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Clémentine Tango

Charles, the snobbish young scion of an aristocratic family that has seen better days, stumbles into the weird yet strangely attractive cabaret world while attempting to trace a former mistress of his father. He falls in love with Clémentine, an adolescent member of the cabaret “family” who has created her own tango-obsessed fantasy world amidst the surrounding decadence. Charles, learning that Clémentine might be his half-sister, and thus fearing an incestuous relationship, succumbs to the ambiguous seductions of two Machiavellian accomplices, a magician and a girl dancer.

Clémentine Tango

7.3 1983
Qui trop embrasse...

How couples unite, interact, separate, reunite or find other partners. The links in this chain begin with Christian and Nathalie, who are coworkers and friends. Christian discovers that his lover Francoise is having an affair, and Nathalie advises him to give his feelings some time to heal, about two years. Nathalie is angry that her lover Mark does not want to see her more often, while he is jealous of the men in her past. Meanwhile, Francoise finds out that her new lover is not that interested in her anymore, and after they split, she encounters him with someone else. As romance fluctuates like the lunar tides, the myth of one true love takes a beating.

Qui trop embrasse...

7.0 1986
I Want to Go Home

Joey Wellman, an American cartoonist from Cleveland now largely forgotten at home, visits France with his partner Lena to attend an exhibition in Paris about the comic strip (bande dessinée) which features his work. He also hopes to be reconciled with his daughter Elsie who has been a student in Paris for two years, in flight from the American culture of which she sees her father as a typical example. Elsie is naively infatuated with French literature, and is trying to secure an introduction to the brilliant university professor Christian Gauthier, an expert on Flaubert but also an enthusiast for comic books. The meeting of father and daughter goes badly, but Elsie is persuaded to join Joey and Lena for the weekend at the country house of Gauthier's mother, Isabelle. During a comic-themed masquerade party, all of the characters are made to reconsider their present and past relationships.

I Want to Go Home

4.8 1989
Femmes de personne

Cécile, a single mother, contrives to meet Gilquin, the married father of a classmate of her nearly-adolescent son. An affair ensues. Isabelle, approaching middle age with two children, discovers she's pregnant, goes into a funk, and arranges for a younger woman to seduce her husband. Adeline is distraught at her ex-lover's plan to leave France. The three women are colleagues at a radiology clinic. They come to each other's aid, but each must decide on her own what course to take: Cécile with Gilquin, Isabelle with her husband, and Adeline with her solitude.

Femmes de personne

4.3 1984
The Veiled Man

Claire (Laure Marsac) is a 16-year-old young woman who discovers her father Pierre (Bernard Giraudeau) is not a healing physician but a killer with a bloody war record in the Lebanese conflict. She runs away from home and into the arms of Kamal (Michal Albertini). While Pierre stalks two terrorists, Claire and Kamal are violently confronted by Kamal's abandoned wife and family. The ravages of the conflict extend to those who are never participants in the battle but are among the casualties of war.

The Veiled Man

4.5 1987
Les Vamps

Distinctive features: they love to wear floral jersey dresses and wear scarves straight out of ancient times. Philosophical principles: to gossip in a great and beautiful burst of thwarted and buffoonish bigotry. This Vamps show was recorded in 1989, at the Palais des Glaces. Dominique de Lacoste and Nicole Avezard play two raging vixens, unable to agree on any subject, but terribly in tune when it comes to sending out jibes and other slanderous remarks about their neighbors.

Les Vamps

8.0 1989
Last Image

Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood.

Last Image

NR 1986
Vertiges

In a specialized, hermetic drama about love won and lost, not necessarily by the same individuals, novice director Christine Laurent has focused on the backstage melodramas of an opera company. The conductor for an upcoming performance of the Marriage of Figaro has his mind and heart on other matters -- an entrancing diva who keeps him enraptured with her presence and voice. In the meantime, he finds fault with his cast members who cannot, of course, measure up to the woman of his dreams. As singers encounter one problem or another, it is clear that something has to be done about the conductor. Director Laurent designed costumes for both theater and opera, giving her some insight into the venue.

Vertiges

7.3 1985
Lien de parenté

In this drama, the popular French film star of the '30s and '40s Jean Marais plays Victor, a disgruntled, cranky old man who is forced to come to terms with the fact that he is now the guardian of his mulatto grandson Clem (Serge Ubrette). Victor is shocked to discover his grandson's mixed heritage when he travels to London to pick him up, but resigns himself to the situation. Once at home in France, the brash Clem manages to steal the heart of the most coveted young woman in town, but that only gets him into trouble with her tough-guy boyfriend and his buddies. Meanwhile, Grandpa is trying to come to grips with his own biases as best he can.

Lien de parenté

8.0 1986