch-work production.
In a desperate crisis, Inamaru is plunged into the dark sea by a strike from Tokugawa Ieyasu. Ryutaro desperately tries to rescue Inamaru. However, it's not just Ieyasu who aims for him and the precious treasure of the Unshaken Banner. Various individuals, good and evil alike, are aiming for the foothills of Mount Fuji where the hidden treasure lies.
In World War II, the commanding officer of a sub, against his will takes on board two Western diplomats, to take them to the Canaries and arrange an armistice. When they get there, peace has been declared, but the sub's crew don't know as their radio has failed. They send their passengers ashore and go out to face a final battle...
Japanese comedy film released to commemorate the 10th anniversary of Shintoho's founding.
A group of hustling peddlers swindle rural towns with fake goods, facing betrayals, close calls, and constant setbacks as they chase survival and dream of a better future.
A bar girl tries to pass her three children, each from a different father, to rural relatives.
A Hibari Misora musical about an impoverished girl and her brother in Postwar Japan.
A university professor and his wife have two sons with infantile paralysis. Through trial and error, they struggle to open a school for disabled children at their own expense. Based on a true story, it features natural child performances under Hiroshi Shimizu’s skillful direction.
Melodrama by Kon Ichikawa
Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.
A film by Hideo Suzuki.
The plans of a trio of burglars are continually thwarted by the arrival of visitors to the house they plan to rob.
Chubei, the adopted son of an Osaka courier, falls desperately in love with the courtesan Umegawa. To prevent a wealthy client from purchasing her, he steals money from his employer to buy her freedom himself. Now hunted criminals, the lovers flee toward Yamato, pursued by the law.
Futari no hitomi (二人の瞳, Futari no hitomi, The Eyes of Two People) a.k.a. Girls Hand in Hand (USA title) is a 1952 black-and-white Japanese film directed by Shigeo Nakaki.