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Trio Ponty Lagrène Eastwood au Festival Au Grès du Jazz

A wonderful jazz concert with Jean-Luc Ponty on the violin, Bireli Lagrène on the guitar and Kyle Eastwood on the bass. Biréli Lagrène is a regular at the Au Grès du Jazz festival, which takes place in La Petite Pierre, in the Vosges. He has been on stage for the past 40 years and has played with Benny Carter, Cream or Elvin Jones. Kyle Eastwood began his career in the 90’s in L.A. and New York and has already produced 8 albums. Jean-Luc Ponty, a living legend of jazz-rock, has played next to Frank Zappa and Elton John.

Trio Ponty Lagrène Eastwood au Festival Au Grès du Jazz

NR 2017
Murders in Savoie

The peaceful resort of Meribel is about to open for the ski season when a man's body is discovered at the top of a chairlift, covered in wolf skin. Clara and George Kessler, the father-and-daughter detective team leading the inquiry, are certain the crime is connected to the war being waged between livestock farmers and environmentalists ever since wolves were reintroduced into the valley. Among locals, far-fetched theories are stirring panic-could a werewolf be terrorizing the valley? For the Kesslers, the murder will uncover a secret that may not be supernatural, but is just as shocking.

Murders in Savoie

5.4 2017
The Unmanned - 1542 - a flood

Seventh and last episode of The Unmanned, “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley. Mining the colonial past of the region, and entirely generated and edited with an autonomous artificial intelligence system, this film for and by machines only features the return of an intelligence to its place of origin and the death of the animal gods who used to live in it. Closing the series onto itself with a machine trained solely on its first episode (“2045 – The Death of Ray Kurzweil”), it shows the wandering of an inhuman vision trying to revive meaning by recognising itself on the god’s corpses.

The Unmanned - 1542 - a flood

NR 2017
Venice: Flamboyant to the End

No city in the world has sparked as many desires and fantasies as Venice. In the 18th century, its heady atmosphere of freedom produced an extraordinary cultural flowering. Famous artists like Vivaldi, Tiepolo father and son, Canaletto, Longhi, Guardi, Goldoni and Casanova hurled themselves into a giddy whirl of libertinage while leaving their stamp on the unique city. Then, in 1797, Venice surrendered to Napoleon Bonaparte. Carnival was over, and the masks came off. Venice: Flamboyant to the End transports us from canal to canal, palazzo to palazzo, bathing us in the magical atmosphere of this maze of a city and conjuring up the uniquely flamboyant Venice of the 18th century.

Venice: Flamboyant to the End

NR 2017
The Unmanned - 1759 - Mil Trois Cens Quarante Huyt

Sixth episode of The Unmanned and sharing the same camera movements as the episode “1997 – The Brute Force”, “Mil troi cens quarante huyt” refers to the appearance of a comet in 1759 – thus validating the computation and rational prediction of its return by the British astronomer and mathematician Edmond Halley. The action of the film goes back four centuries earlier, in 1348, and unfolds around one unique scene: the escape and the death of a bishop and his court in a forest during the first major outbreak of the Black Plague which was said at the time to be born in the hair of comets.

The Unmanned - 1759 - Mil Trois Cens Quarante Huyt

NR 2017
Marie Salope

In a beach resort swept by winds in the off season, Marie leaves home without her mother's authorization. She crosses paths, by chance, with Karim, who is out walking with his grandpa. Karim immediately identifies what is wrong with Marie's life. He hurts her as much as he loves her by telling her a few home truths, but Marie doesn't lose her cool: if she is one the idiots then it would be better if she left the village. A new wind blows through her life. Both Marie and Karim set sail together

Marie Salope

NR 2017
False Confessions

Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.

False Confessions

5.2 2017